LITMIR.BIZ

It's the first Christmas in Santaland for April Claus—but it may also be her last unless she can uncover a villain with a killer Christmas wish. . . .   Love is full of surprises—though few compare to realizing that you’re marrying the real-life Santa. April Claus dearly loves her new husband, Nick, but adjusting to life in the North Pole is not all sugarplums and candy canes. Especially when a cantankerous elf named Giblet Hollyberry is killed—felled by a black widow spider in his stocking—shortly after publicly arguing with Nick.   Christmastown is hardly a hotbed of crime, aside from mishaps caused by too much eggnog, but April disagrees with Constable Crinkle’s verdict of accidental death. As April sets out to find the culprit, it’ll mean putting the future of Christmas on the line—and hoping her own name isn’t on a lethal naughty list . . .

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Sometimes Life Imitates Art. And Sometimes Life Imitates Really Bad Art. . . Rebecca Abbot's life has just gone from vintage feather boas to boring office casual. Thanks to Sylvie Arnaud's heart attack, she's out of a job. But it's Sylvie's French, vaguely famous name on Rebecca's creatively embellished resume that lands her an associate editor position at romance heavyweight Candlelight Books. Editing is a far cry from scouting out exotic groceries, which is pretty much all Rebecca did for Sylvie, but Candelight is offering an actual salary to go with her position's actual workload, and the rent is way overdue on the railroad flat she shares with her friend Wendy and her mooching ex, wanna-be writer Fleishman. Working for Candlelight is nothing like the plots of their syrupy novels, though. In fact, it's a lot like being stuck in an estrogen-heavy Fellini film. Between protecting her back from rival editor Cassie's repeated stabs, attempting a relationship with a sexy literary agent, wondering about Fleishman's new secret «project,» and discovering her first truly talented author, Rebecca's learning that the business of romance is hardly a nine-to-five thing–and that editing out all her mistakes will never lead her to «happily ever after. . .»

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