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      Mr. Badger, in a postscript to his translation of the History of Omán (Hak. Soc. 1871), maintains that Kish or Kais was at this time a city on the mainland, and identical from Síráf. He refers to Ibn Batuta (II. 244), who certainly does speak of visiting "the city of Kais, called also Síráf." And Polo, neither here nor in Bk. III. ch. xl., speaks of Kisi as an island. I am inclined, however, to think that this was from not having visited it. Ibn Batuta says nothing of Síráf as a seat of trade; but the historian Wassáf, who had been in the service of Jamáluddín al-Thaibi, the Lord of Kais, in speaking of the export of horses thence to India, calls it "the Island of Kais." (Elliot, III. 34.) Compare allusions to this horse trade in ch. xv. and in Bk. III. ch. xvii. Wassáf was precisely a contemporary of Polo.

      NOTE 3.—The name is Bascra in the MSS., but this is almost certainly the common error of c for t. BASRA is still noted for its vast date-groves. "The whole country from the confluence of the Euphrates and Tigris to the sea, a distance of 30 leagues, is covered with these trees." (Tav. Bk. II. ch. iii.)

      NOTE 4.—From Baudas, or Baldac, i.e. Baghdad, certain of these rich silk and gold brocades were called Baldachini, or in English Baudekins. From their use in the state canopies and umbrellas of Italian dignitaries, the word Baldacchino has come to mean a canopy, even when architectural. [Baldekino, baldacchino, was at first entirely made of silk, but afterwards silk was mixed (sericum mixtum) with cotton or thread. When Hulaku conquered Baghdad part of the tribute was to be paid with that kind of stuff. Later on, says Heyd (II. p. 697), it was also manufactured in the province of Ahwaz, at Damas and at Cyprus; it was carried as far as France and England. Among the articles sent from Baghdad to Okkodai Khan, mentioned in the Yüan ch'ao pi shi (made in the 14th century), quoted by Bretschneider (Med. Res. II. p. 124), we note: Nakhut (a kind of gold brocade), Nachidut (a silk stuff interwoven with gold), Dardas (a stuff embroidered in gold). Bretschneider (p. 125) adds: "With respect to nakhut and nachidut, I may observe that these words represent the Mongol plural form of nakh and nachetti. … I may finally mention that in the Yüan shi, ch. lxxviii. (on official dresses), a stuff, na-shi- shi, is repeatedly named, and the term is explained there by kin kin (gold brocade)."—H. C.] The stuffs called Nasich and Nac are again mentioned by our traveller below (ch. lix.). We only know that they were of silk and gold, as he implies here, and as Ibn Batuta tells us, who mentions Nakh several times and Nasíj once. The latter is also mentioned by Rubruquis (Nasic) as a present made to him at the Kaan's court. And Pegolotti speaks of both nacchi and nacchetti of silk and gold, the latter apparently answering to Nasich. Nac, Nacques, Nachiz, Nacíz, Nasís, appear in accounts and inventories of the 14th century, French and English. (See Dictionnaire des Tissus, II. 199, and Douet d' Arcq, Comptes de l'Argenterie des Rois de France, etc., 334.) We find no mention of Nakh or Nasíj among the stuffs detailed in the Aín Akbari, so they must have been obsolete in the 16th century. [Cf. Heyd, Com. du Levant, II. p. 698; Nacco, nachetto, comes from the Arabic nakh (nekh); nassit (nasith) from the Arabic nécidj.—H. C.] Quermesis or Cramoisy derived its name from the Kermes insect (Ar. Kirmiz) found on Quercus coccifera, now supplanted by cochineal. The stuff so called is believed to have been originally a crimson velvet, but apparently, like the mediaeval Purpura, if not identical with it, it came to indicate a tissue rather than a colour. Thus Fr.-Michel quotes velvet of vermeil cramoisy, of violet, and of blue cramoisy, and pourpres of a variety of colours, though he says he has never met with pourpre blanche. I may, however, point to Plano Carpini (p. 755), who describes the courtiers at Karakorum as clad in white purpura.

