LITMIR.BIZ

In this remarkable book Christopher Hill used the learning gathered in a lifetime’s study of seventeenth-century England to carry out a major reassessment of Milton as man, politician, poet, and religious thinker. The result is a Milton very different from most popular representations: instead of a gloomy, sexless “Puritan”, we have a dashingly thinker, branded with the contemporary reputation of a libertine.

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In this information overloaded twenty-first century, it seems impossible to fully discern or explain how we know about the past. But two things are certain. Whether we are conscious of it or not, we all think historically on a routine basis. And our perceptions of history, including African American history, have not necessarily been shaped by professional historians. In this wide-reaching and timely book, Pero Gaglo Dagbovie argues that public knowledge and understanding of black history, including its historical icons, has been shaped by institutions and individuals outside academic ivory towers. Drawing on a range of compelling examples, Dagbovie explores how, in the twenty-first century, African American history is regarded, depicted, and juggled by diverse and contesting interpreters—from museum curators to film-makers, entertainers, politicians, journalists, and bloggers. Underscoring the ubiquitous nature of African American history in contemporary American thought and culture, each chapter unpacks how black history has been represented and remembered primarily during the “Age of Obama,” the so-called era of “post-racial” American society. Reclaiming the Black Past: The Use and Misuse of African American History in the 21st Century is Dagbovie’s contribution to expanding how we understand African American history during the new millennium.

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Surveying the transformation of San Francisco in the early millenium by Silicon Valley, critically acclaimed writer Rebecca Solnit and photographer Susan Schwartzenberg describe the complex interactions that make up a living, creative, diverse city. One of our most impassioned and acclaimed chroniclers of American urbanism, Rebecca Solnit explores the impact of skyrocketing rents, architectural homogenization, and the links between artists and gentrification. Wealth, she argues, is just as capable of ravaging cities as poverty. Schwartzenberg’s social documentary photographs work with Solnit’s interlinked essays to memorialize San Francisco’s vanishing spaces of civic memory and public life. Both a portrait of an acute crisis and a call to defend collective public life, Hollow City makes a fervent case for the imaginative potential of cities.

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Reconsidering the Russian Revolution a century later Reflecting on the fate of the Russian Revolution one hundred years after October, Ronald Grigor Suny—one of the world’s leading historians of the period—explores the historiographical controversies over 1917, Stalinism, and the end of “Communism” and provides an assessment of the achievements, costs, losses and legacies of the choices made by Soviet leaders. While a quarter century after the disintegration of the USSR, the story usually told is one of failure and inevitable collapse, Suny reevaluates the promises, missed opportunities, achievements, and colossal costs of trying to build a kind of “socialism” in the inhospitable environment of peasant Russia. He ponders what lessons 1917 provides for Marxism and the alternatives to capitalism and bourgeois democracy.

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One hundred years after the Russian Revolution, Žižek shows why Lenin’s thought is still important today Lenin’s originality and importance as a revolutionary leader is most often associated with the seizure of power in 1917. But, Žižek argues in this new study and collection of original texts, Lenin’s true greatness can be better grasped in the very last couple of years of his political life. Russia had survived foreign invasion, embargo and a terrifying civil war, as well as internal revolts such as at Kronstadt in 1921. But the new state was exhausted, isolated and disorientated in the face of the world revolution that seemed to be receding. New paths had to be sought, almost from scratch, for the Soviet state to survive and imagine some alternative route to the future. With his characteristic brio and provocative insight, Žižek suggests that Lenin’s courage as a thinker can be found in his willingness to face this reality of retreat lucidly and frontally.

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Award-winning author China Miéville plunges us into the year the world was turned upside down Award-winning writer China Miéville has long been inspired by the ideals of the Russian Revolution and here, on the centenary of the revolution, he provides his own distinctive take on its history. In February 1917, in the midst of bloody war, Russia was still an autocratic monarchy: nine months later, it became the first socialist state in world history. How did this unimaginable transformation take place? How was a ravaged and backward country, swept up in a desperately unpopular war, rocked by not one but two revolutions? This is the story of the extraordinary months between those upheavals, in February and October, of the forces and individuals who made 1917 so epochal a year, of their intrigues, negotiations, conflicts and catastrophes. From familiar names like Lenin and Trotsky to their opponents Kornilov and Kerensky; from the byzantine squabbles of urban activists to the remotest villages of a sprawling empire; from the revolutionary railroad Sublime to the ciphers and static of coup by telegram; from grand sweep to forgotten detail. Historians have debated the revolution for a hundred years, its portents and possibilities: the mass of literature can be daunting. But here is a book for those new to the events, told not only in their historical import but in all their passion and drama and strangeness. Because as well as a political event of profound and ongoing consequence, Miéville reveals the Russian Revolution as a breathtaking story.

