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Аннотация
His last books There Is No Year and Nothing both received rave reviews in the NYTBR, among other places. Blake has a rabid fan base, will do a reading tour, and saturate the internet with promotion. Blake's voice is the new voice, the first real voice from the age of the internet. This book is bound to be reviewed by many places, and we expect them to be polarizing reviews.
Аннотация
'The real Stalky, General Dunsterville, who is so delightful a character that the fictitious Stalky must at times feel jealous of him as a rival..In the war he proved his genius in the Dunster Force adventure and in this book he shows that he possesses another kind of genius – the genius of comic self-revelation and burbling anecdote. And the whole story is told in a vain of comedy that would have done credit to Charles Lever' The Observer
Аннотация
First published in 1719, Daniel Defoe’s “Robinson Crusoe” is a pioneering work of realist fiction and one of the most popular adventure novels ever written. When it first appeared it was widely believed to be a true account of actual events. While it is thought to have been inspired by the real life story of Alexander Selkirk, a castaway who lived on an island in the Pacific for four years, the story is in fact completely fictional. At the beginning of the novel we find Robinson Crusoe desiring a life at sea, despite the wishes of his parents for him to pursue a more sensible career. Despite numerous disasters and misadventures at sea he is not to be deterred from his life choice. Ultimately he finds himself stranded on a deserted island when his ship is destroyed in a storm. Having only his wits and faith to help him survive, he makes do with the supplies that he has salvaged from the wreckage and the resources he finds on the island. Despite its relatively simple plot, “Robinson Crusoe” remains to this day as an enduring tale of maritime life. This edition is illustrated by N. C. Wyeth.
Аннотация
For centuries, people have celebrated every Midsummer's Eve at an ancient spring near a small Swedish village. On that special night, when unmarried men and women dance and some unusual activities are permitted, the Bridal Spring has special powers.<br /><br />Vilhelm Moberg introduces four musicians on the last day that each one will ever know: a curmudgeonly fiddler from the 1930s, a sad and conscientious key-harp player from the plague era of 1711, a ne'er-do-well who plays the flute in 1545, and a goat-horn blower from prehistoric times who, like the others, only seeks happiness with a woman. Binding their stories together is the voice of the Bridal Spring itself, tart and grudgingly compassionate—and slow to reveal its secret.<br /><br />Each progression backward in time reflects Moberg's rich knowledge of folklore and shows the changes in everyday life in Sweden's past. First published in 1946, before the Emigrants novels, The Brides of Midsummer is a complex, compelling journey through the arc of human life.
Аннотация
In Portland, Orgeon, three high school friends—Leon, Chris and Kayla—spend their time skateboarding studying foreign languages and classical music, and plotting a shared future that will avoid the superficiality they witness in the adult world around them. There is only one adult they admire, whom they suspect might hold secrets worth knowing.Natalie lives alone in a decrepit trailer, yet seems happy, and to have few concerns. As they befriend her she persuades them to harvest copper wire from the high tension electrical lines in the countryside around the city, until one day when there is an accident in which Leon is electrocuted. He appears to shake it off, yet soon—despite his denials of anything being wrong—his behavior comes to resemble Natalie’s in many ways.The mystery of what has happened to Leon (and to Natalie) leads Kayla and Chris on an adventure that takes them into the world of a remarkable group of people. These people live among us and are almost impossible to recognize, yet they possess different needs, and different powers. What they do not possess is insight into their condition, or any awareness that they are different. Others are left to wonder at—and attempt to profit from—the possibilities these people contain. Chris and Kayla are not alone in attempting to study, to use, and perhaps even to join their ranks.
Аннотация
This provocative novel follows Scott, a lonely drifter who earns money as a medical test subject and finds shelter in abandoned buildings on the riverfront. He first befriends Ray, a mysterious homeless man whose tenderness can't hide his unsavory tastes; next, he sets four adolescent boys on a series of increasingly dangerous dares. As these relationships develop and tangle, Scott gains insight into various lives and proves he can outlast any bad first impression.
