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As China struggled to redefine itself at the turn of the twentieth century, nationalism, religion, and material culture intertwined in revealing ways. This phenomenon is evident in the twin biographies of North China’s leading Catholic bishop of the time, Alphonse Favier (1837–1905), and the Beitang cathedral, epicenter of the Roman Catholic mission in China through incarnations that began in 1701. After its relocation and reconstruction under Favier’s supervision, the cathedral—and Favier—miraculously survived a two-month siege in 1900 during the Boxer Rebellion. Featuring a French Gothic Revival design augmented by Chinese dragon–shaped gargoyles, marble balustrades in the style of Daoist and Buddhist temples, and other Chinese aesthetic flourishes, Beitang remains an icon of Sino-Western interaction.Anthony Clark draws on archival materials from the Vatican and collections in France, Italy, China, Poland, and the United States to trace the prominent role of French architecture in introducing Western culture and Catholicism to China. A principal device was the aesthetic imagined by the Gothic Revival movement of the eighteenth and nineteenth centuries, the premier example of this in China being the Beitang cathedral. Bishop Favier’s biography is a lens through which to examine Western missionaries’ role in colonial endeavors and their complex relationship with the Chinese communities in which they lived and worked.

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One of the most violent episodes of China’s Boxer Uprising was the Taiyuan Massacre of 1900, in which rebels killed foreign missionaries and thousands of Chinese Christians. This first sustained scholarly account of the uprising to focus on Shanxi Province illuminates the religious and cultural beliefs on both sides of the conflict and shows how they came to clash. Although Franciscans were the first Catholics to settle in China, their stories have rarely been explored in accounts of Chinese Christianity. Anthony Clark remedies that exclusion and highlights the roles of Franciscan nuns and their counterparts among the Boxers—the Red Lantern girls—to argue that women’s involvement was integral on both sides of the conflict. Drawing on rich archival records and intertwining religious history with political, cultural, and environmental factors, Clark provides a fresh perspective on a pivotal encounter between China and the West.

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The recent tide of books comparing Christianity and Buddhism has centered mostly on similarities. The Dalai Lama, for example, provided his opinions on Christianity in a popular book, The Good Heart: A Buddhist Perspective on the Teachings of Jesus (1996). Other writers have equally sought to describe these two traditions as «two paths to the same place.» Finding these approaches overly simplified, Anthony Clark confronts the distinctions between Buddhism and Catholic Christianity, acknowledging areas of confluence, but also discerning areas of abiding difference. Clark provides here a Catholic view of Buddhism that avoids obfuscations, seeking clarity for the sake of more productive dialogue.

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