LITMIR.BIZ

Included in this volume are studies of the traditional leadership of the Yi dynasty as well as twentieth-century legislative, party, and bureaucratic leadership, and an evaluation of views of political leaders in South Korea, as well as two studies of the Communist system in North Korea.

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In her first book, Island in the Sound, Heckman brought to life Anderson Island in Puget Sound, its people, its history, and its sadly vanishing way of life. Now, in this book, she brings the same clarity of vision, warmth, and insight to the natural life of her island, recording the cycle of the seasons as an appreciative and articulate observer.This is a diary of the natural world where the same things happen again and again but are always new. Each month brings surprises, expected or not: the blossoming of the wild red flower currant in March, the appearance of a pod of killer whales in July. Mrs. Heckman�s gift to the reader, as in all of the best nature writing, is to let us see it through her eyes, as if never seen before.But the developers have arrived, and the natural world of the Island is as threatened as the way of life of its people. Mrs. Heckman knows that Anderson Island is not the Grand Canyon, that its destruction will never arouse great public indignation, but while it exists as one of the �little wild places� she is able to share it and her love for it.

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Presented here are nine tales from the celebrated Ming dynasty Sanyan collection of vernacular stories compiled and edited by Feng Menglong (1574�1646), the most knowledgeable connoisseur of popular literature of his time in China. The stories he collected were pivotal to the development of Chinese vernacular fiction, and their importance in the Chinese literary canon and world literature has been compared to that of Boccaccio�s Decameron and the stories of One Thousand and One Nights.Peopled with scholars, emperors, ministers, generals, and a gallery of ordinary men and women in their everyday surroundings�merchants and artisans, prostitutes and courtesans, matchmakers and fortune-tellers, monks and nuns, servants and maids, thieves and imposters�the stories provide a vivid panorama of the bustling world of imperial China before the end of the Ming dynasty.The three volumes constituting the Sanyan set�Stories Old and New, Stories to Caution the World, and Stories to Awaken the World, each containing forty tales�have been translated in their entirety by Shuhui Yang and Yunqin Yang. The stories in this volume were selected for their popularity with American readers and their usefulness as texts in classes on Chinese and comparative literature. These unabridged translations include all the poetry that is scattered throughout the original stories, as well as Feng Menglong�s interlinear and marginal comments, which point out what seventeenth-century readers of the stories were being asked to appreciate.

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“Calling in the Soul” ( Hu Plig ) is the chant the Hmong use to guide the soul of a newborn baby into its body on the third day after birth. Based on extensive original research conducted in the late 1980s in a village in northern Thailand, this ethnographic study examines Hmong cosmological beliefs about the cycle of life as expressed in practices surrounding birth, marriage, and death and considers the gender relationships evident in these practices. The Hmong (or Miao, as they are called in China, and Meo, in Thailand) have lived on the fringes of powerful Southeast Asian states for centuries. Their social framework is distinctly patrilineal, granting little direct power to women. Yet within the limits of that structure, Hmong women wield considerable influence in the spiritually critical realms of birth and death. Calling in the Soul will be of interest to sociocultural anthropologists, medical anthropologists, Southeast Asianists, and gender specialists.Replaces ISBN 9780295800424

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The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world�s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories.In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists� styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration.The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field.Replaces ISBN 9780295951027

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" No-No Boy has the honor of being among the first of what has become an entire literary canon of Asian American literature,” writes novelist Ruth Ozeki in her new foreword. First published in 1957, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel’s importance and popularized it as one of literature’s most powerful testaments to the Asian American experience. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life “no-no boys.” Yamada answered “no” twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. As Ozeki writes, Ichiro’s “obsessive, tormented” voice subverts Japanese postwar “model-minority” stereotypes, showing a fractured community and one man’s “threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world.”The first edition of No-No Boy since 1979 presents this important work to new generations of readers.

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In imperial China, intellectuals devoted years of their lives to passing rigorous examinations in order to obtain a civil service position in the state bureaucracy. This traditional employment of the literati class conferred social power and moral legitimacy, but changing social and political circumstances in the Ming (1368–1644) and Qing (1644–1911) periods forced many to seek alternative careers. Politically engaged but excluded from their traditional bureaucratic roles, creative writers authored critiques of state power in the form of fiction written in the vernacular language.In this study, Liangyan Ge examines the novels Romance of the Three Kingdoms , The Scholars , Dream of the Red Chamber (also known as Story of the Stone ), and a number of erotic pieces, showing that as the literati class grappled with its own increasing marginalization, its fiction reassessed the assumption that intellectuals’ proper role was to serve state interests and began to imagine possibilities for a new political order.

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One of the most violent episodes of China’s Boxer Uprising was the Taiyuan Massacre of 1900, in which rebels killed foreign missionaries and thousands of Chinese Christians. This first sustained scholarly account of the uprising to focus on Shanxi Province illuminates the religious and cultural beliefs on both sides of the conflict and shows how they came to clash. Although Franciscans were the first Catholics to settle in China, their stories have rarely been explored in accounts of Chinese Christianity. Anthony Clark remedies that exclusion and highlights the roles of Franciscan nuns and their counterparts among the Boxers—the Red Lantern girls—to argue that women’s involvement was integral on both sides of the conflict. Drawing on rich archival records and intertwining religious history with political, cultural, and environmental factors, Clark provides a fresh perspective on a pivotal encounter between China and the West.

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In 1797, in what is now the Czech Republic, Pin as Hurwitz published one of the best-selling Hebrew books of the modern era. Nominally an extended commentary on a sixteenth-century kabbalist text, The Book of the Covenant was in fact a compendium of scientific knowledge and a manual of moral behavior. Its popularity stemmed from its ability to present the scientific advances and moral cosmopolitanism of its day in the context of Jewish legal and mystical tradition. Describing the latest developments in science and philosophy in the sacred language of Hebrew, Hurwitz argued that an intellectual understanding of the cosmos was not at odds with but actually key to achieving spiritual attainment. In A Best-Selling Hebrew Book of the Modern Era, David B. Ruderman offers a literary and intellectual history of Hurwitz�s book and its legacy. Hurwitz not only wrote the book, but was instrumental in selling it as well and his success ultimately led to the publication of more than forty editions in Hebrew, Ladino, and Yiddish. Ruderman provides a multidimensional picture of the book and the intellectual tradition it helped to inaugurate. Complicating accounts that consider modern Jewish thought to be the product of a radical break from a religious, mystical past, Ruderman shows how, instead, a complex continuity shaped Jewish society�s confrontation with modernity.

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Scholar-officials of late medieval China were not only enthusiastic in amateur storytelling, but also showed unprecedented interest in recording stories on different aspects of literati life. These stories appeared in diverse forms, including narrative poems, “tales of the marvelous,” “records of the strange,” historical miscellanies, and transformation texts. Through storytelling, literati explored their own changing place in a society that was making its final transition from hereditary aristocracy to a meritocracy ostensibly open to all. Literati Storytelling shows how these writings offer crucial insights into the reconfiguration of the Chinese elite, which monopolized literacy, social prestige, and political participation in imperial China.

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