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Alasdair Gray
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Аннотация
Dante, now guided by Beatrice, faces the final third of his epic journey through the wheels of divine justice. Yet as he passes through the spheres of Heaven, he struggles with his faith, striving to understand the scales of good and evil that determine the fate of a human soul.
The final book from Alasdair Gray, Paradise is a fitting conclusion to his own irreplaceable body of work, as well as to his masterful retelling of Dante's trilogy.
The final book from Alasdair Gray, Paradise is a fitting conclusion to his own irreplaceable body of work, as well as to his masterful retelling of Dante's trilogy.
Аннотация
This text presents the books of Jonah, Micah and Nahum. The book of Jonah shows the people of Nineveh being forgiven, yet this overturns usual biblical narrative such as Micah and Nahum where Israel's enemies are expected to get their come-uppance. With an introduction by Alasdair Gray.
Аннотация
Since 1981, when Alasdair Gray's first novel Lanark was published by Canongate, his characters have aged as fast as their author. The Ends of Our Tethers shows the high jinks of many folk in the last stages of physical, moral and social decrepitude – a sure tonic for the young. The first work of fiction in over six years by one of Britain's most original and brilliant writers, this wonderful (and very funny) new collection reaffirms Gray's position as a master of the short story. The Ends of Our Tethers is vintage Gray – experimental, mischievous, wide-ranging but also subtly connected. And as always the work is hallmarked with his highly engaging prose style, dry wit and fecund imagination. These thirteen tales challenge prejudice, question social imbalances and explore human foibles. In 'No Bluebeard', a socially reclusive man, veteran of three marriages, meets a disturbed and eccentric woman desperate to remain hidden from her family. In 'Job's Skin Game' a father develops a skin condition in response to the emotional shock of losing his two sons in the September 11th attacks and his fortune in the dot-com crisis. The exquisite pleasure he takes from scratching and peeling his dead epidermis becomes his sole preoccupation and a metaphor for what is ultimately a wholly sane response to tragedy. 'Wellbeing' offers a politically charged dystopian vision of a future Britain as seen through the eyes of a once-revered writer, now homeless yet stubbornly refusing to move to a more hospitable country as 'there are better ways of living than being happy, but they require strength and sanity.' Beautifully produced and illustrated throughout with Gray's distinctive drawings, this is an important and highly accessible collection.
Аннотация
A tale of border warfare, military and erotic, set in the twenty-third century, where the women rule the kingdom and the men play war games. This is the fictional memoir of Wat Dryhope – edited, annotated and commented upon. History has come to an end, war is regulated as if it's all a game. But Wat, the History Maker himself, does not play entirely by the rules, and when a woman, Delilah Puddock, joins the fray, this 'utopian' history is further enlivened. Alasdair Gray cleverly plays with the notion and writing of history, as well as perennial modern debates on war, sexism and society – entertaining and thought-provoking, this is a delightful satire illustrated throughout by the author.
Аннотация
