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William Shakespeare
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Аннотация
The Winter’s Tale takes us on an extraordinary journey. King Leontes falls prey to an inexplicable jealousy of his wife Hermione; it causes her (apparent) death and the (actual) death of his young son Mamillius. Sixteen years of repentance, supervised by Paulina, lead to scenes of reunion and reconciliation – but without concealing the cost in human terms. This is a slightly shortened version of the text of The Winter’s Tale as printed in the First Folio of Shakespeare’s works (1623). The opening sequence, divided between various voices, and the first half of Scene Twelve, draw upon, and re-shape, the more extended versions of the original.
Аннотация
What's done cannot be undone' Three weird sisters, an eerie prophecy and a lust for power start a spiral of betrayal which has disastrous consequences. Primary Classics, produced by the National Theatre's Discover programme, aims to introduce children aged 7 to 11 to Shakespeare. This version of Macbeth, adapted and originally directed by Carl Heap, preserves the core of Shakespeare's plot, retains the original langauge, yet is presented very much with the target age group in mind. Carl Heap's introduction will help readers, teachers and practitioners alike to imagine or produce their own version.
Аннотация
Adapted for The National Theatre by Carl Heap 'The day is hot, the capulets abroad, And, if we meet, we shall not scape a brawl; For now, these hot days, is the mad blood stirring.'What's in a name? Imagine being born into the wrong family in the wrong place at the wrong time; and then you meet your true love… Primary Classics, produced by the National Theatre's Discover programme, aims to introduce children aged 7 to 11 to Shakespeare. This version of Romeo and Juliet, adapted and originally directed by Carl Heap, preserves the core of Shakespeare's plot, retains the original langauge, yet is presented very much with the target age group in mind. Carl Heap's introduction will help readers, teachers and practitioners alike to imagine or produce their own version.
Аннотация
In The Taming Of The Shrew two, disguised,competing suitors clamour for the hand ofbeautiful Bianca whilst gold-digging Petruchioagrees to wed her viciously ill-tempered sisterKate sight-unseen. The difference betweenmarrying for love and marrying for money,however, becomes increasingly diffi cult tojudge. This brash, brutal and darkly comic storypulls no punches.
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One of Shakespeare’s most original and eloquent plays, A Midsummer Night’s Dream brilliantly interweaves four contrasting groups of characters to present a many-sided view of love in all its aspects: its joys and sadness, its idealism and selfishness, its physical and spiritual elements. This performing edition was prepared for Propeller’s all-male company of twelve actors, at the Watermill Theatre, Newbury, and toured the West End in 2003. Propeller’s markedly contemporary approach to Shakespeare brought great success for Rose Rage, their version of the Henry VI plays, whichwon the TMA/Barclays Theatre Award for the best touring production of 2001.
Аннотация
Adapted for The National Theatre by Carl Heap 'The world to me is like a lasting storm' An exciting tale of shipwrecks and magic, villains and heroes, and a child's fight for survival in a foreign land. Join Pericles on his epic travels of adventure and discovery. Primary Classics, produced by the National Theatre's Discover programme, aims to introduce children aged 7 to 11 to Shakespeare. This version of Pericles, adapted and originally directed by Carl Heap, preserves the core of Shakespeare's plot, retains the original langauge, yet is presented very much with the target age group in mind. Carl Heap's introduction will help readers, teachers and practitioners alike to imagine or produce their own version.
Аннотация
Desire and duty collide in Shakespeare’s captivating tragedy of politics, passion and power. Two charismatic leaders, Mark Antony of Rome and Cleopatra, Queen of Egypt, are caught in an all encompassing love that threatens the Empire. Rome will do all it can to pull them apart. Or it will destroy them both. This classic Shakespeare tale is edited by Dame Janet Suzman, making this an authoritative edition. As she says in her new book Not Hamlet: Meditations on the Frail Position of Women in Drama which studies the role of and for women in Shakespeare’s canon, Suzman knows this play better than anyone else in the world, having played Cleopatra twice and having now directed the play twice.
Аннотация
A startling adaptation of Shakespeare’s Henry VI trilogy, presented by Propellor Productions at the Watermill Theatre, Newbury in 2001. It tells the exciting collapse of Henry V’s empire and the chaos of the Wars of the Roses, from which arises the anarchic figure of the future Richard III.
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Often regarded as one of the more difficult of Shakespeare's plays to categorize, «Timon of Athens» eclectically contains elements of comedy in its satire as well as components of tragedy in Timon's allegorical downfall and death. The play depicts Timon as an enormously wealthy man who gives away his possessions to a large number of false friends. When he himself is in need, all of them turn their backs on him, and the result is Timon's savage embitterment and raging seclusion. Considered one of Shakespeare's more challenging works, it is now largely believed to be due to Thomas Middleton's collaborative writing. A worthy play of Shakespeare's canon, «Timon of Athens» is compelling to this day in its intense and unrelenting position on greed and corruption in society.
Аннотация
Surrounded by historical myth and intrigue, Shakespeare's «Cymbeline» weaves an elaborate tale of palatial envy and power. Cymbeline, King of Britain, commands the wedlock of his lovely daughter Imogen to Cloten, the son of the Queen by a former husband. With her passionate eyes set upon the poor yet heroic Posthumus, Imogen refuses. Disgusted at the prospect of his daughter marrying a lower class citizen, Cymbeline banishes Posthumus from Britain. With death and deceit between them, Imogen and Posthumus tread international waters in an attempt to be reunited. First performed as early as 1611, Shakespeare's «Cymbeline» remains a highly playful yet tragic depiction of young love.