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Ursula K. Le Guin selected Crazy Weather for her contribution to Pharos Editions citing Charles McNichols “offhanded skill, the ease with which (he) takes us deep into a complex society and the complex minds and hearts of its people.” In four days of «glory-hunting» with an Indian comrade, South Boy, who is white, realizes he must choose between two cultures. Le Guin explains how she finds Crazy Weather to be “about a soul not at home and not at peace: South Boy, who on the verge of manhood is living in and between two worlds, without a clear way to go in either.” Crazy Weather is a unique tale of American identity that serves as “an important document in our cultural history.”
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"A riveting portrayal of the joys and mysteries of growing up, and of friendship itself." — People Mikey Callahan, a thirty-year-old who is suffering from the clouded vision of macular degeneration, struggles to establish human connections—even his emotional life is a blur. As the novel begins, he is reuniting with «The Gunners,» his group of childhood friends, after one of them has committed suicide. Sally had distanced herself before ending her life, and she died harboring secrets about herself and her friends. In this quietly startling, beautiful book, Mikey, Alice, Lynn, Jimmy, and Sam search for the core of truth, friendship, and forgiveness. "Kauffman has done something remarkable with The Gunners ." — The New York Times Book Review «A moving novel . . . Like an intimate hangout session, dashed with suspense and a few extra layers of emotional beauty.» — Entertainment Weekly
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NATIONAL BESTSELLERWINNER OF THE 2018 PEN/FAULKNER AWARD FOR FICTION WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTION AUTHOR IS THE WINNER OF THE 2018 PEN/MALAMUD AWARD FOR EXCELLENCE IN THE SHORT STORY Named 1 of 50 Notable Works of Fiction in 2017 by The Washington Post Named 1 of 10 Top Fiction Titles of 2017 by the Wall Street Journal A Newsday Best Book of 2017 A Kirkus Best Book of 2017 A New York Times Book Review Editor's Choice One of our most gifted writers of fiction returns with a bold and piercing novel about a young single mother living in New York, her eccentric aunt, and the decisions they make that have unexpected implications for the world around them. Reyna knows her relationship with Boyd isn’t perfect, yet as she visits him throughout his three-month stint at Rikers Island, their bond grows tighter. Kiki, now settled in the East Village after a journey that took her to Turkey and around the world, admires her niece’s spirit but worries that she always picks the wrong man. Little does she know that the otherwise honorable Boyd is pulling Reyna into a cigarette smuggling scheme, across state lines, where he could risk violating probation. When Reyna ultimately decides to remove herself for the sake of her four-year-old child, her small act of resistance sets into motion a tapestry of events that affect the lives of loved ones and strangers around them. A novel that examines conviction, connection, and the possibility of generosity in the face of loss, Improvement is as intricately woven together as Kiki’s beloved Turkish rugs, as colorful as the tattoos decorating Reyna’s body, with narrative twists and turns as surprising and unexpected as the lives all around us. The Boston Globe says of Joan Silber: «No other writer can make a few small decisions ripple across the globe, and across time, with more subtlety and power.» Improvement is Silber’s most shining achievement yet. "Without fuss or flourishes, Joan Silber weaves a remarkably patterned tapestry connecting strangers from around the world to a central tragic car accident. The writing here is funny and down-to-earth, the characters are recognizably fallible, and the message is quietly profound: We are not ever really alone, however lonely we feel." — The Wall Street Journal , 1 of 10 top fiction titles of 2017 " t feels vital to love Silber’s work. . . Now is the moment to appreciate that she is here, in our midst: our country’s own Alice Munro. Silber’s great theme as a writer is the way in which humans are separated from their intentions, by desires, ideas, time. . . Like Grace Paley and Lucia Berlin, she’s a master of talking a story past its easiest meaning; like Munro, a master of the compression and dilation of time, what time and nothing else can reveal to people about themselves." —[i]Washington Post