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Ruins of Ancient Cities (Vol. 2 of 2). Charles Bucke
Читать онлайн.Название Ruins of Ancient Cities (Vol. 2 of 2)
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Автор произведения Charles Bucke
Жанр Зарубежная классика
Издательство Public Domain
Among the walls and rubbish are a vast number of lizards and serpents; and that circumstance led to the celebrated poetic picture painted by Darwin.
Lo! where Palmyra, ‘mid her wasted plains,
Her shattered aqueducts, and prostrate fanes,
As the bright orb of breezy midnight pours
Long threads of silver through her gaping towers,
O’er mouldering tombs, and tottering columns gleams,
And frosts her deserts with diffusive beams,
Sad o’er the mighty wreck in silence bends,
Lifts her wet eyes, her tremulous hands extends.
If from lone cliffs a bursting rill expands
Its transient course, and sinks into the sands;
O’er the moist rock the fell hyena prowls,
The serpent hisses, and the panther growls;
On quivering wings the famished vulture screams,
Dips his dry beak, and sweeps the gushing streams.
With foaming jaws beneath, and sanguine tongue,
Laps the lean wolf, and pants, and runs along;
Stern stalks the lion, on the rustling brinks
Hears the dread snake, and trembles as he drinks.
Quick darts the scaly monster o’er the plain,
Fold after fold his undulating train;
And, bending o’er the lake his crested brow,
Starts at the crocodile that gapes below. – Darwin.
On the eastern side of the area of the Temple of the Sun, there is a curious doorway of one solid block of stone, which commands a fine view of the desert. “As we looked out of this narrow gateway,” says Mr. Addison, “we fancied, that Zenobia herself might have often stood at the same spot, anxiously surveying the operations of Aurelian and his blockading army. From hence the eye wanders over the level waste, across which the unfortunate queen fled on her swift dromedary to the Euphrates; and here, the morning after her departure, doubtless congregated her anxious friends, to see if she was pursued in her flight; and from hence she was probably first descried, being brought back a captive and a prisoner in the hands of the Roman horsemen.”
On the east side of the Piazza, stands a great number of marble pillars: some perfect, but the greater part mutilated. In one place eleven are ranged together in a square; the space, which they inclose, is paved with broad flat stones; but there are no remains of a roof.
At a little distance are the remains of a small temple, which is also without a roof; and the walls are much defaced; but from the door is enjoyed the magnificent coup-d’œil of all the ruins, and of the vast desert beyond. Before the entry, which looks to the south, is a piazza, supported by six pillars, two on each side of the door, and one at each end. The pedestals of those in front have been filled with inscriptions in the Greek and Palmyrene languages, which are become totally illegible.
Among these ruins there are many Sepulchres. They are ranged on each side of a hollow way, towards the north part of the city, and extend more than a mile. They are all square towers, four or five stories high. But though they are alike in form, they differ greatly in magnificence. The outside is of common stone; but the floors and partitions of each story are marble. There is a walk across the whole building, just in the middle; and the space on each hand is subdivided into six partitions by thick walls. The space between the partitions is wide enough to receive the largest corpse; and in these niches there are six or seven piled one upon another.
“As great a curiosity as any,” says Mr. Halifax, “were these sepulchres, being square towers four or five stories high, and standing on both sides of a hollow way, towards the north part of the city. They stretched out in length the space of a mile, and perhaps formerly might extend a great way further. At our first view of them, some thought them the steeples of ruined churches, and were in hopes we should have found some steps of churches here; others took them to have been bastions, and part of the old fortifications, though there is not so much as any foundation of a wall to be seen. But when we came, a day or two after, more curiously to inquire into them, we quickly found their use. They were all of the same form, but of different splendour and greatness, according to the circumstances of their founders. The first we viewed was entirely marble, but is now wholly in ruins; and we found nothing but a heap of stones, amongst which we found two statues; one of a man; another of a woman, cut in sitting, or rather leaning, posture, and the heads and part of the arms being broken off; but their bodies remaining pretty entire; so that we had the advantage of seeing their habits, which appeared very noble; but more approaching the European fashion, than what is now in use in the East, which inclined me to think they might be Roman. Upon broken pieces of stone, tumbled here and there, we found some broken inscriptions, but, not affording any perfect sense, they are not worth the transcribing.”
These are the most interesting of all the ruins. As you wind up a narrow valley between the mountain range, you have them on your right and left, topping the hills, or descending to the border of the valley: some presenting heaps of rubbish, and some half fallen, expose their shattered chambers, and one or two still exist in almost an entire state of preservation. They are seen from a great distance, and have a striking effect in this desert solitude.
The ruins of Palmyra and Balbec are very different. “No comparison can be instituted between them,” says Mr. Addison. “The ruins of Balbec consist merely of two magnificent temples, inclosed in a sort of citadel; while here, over an immense area, we wander through the ruins of long porticoes leading up to ruined temples and unknown buildings. Now we see a circular colonnade sweeping round with its ruined gateway, at either end; now we come to the prostrate walls, or ruined chambers of a temple or palace; anon we explore the recesses of a bath, or the ruins of an aqueduct; then we mount the solitary staircase, and wander through the silent chambers of the tombs, ornamented with busts, inscriptions, and niches for the coffins, stored with mouldering bones; and from the summits of funereal towers, five stories in height, we look down upon this mysterious assemblage of past magnificence; and beyond them, upon the vast level surface of the desert, silent and solitary; stretching away like the vast ocean, till it is lost in the distance, far as the eye can reach. The dwelling of man is not visible. The vastness and immensity of space strikes us with awe, and the mouldering monuments of human pride, that extend around, teach us a sad lesson of the instability of all human greatness.”
Though antiquity has left nothing either in Greece or Italy, in any way to be compared with the magnificence of the ruins of Palmyra, Mr. Wood observes, that there is a greater sameness in the architecture of Palmyra than at Rome, Athens, and other great cities, whose ruins evidently point out different ages of decay. But, except four half-columns in the Temple of the Sun, and two in one of the mausoleums, the whole architecture is Corinthian, richly ornamented with some very striking beauties and some as visible faults.
Through the valley of the tombs may be traced remnants of a ruined aqueduct, which formerly conducted water to the town from, at present, an unknown source; it consists of a vaulted passage running underground, covered with a fine hard stucco. In regard to the present supply, there are two rivers, the waters of which, when judiciously distributed, must have conduced greatly to the subsistence and comfort of the ancient inhabitants; but these are now allowed to lose themselves in the sand.
Mr. Wood says that all the inscriptions he saw were in Greek or Palmyrene, except one, which was in Latin. Many attempts have been made to explain the Palmyrene inscriptions.