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Eric Pankey
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Аннотация
“What is a song but a snare to capture the moment?” Eric Pankey asks in his new collection, Crow-Work. This central question drives Pankey’s ekphrastic exploration of the moment where emotion and energy flood a work of art. Through subjects as diverse as Brueghel’s Procession to Calvary, Anish Kapoor’s Healing of Saint Thomas, Caravaggio’s series of severed heads, and James Turrell’s experimentation with light and color, the author travels to an impossible past, despite being firmly rooted in the present, to seek out «the songbird in every thorn thicket» of the artist's work. Short bursts of lyrical beauty burn away “like coils of incense ash,” bodies in the light of a cave flicker, coalesce and disappear. By capturing the ephemeral beauty of life in these poems, Crow-Work seeks not only to explain great art, but also to embody it.
Аннотация
Аннотация
From celebrated poet Eric Pankey, a collection exploring the presence of the divine in the seemingly ordinary.<br><br>
The ancient Romans practiced augury, reading omens in bird's flight patterns. In the poems of <i>Augury</i>, revelation is found in nature's smallest details: a lizard's quick movements, a tree scarred by lighting, the white curve of a snail's shell. Here the sensory world and the imagined one collide in unexpected and wonderful ways, as Pankey scrutinizes the physical for meaning, and that meaning for truth.<br><br>
With uncommon grace, each of Pankey's precise lyrics advances our shared ontological questions and expresses our deepest contradictions. In a world of mystery, should we focus on finding meaning or creating it? How can the known—and the unknown— be captured in language?<br><br>
<i>Augury</i> is a masterful and magical collection from a poet of stirring intelligence, «a book of stones unstitched from the wolf's belly.»
The ancient Romans practiced augury, reading omens in bird's flight patterns. In the poems of <i>Augury</i>, revelation is found in nature's smallest details: a lizard's quick movements, a tree scarred by lighting, the white curve of a snail's shell. Here the sensory world and the imagined one collide in unexpected and wonderful ways, as Pankey scrutinizes the physical for meaning, and that meaning for truth.<br><br>
With uncommon grace, each of Pankey's precise lyrics advances our shared ontological questions and expresses our deepest contradictions. In a world of mystery, should we focus on finding meaning or creating it? How can the known—and the unknown— be captured in language?<br><br>
<i>Augury</i> is a masterful and magical collection from a poet of stirring intelligence, «a book of stones unstitched from the wolf's belly.»
Аннотация
His arresting ninth collection of poems, Eric Pankey’s Trace locates itself at a threshold between faith and doubt—between the visible and the invisible, the say-able and the ineffable, the physical and the metaphysical. Also a map of the poet’s journey into a deep depression, these poems confront one man’s struggle to overcome depression’s smothering weight and presence. And with remarkable clarity and complexity, Trace charts the poet’s attempt to be inspired, to breathe again, to give breath and life to words. Ever solemn, ever existential, Pankey’s poems find us at our most vulnerable, the moment when we as humans—believers and nonbelievers alike—must ultimately pause to question the uncertain fate of our souls.