      The London prices of Chermisi and Baldacchini in the early part of the 15th century will be found in Uzzano's work, but they are hard to elucidate.

      Babylon, of which Baghdad was the representative, was famous for its variegated textures in very early days. We do not know the nature of the goodly Babylonish garment which tempted Achan in Jericho, but Josephus speaks of the affluence of rich stuffs carried in the triumph of Titus, "gorgeous with life-like designs from the Babylonian loom," and he also describes the memorable Veil of the Temple as a [Greek: péplos Babylónios] of varied colours marvellously wrought. Pliny says King Attalus invented the intertexture of cloth with gold; but the weaving of damasks of a variety of colours was perfected at Babylon, and thence they were called Babylonian.

      The brocades wrought with figures of animals in gold, of which Marco speaks, are still a spécialité at Benares, where they are known by the name of Shikárgáh or hunting-grounds, which is nearly a translation of the name Thard-wahsh "beast-hunts," by which they were known to the mediaeval Saracens. (See Q. Makrizi, IV. 69–70.) Plautus speaks of such patterns in carpets, the produce of Alexandria—"Alexandrina belluata conchyliata tapetia." Athenaeus speaks of Persian carpets of like description at an extravagant entertainment given by Antiochus Epiphanes; and the same author cites a banquet given in Persia by Alexander, at which there figured costly curtains embroidered with animals. In the 4th century Asterius, Bishop of Amasia in Pontus, rebukes the Christians who indulge in such attire: "You find upon them lions, panthers, bears, huntsmen, woods, and rocks; whilst the more devout display Christ and His disciples, with the stories of His miracles," etc. And Sidonius alludes to upholstery of like character:

      "Peregrina det supellex

       * * *

       Ubi torvus, et per artem

       Resupina flexus ora,

       It equo reditque telo

       Simulacra bestiarum

       Fugiens fugansque Parthus." (Epist. ix. 13.)

      A modern Kashmír example of such work is shown under ch. xvii.

      (D'Avezac, p. 524; Pegolotti, in Cathay, 295, 306; I. B. II. 309, 388, 422; III. 81; Della Decima, IV. 125–126; Fr.-Michel, Recherches, etc., II. 10–16, 204–206; Joseph. Bell. Jud. VII. 5, 5, and V. 5, 4; Pliny, VIII. 74 (or 48); Plautus, Pseudolus, I. 2; Yonge's Athenaeus, V. 26 and XII. 54; Mongez in Mém. Acad. IV. 275–276.)

      NOTE 5.—[Bretschneider (Med. Res. I. p. 114) says: "Hulagu left Karakorum, the residence of his brother, on the 2nd May, 1253, and returned to his ordo, in order to organize his army. On the 19th October of the same year, all being ready, he started for the west." He arrived at Samarkand in September, 1255. For this chapter and the following of Polo, see: Hulagu's Expedition to Western Asia, after the Mohammedan Authors, pp. 112–122, and the Translation of the Si Shi Ki (Ch'ang Te), pp. 122–156, in Bretschneider's Mediaeval Researches, I.—H. C.]

      NOTE 6.—["Hulagu proceeded to the lake of Ormia (Urmia), when he ordered a castle to be built on the island of Tala, in the middle of the lake, for the purpose of depositing here the immense treasures captured at Baghdad. A great part of the booty, however, had been sent to Mangu Khan." (Hulagu's Exp., Bretschneider, Med. Res. I. p. 120.) Ch'ang Te says (Si Shi Ki, p. 139): "The palace of the Ha-li-fa was built of fragrant and precious woods. The walls of it were constructed of black and white jade. It is impossible to imagine the quantity of gold and precious stones found there."—H. C.]

      NOTE 7.—

      "I said to the Kalif: 'Thou art old,

       Thou hast no need of so much gold.

       Thou shouldst not have heaped and hidden it here,

       Till the breath of Battle was hot and near,

       But have sown through the land these useless hoards

       To spring into shining blades of swords,

       And keep thine honour sweet and clear.

       * * * * *

       Then into his dungeon I locked the drone,

       And left him to feed there all alone

       In the honey-cells of his golden hive:

      

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