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The myths—and reality—behind the state of Israel In this groundbreaking book, published on the fiftieth anniversary of the Occupation, the outspoken and radical Israeli historian Ilan Pappe examines the most contested ideas concerning the origins and identity of the contemporary state of Israel. The “ten myths” that Pappe explores—repeated endlessly in the media, enforced by the military, accepted without question by the world’s governments—reinforce the regional status quo. He explores the claim that Palestine was an empty land at the time of the Balfour Declaration, as well as the formation of Zionism and its role in the early decades of nation building. He asks whether the Palestinians voluntarily left their homeland in 1948, and whether June 1967 was a war of “no choice.” Turning to the myths surrounding the failures of the Camp David Accords and the official reasons for the attacks on Gaza, Pappe explains why the two-state solution is no longer viable.

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On the centenary of the Russian Revolution, Tariq Ali paints an illuminating portrait of Lenin At the end of his life, Lenin wrote ‘we didn’t know everything’, acknowledging the dilemmas he faced on the road to revolution in 1917 and beyond. In this unusual exploration of the crises that Lenin overcame, the decisions he made, and actions that he took, Tariq Ali reveals an insightful political portrait of this most exemplary leader. From the first stirrings of revolutionary fervour, Lenin sought the right answer to a series of dilemmas that he faced and that still resonate with us today: Is terrorism ever a useful tactic? Can imperial wars ever be supported? What sort of political party do we need? What is the moral justification for seizing power? How does one overcome the burden of history? What role does friendship or love play in revolution? How do you establish a legacy that lasts? Ali reveals that no other modern thinker than Lenin has better understood, nor more clearly articulated, the need to change the world. But do Lenin’s ideas, as expressed in his actions and his political writings, still have any significance for us? In this centenary year of the Russian Revolution, this book raises important questions related to political representation and the popular institutions necessary to challenge capitalism today.

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A terrifying series of short poems by one of the world’s leading playwrights, set to images of World War II. In this singular book written during World War Two, Bertolt Brecht presents a devastating visual and lyrical attack on war under modern capitalism. He takes photographs from newspapers and popular magazines, and adds short lapidary verses to each in a unique attempt to understand the truth of war using mass media. Pictures of catastrophic bombings, propaganda portraits of leading Nazis, scenes of unbearable tragedy on the battlefield – all these images contribute to an anthology of horror, from which Brecht’s perceptions are distilled in poems that are razor-sharp, angry and direct. The result is an outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht’s works.

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The characteristic form taken by English Marxism since the war has been the study of history. No writer exemplifies its achievements better than Edward Thompson, whose Making of the English Working Class is probably the most influential single work of historical scholarship by a socialist today. An editor of The New Reasoner in 1957–59, a founder of the New Left in 1960, now an eloquent champion of civil rights, Thompson has most recently aroused widespread interest with the appearance of his Poverty of Theory, which combines philosophical and political polemic with Louis Althusser, and powerful advocacy of the historian’s craft. Arguments Within English Marxism is an assessment of its central theses that relates them to Thompson’s major historical writings themselves. Thus the role of human agency—the part of the conscious choice and active will—in history is discussed through consideration of its treatment in The Making of the English Working Class. The problems of base and superstructure in historical materialism, and of affiliation to values in the past, are reviewed in the light of Whigs and Hunters. The claims of utopian imagination are illustrated from the findings of William Morris. Questions of socialist strategy are broached in part through the articles now collected in Writing by Candlelight. Exploring at once differences and convergences between New Left Review and one of its founders, the essay concludes by suggesting the virtues of diversity within a common socialist culture.

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