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The Most Influential Works of Friedrich Nietzsche. Friedrich Nietzsche
Читать онлайн.Название The Most Influential Works of Friedrich Nietzsche
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isbn 9788027220809
Автор произведения Friedrich Nietzsche
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209. As to how far the new warlike age on which we Europeans have evidently entered may perhaps favour the growth of another and stronger kind of skepticism, I should like to express myself preliminarily merely by a parable, which the lovers of German history will already understand. That unscrupulous enthusiast for big, handsome grenadiers (who, as King of Prussia, brought into being a military and skeptical genius—and therewith, in reality, the new and now triumphantly emerged type of German), the problematic, crazy father of Frederick the Great, had on one point the very knack and lucky grasp of the genius: he knew what was then lacking in Germany, the want of which was a hundred times more alarming and serious than any lack of culture and social form—his ill-will to the young Frederick resulted from the anxiety of a profound instinct. MEN WERE LACKING; and he suspected, to his bitterest regret, that his own son was not man enough. There, however, he deceived himself; but who would not have deceived himself in his place? He saw his son lapsed to atheism, to the ESPRIT, to the pleasant frivolity of clever Frenchmen—he saw in the background the great bloodsucker, the spider skepticism; he suspected the incurable wretchedness of a heart no longer hard enough either for evil or good, and of a broken will that no longer commands, is no longer ABLE to command. Meanwhile, however, there grew up in his son that new kind of harder and more dangerous skepticism—who knows TO WHAT EXTENT it was encouraged just by his father's hatred and the icy melancholy of a will condemned to solitude?—the skepticism of daring manliness, which is closely related to the genius for war and conquest, and made its first entrance into Germany in the person of the great Frederick. This skepticism despises and nevertheless grasps; it undermines and takes possession; it does not believe, but it does not thereby lose itself; it gives the spirit a dangerous liberty, but it keeps strict guard over the heart. It is the GERMAN form of skepticism, which, as a continued Fredericianism, risen to the highest spirituality, has kept Europe for a considerable time under the dominion of the German spirit and its critical and historical distrust Owing to the insuperably strong and tough masculine character of the great German philologists and historical critics (who, rightly estimated, were also all of them artists of destruction and dissolution), a NEW conception of the German spirit gradually established itself—in spite of all Romanticism in music and philosophy—in which the leaning towards masculine skepticism was decidedly prominent whether, for instance, as fearlessness of gaze, as courage and sternness of the dissecting hand, or as resolute will to dangerous voyages of discovery, to spiritualized North Pole expeditions under barren and dangerous skies. There may be good grounds for it when warm-blooded and superficial humanitarians cross themselves before this spirit, CET ESPRIT FATALISTE, IRONIQUE, MEPHISTOPHELIQUE, as Michelet calls it, not without a shudder. But if one would realize how characteristic is this fear of the "man" in the German spirit which awakened Europe out of its "dogmatic slumber," let us call to mind the former conception which had to be overcome by this new one—and that it is not so very long ago that a masculinized woman could dare, with unbridled presumption, to recommend the Germans to the interest of Europe as gentle, good-hearted, weak-willed, and poetical fools. Finally, let us only understand profoundly enough Napoleon's astonishment when he saw Goethe it reveals what had been regarded for centuries as the "German spirit" "VOILA UN HOMME!"—that was as much as to say "But this is a MAN! And I only expected to see a German!"
210. Supposing, then, that in the picture of the philosophers of the future, some trait suggests the question whether they must not perhaps be skeptics in the last-mentioned sense, something in them would only be designated thereby—and not they themselves. With equal right they might call themselves critics, and assuredly they will be men of experiments. By the name with which I ventured to baptize them, I have already expressly emphasized their attempting and their love of attempting is this because, as critics in body and soul, they will love to make use of experiments in a new, and perhaps wider and more dangerous sense? In their passion for knowledge, will they have to go further in daring and painful attempts than the sensitive and pampered taste of a democratic century can approve of?—There is no doubt these coming ones will be least able to dispense with the serious and not unscrupulous qualities which distinguish the critic from the skeptic I mean the certainty as to standards of worth, the conscious employment of a unity of method, the wary courage, the standing-alone, and the capacity for self-responsibility, indeed, they will avow among themselves a DELIGHT in denial and dissection, and a certain considerate cruelty, which knows how to handle the knife surely and deftly, even when the heart bleeds They will be STERNER (and perhaps not always towards themselves only) than humane people may desire, they will not deal with the "truth" in order that it may "please" them, or "elevate" and "inspire" them—they will rather have little faith in "TRUTH" bringing with it such revels for the feelings. They will smile, those rigorous spirits, when any one says in their presence "That thought elevates me, why should it not be true?" or "That work enchants me, why should it not be beautiful?" or "That artist enlarges me, why should he not be great?" Perhaps they will not only have a smile, but a genuine disgust for all that is thus rapturous, idealistic, feminine, and hermaphroditic, and if any one could look into their inmost hearts, he would not easily find therein the intention to reconcile "Christian sentiments" with "antique taste," or even with "modern parliamentarism" (the kind of reconciliation necessarily found even among philosophers in our very uncertain and consequently very conciliatory century). Critical discipline, and every habit that conduces to purity and rigour in intellectual matters, will not only be demanded from themselves by these philosophers of the future, they may even make a display thereof as their special adornment—nevertheless they will not want to be called critics on that account. It will seem to them no small indignity to philosophy to have it decreed, as is so welcome nowadays, that "philosophy itself is criticism and critical science—and nothing else whatever!" Though this estimate of philosophy may enjoy the approval of all the Positivists of France and Germany (and possibly it even flattered the heart and taste of KANT: let us call to mind the titles of his principal works), our new philosophers will say, notwithstanding, that critics are instruments of the philosopher, and just on that account, as instruments, they are far from being philosophers themselves! Even the great Chinaman of Konigsberg was only a great critic.
211. I insist upon it that people finally cease confounding philosophical workers, and in