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Watching a Man Break a Dog’s Back  explores the question of how to live in a natural landscape that offers beauty while being consumed by industry, and in an economy that offers material benefits while denying dignity, meaning and a voice to many in order to satisfy the outsized appetites of the few. A  cri de coeur  from a poet who has long celebrated the voices of working people, the collection also grapples with why “anyone, in this era so profoundly lacking in grace, might want to make poems—or any kind of art.” But the keen sense of justice that drives the collection is tempered by the poet’s reluctance to take himself too seriously: “Centuries without the benefit / of my presence / have to be made up for / by my words.” The poet brings the perspective of age to our current troubled existence, with the reminder that as a society and as individuals we’ve faced perilous times before, and that our shared mortality links us more than circumstances and politics divide us.

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It’s late 1969 and Communist China has successfully launched its first satellite. Inspired by this feat, a group of college students in Laguna Beach, California, set out to put their own satellite into orbit in homage to the recent Woodstock Festival. A young Canadian graduate student at the University of California finds himself at the centre of the mayhem when he and his friends break into a mothballed missile silo and commandeer everything they need, including a nuclear warhead, to blast the Woodstock Nation into the space age. The activists have big plans for their loot, schemes that may well culminate in the Light Show to End All Light Shows in the Nevada desert. An extraordinary black comedy shot full of the social and political issues of the time, Woodstock Rising is a coming-of-age tale couched in free love, rock anthems, and revolution as well as a chronicle of an era whose causes continue to speak to us.

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