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"Ici on assassine les grands hommes", de Léon Bloy, Ernest Hello. Publié par Good Press. Good Press publie un large éventail d'ouvrages, où sont inclus tous les genres littéraires. Les choix éditoriaux des éditions Good Press ne se limitent pas aux grands classiques, à la fiction et à la non-fiction littéraire. Ils englobent également les trésors, oubliés ou à découvrir, de la littérature mondiale. Nous publions les livres qu'il faut avoir lu. Chaque ouvrage publié par Good Press a été édité et mis en forme avec soin, afin d'optimiser le confort de lecture, sur liseuse ou tablette. Notre mission est d'élaborer des e-books faciles à utiliser, accessibles au plus grand nombre, dans un format numérique de qualité supérieure.

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"Le Désespéré", de Léon Bloy. Publié par Good Press. Good Press publie un large éventail d'ouvrages, où sont inclus tous les genres littéraires. Les choix éditoriaux des éditions Good Press ne se limitent pas aux grands classiques, à la fiction et à la non-fiction littéraire. Ils englobent également les trésors, oubliés ou à découvrir, de la littérature mondiale. Nous publions les livres qu'il faut avoir lu. Chaque ouvrage publié par Good Press a été édité et mis en forme avec soin, afin d'optimiser le confort de lecture, sur liseuse ou tablette. Notre mission est d'élaborer des e-books faciles à utiliser, accessibles au plus grand nombre, dans un format numérique de qualité supérieure.

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First published in French in 1893, <I>Sweating Blood</I> describes the atrocities of war in 30 tales of horror and inhumanity from the pen of the «Pilgrim of the Absolute,» Léon Bloy. Writing with blood, sweat, tears and moral outrage, Bloy drew from anecdotes, news reports and his own experiences as a guerilla fighter to compose a fragmented depiction of the 1870 Franco-Prussian War, told with equal measures of hatred and pathos, and alternating between cutting detail and muted anguish. From heaps of corpses, monstrous butchers, cowardly bourgeois, bloody massacres, seas of mud, drunken desperation, frightful disfigurement, grotesque hallucinations and ghoulish means of personal revenge, a generalized portrait of suffering is revealed that ultimately requires a religious lens: for through Bloy’s maniacal nationalism and frenetic Catholicism, it is a hell that emerges here, a 19th-century apocalypse that tore a country apart and set the stage for a century of atrocities that were yet to come. <b>Léon Bloy</b> (1846–1917) was born to a freethinking yet stern father and a pious Spanish–Catholic mother in southwestern France. Nourishing anti-religious sentiments in his youth, his outlook changed radically when he moved to Paris and came under the influence of Jules-Amédée Barbey d’Aurevilly. In his subsequent years of writing pamphlets, novels, essays, poetry and a multi volume diary, Bloy earned his dual nicknames of «The Pilgrim of the Absolute» through his unorthodox devotion to the Catholic Church and «The Ungrateful Beggar» through his endless reliance on the charity of friends to support him and his family.

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Thirty tales of theft, onanism, incest, murder and a host of other forms of perversion and cruelty from the «ungrateful beggar» and «pilgrim of the absolute,» Léon Bloy. <I>Disagreeable Tales</I>, first published in French in 1894, collects Bloy's narrative sermons from the depths: a cauldron of frightful anecdotes and inspired misanthropy that represents a high point of the French Decadent movement and the most emblematic entry into the library of the «Cruel Tale» christened by Villiers de l'Isle-Adam. Whether depicting parents and offspring being sacrificed for selfish gains, or imbeciles sacrificing their own individuality on a literary whim, these tales all draw sustenance from an underlying belief: the root of religion is crime against man, nature and God, and that in this hell on earth, even the worst among us has a soul.<br><br>A close friend to Joris-Karl Huysmans, and later admired by the likes of Kafka and Borges, <B>Léon Bloy</B> (1846–1917) is among the best known but least translated of the French Decadent writers. Nourishing antireligious sentiments in his youth, his outlook changed radically when he moved to Paris and came under the influence of Barbey d'Aurevilly, the unconventionally religious novelist best known for <I>Les Diaboliques</I>. He earned the dual nicknames of «The Pilgrim of the Absolute» through his unorthodox devotion to the Catholic Church, and «The Ungrateful Beggar» through his endless reliance on the charity of friends to support him and his family.

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