LITMIR.BIZ

Place of Thorns: Black Political protest in Kroonstad since 1976, is a landmark study that examines the tumultuous and often fractious politics in Kroonstad?s black townships. In spite of the town?s relative obscurity, the author demonstrates a rich tradition of civic and political life in its townships and provides a persuasive explanation for the violence unleashed in the 1990s after decades of relative political ?quiescence?. Based on scores of life-history interviews, the book illustrates a shift in the political mood from 1976 onwards. Inspired by the philosophies of black consciousness and the Congress movement, students developed a radical attitude and they spearheaded and shaped political protests in the townships up to the 1990s. However, tensions between the local civic associations and the regional and national ANC leadership ultimately cost the ANC the first democratic local government elections in Kroonstad. As a work of revisionist history, this book showcases South Africa?s nuanced liberation history that unfolded in smaller, less known places. The book is essential reading for scholars and students, and everyone interested in the South African liberation history, ?local? histories, political mobilisation and protests.

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Percival Kirby was a musician and ethnomusicologist and for many years head of the music department at the University of the Witwatersrand, Johannesburg. Between 1923 and 1933 he undertook more than nine expeditions as well as many shorter excursions around South Africa. He was hosted by local chiefs and taught to play the instruments he encountered. He managed to purchase many of them, and this collection, now known as the Kirby Collection, is housed at the South African College of Music, University of Cape Town. First published as Musical Instruments of the Native Races of South Africa in 1934, the book was the culmination of research trips undertaken by Percival Kirby. It became the standard reference on indigenous South African musical instruments. The bulk of the material is concerned with detailed information on the making and playing of each instrument, and is accompanied by a large number of musical examples. This third edition contains an introduction by Mike Nixon, Head of the Ethnomusicology and African Music at the South African College of Music, and new reproductions of the valuable historic photographs, but leaves Kirby?s original text unchanged.

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The global water and sanitation community is currently wrestling with the policy implications of two important realizations. The first is that it is quite possible for cities to actually run out of water–for the piped network to run dry. The second is that in many locations, basic water and sanitation interventions do not result in the large public health improvements that many water and sanitation professionals had hoped. As water and sanitation professionals work out the implications of these two realizations on policy and planning for water and sanitation improvements in the Global South, they will require an in-depth knowledge of local housing, water, and sanitation conditions, as well as a nuanced understanding of how households prioritize improvements in housing, water, and sanitation. The chapters in this book about Kathmandu illustrate the types of analyses of local conditions that are needed. Kathmandu holds many lessons for the global community about households’ responses to water scarcity and the management of water and sanitation services in periods of rapid urbanization and climate change. In Focus – a book series that showcases the latest accomplishments in water research. Each book focuses on a specialist area with papers from top experts in the field. It aims to be a vehicle for in-depth understanding and inspire further conversations in the sector.

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In this book Natasha Distiller explores historic and contemporary uses of Shakespeare in South African society which illustrate the complexities of colonial and post-colonial realities as they relate to iconic Englishness. Beginning with Solomon Plaatje, the author looks at the development of an elite group educated in English and able to use Shakespeare to formulate South African works and South African identities. Refusing simple or easy answers, Distiller then explores the South African Shakespearian tradition postapartheid. Touching on the work of, amongst others, Can Themba, Bloke Modisane, Antony Sher, Stephen Francis, Rico Schacherl and Kopano Matlwa, and including the popular media as well as school textbooks, Shakespeare and the Coconuts engages with aspects of South Africa?s complicated, painful, fascinating political and cultural worlds, and their intersections. Written in an accessible style to explain current cultural theory, Shakespeare and the Coconuts will be of interest to students, academics and the general interested reader.

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Structure, Meaning and Ritual in the Narratives of the Southern San analyses texts drawn from the Bleek and Lloyd Archive _ arguably one of the most important collections for the understanding of South African cultural heritage and in particular the traditions of the /Xam, South Africa?s ?first people?. Initially appearing in a now rare 1986 edition and here re-issued for the first time, the doctoral thesis on which the book is based became the catalyst for much scholarly research. The book offers an analysis of the entire corpus of /Xam narratives found in the Bleek and Lloyd collection, focusing particularly on the cycle of narratives concerning the trickster /Kaggen (Mantis). These are examined on three levels from the ?deep structures? with resonances in other areas of /Xam culture and supernatural belief, through the recurring patterns of narrative composition apparent across the cycle and finally touching on the observable differences in the performances by the various /Xam collaborators.Hewitt?s text remains the only comprehensive and detailed study of /Xam narrative, and it has become itself the object of study by researchers and PhD candidates in South Africa, the United Kingdom, Canada and elsewhere. This new edition at last makes Hewitt?s important work more widely available. It will be a welcome addition to the recently burgeoning literature on the place of the /Xam hunter-gatherers in the complex history of South African culture and society.

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