LITMIR.BIZ

We were exposed to these phenomena in order that we might learn something, but of course the lessons we learn are not always what was intended. So begins Matthew Garth’s story of the fall of 1962, when the shooting of a young woman on Thanksgiving Day sets off a chain of unsettling events in small-town Willow Falls, Minnesota. Matthew first sees Louisa Lindahl in Dr. Dunbar’s home office, and at the time her bullet wound makes nearly as strong an impression as her unclothed body. Fueled over the following weeks by his feverish desire for this mysterious woman and a deep longing for the comfort and affluence that appears to surround the Dunbars, Matthew finds himself drawn into a vortex of greed, manipulation, and ultimately betrayal. Immersive, heart-breaking, and richly evocative of a time and place, this long-awaited new novel marks the return of a great American storyteller.

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This second volume of poetry by experimental writer Jesse Ball is a philosophical recasting of myth and legend. Employing an eerie narrative simplicity, these always unpredictable poems are cautionary tales of the oppressiveness of monolithic culture on the development of artistic, philosophical, and political leadership. Alternating from the personal to the public, Ball attains a wide enough vantage to observe the cowardliness of historians in their refusal to ascribe causality. Unearthing parables from the compost heap of oral tradition, folklore, literature, and popular culture, this book projects shadows of figures we think we recognize: Helen Keller, Pompeii, Ellis Island, Houdini, Lazarus, the Pied Piper, Punch and Judy, Hawthorne, Shirley Jackson, and more.Comprised of three separate “volumes,” The Village on Horseback creates an entirely original world of interrelated characters, with a mix of references, allusions, evocations—the result being a sort of Brueghel-esque feel—and yet there’s also a self-conscious acknowledgment of modernity as well as a questioning of the “authority” of the author in determining meaning. At times evoking Gorey, Chaucer, and the tale of Robin Hood, these fables, ghost stories, and riddles of human nature dissect the individual’s interaction with “culture,” particularly commenting on the ascribing of meaning by communal groups resulting in “truth-making,” and the limitations of our leaders (artists, philosophers, politicians) in their ability to break us out of communal indoctrination.

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If by 1970 I had started to slip, it wasn’t by much. To make more of the decline would be easy: exaggeration resonates in candor. My income had fallen, though not to any depth. That would have required a spectacular reversal, and, contrary impulses notwithstanding, I seem to avoid spectacular actions of any kind. I still had plenty of money in 1970, more than my neighbors could reasonably hope to come by, yet not so much anymore that I could forget them. My lawn was no longer quite big enough nor my hedges high enough.Neil Fox has made a fortune off the “heads we win/tails you lose” venture capital deals negotiated by his brother, costing him almost everything but money. His ex-wife and daughter spurn him, and he lost his young son years ago. He now lives a carefully plotted life, working as a lawyer at a small investment-banking firm and spending nights at home with a drink.When the affable Bud Younger moves in next door—on a parcel that Neil had sold off—Neil takes an almost instant dislike to him. Bud is nearly everything Neil is not—a gregarious, energetic striver loved by his intact family. When Bud asks Neil to

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Originally published in 1974, this gripping novel tells the tale of the Easter family of Ontarion, Iowa. Ansel Easter was a favored minister until he rescued a grotesque creature from a carnival sideshow. His sons, C and Sam, suffer in the shadow of their outcast father until his violent death. C and Sam leave the home their father built for a new beginning, and find fortune building a lucrative business called the Associates — but when a rash of deaths has the townspeople looking at C and Sam as suspects, they find their father's legacy reaches further than they expect. Taut, dark, and engrossing, The Easter House holds up as a brilliant work of fiction some 30 years after its initial publication.

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MILKWEED NATIONAL FICTION PRIZE WINNERINDIE HEARTLAND BESTSELLERONE BOOK SOUTH DAKOTA SELECTIONMINNESOTA BOOK AWARD FINALISTMIDWEST BOOKSELLERS BOOK AWARD FINALISTGrey Rabbit, an Ojibwe woman living by Lake Superior in 1622, is a mother and wife whose dream-life has taken on fearful dimensions. As she struggles to understand “what she is shown at night,” her psyche and her world edge toward irreversible change. In 1902, Berit and Gunnar, a Norwegian fishing couple, also live on the lake. Berit is unable to conceive, and the lake anchors her isolated life and tests the limits of her endurance and spirit. And in 2000, when Nora, a seasoned bar owner, loses her job and is faced with an open-ended future, she is drawn reluctantly into a road trip around the great lake.The Long-Shining Waters is the story of these three women, separated by years and circumstance but connected across time by a shared geography: the inland sea. Rich with historical detail, each character comes vividly to life in this luminous debut novel.“Danielle Sosin has written the first great novel about Lake Superior—and its many ghosts.”—Minnesota Monthly

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This powerful, sweeping novel continues the saga of Dshurukawaa, the Tuvan shepherd boy introduced in The Blue Sky. Torn between the onset of visions and pressure from his family to attend a state boarding school, the adolescent attempts to mediate the pull of spirituality and pragmatism, old ways and new. Taken from his ancestral home, he reunites with his siblings at a boarding school, where his brother also serves as principal. Soon he comes to understand that the main purpose of the school is to strip the Tuvans of their language and traditions, and to make them conform to party ideals. When tragedy strikes, Dshurukawaa begins to sense the larger import of his visions, and with it a possible escape. Tschinag's lyrical language, his striking characterizations, and his evocation of a singular way of life make The Gray Earth an unforgettable read and a worthy follow-up to The Blue Sky.

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An American expatriate hopes to quell his grief for a long lost son in the stillness of his photographs of the Dodecanese Islands. But soon friendship and then love for a woman wounded in her own family-born grief propels him toward life again, where stillness is set into motion and identity might be recovered, against odds, in a foreign place. "Oderman has a knack for keeping things moving and bringing the vibrant colors of the island to life."&#8212Publishers Weekly

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