LITMIR.BIZ

      III. The Impressionable Mr. Todhunter

      "HAS the mail been around yet?" called Priscilla to a girl at the other end of the corridor.

      "Don't believe so. It hasn't been in our room."

      "There she comes now!" and Priscilla swooped down upon the mail-girl. "Got anything for 399?"

      "Do you want Miss Wyatt's mail too?"

      "Yes; I'll take everything. What a lot! Is that all for us?" And Priscilla walked down the corridor swinging her note-book by its shoe-string, and opening envelops as she went. She was presently joined by Georgie Merriles, likewise swinging a note-book by a shoe-string.

      "Hello, Pris; going to English? Want me to help carry your mail?"

      "Thank you," said Priscilla; "you may keep the most of it. Now, that," she added, holding out a blue envelop, "is an advertisement for cold cream which no lady should be without; and that"—holding out a yellow envelop—"is an advertisement for beef extract which no brain-worker should be without; and that"—holding out a white envelop—"is the worst of all, because it looks like a legitimate letter, and it's nothing but a 'Dear Madam' thing, telling me my tailor has moved from Twenty-second to Forty-third Street, and hopes I'll continue to favor him with my patronage.

      "And here," she went on, turning to her room-mate's correspondence, "is a cold-cream and a beef-extract letter for Patty, and one from Yale; that's probably Raoul explaining why he couldn't come to the Prom. It won't do any good, though. No mortal man can ever make her believe he didn't have his collar-bone broken on purpose. And I don't know whom that's from," Priscilla continued, examining the last letter. "It's marked 'Hotel A——, New York.' Never heard of it, did you? Never saw the writing before, either."

      Georgie laughed. "Do you keep tab on all of Patty's correspondents?"

      "Oh, I know the most of them by this time. She usually reads the interesting ones out loud, and the ones that aren't interesting she never answers, so they stop writing. Hurry up; the bell's going to ring"; and they pushed in among the crowd of girls on the steps of the recitation-hall.

      The bell did ring just as they reached the class-room, and Priscilla dropped the letters, without comment, into Patty's lap as she went past. Patty was reading poetry and did not look up. She had assimilated some ten pages of Shelley since the first bell rang, and as she was not sure which would be taken up in class, she was now swallowing Wordsworth in the same voracious manner. Patty's method in Romantic Poetry was to be very fresh on the first part of the lesson, catch the instructor's eye early in the hour, make a brilliant recitation, and pass the remainder of the time in gentle meditation.

      To-day, however, the unwonted bulk of her correspondence diverted her mind from its immediate duty. She failed to catch the instructor's eye, and the recitation proceeded without her assistance. Priscilla watched her from the back seat as she read the Yale letter with a skeptical frown, and made a grimace over the blue and the yellow; but before she had reached the Hotel A——, Priscilla was paying attention to the recitation again. It was coming her way, and she was anxiously forming an opinion on the essential characteristics of Wordsworth's view of immortality.

      Suddenly the room was startled by an audible titter from Patty, who hastily composed her face and assumed a look of vacuous innocence—but too late. She had caught the instructor's eye at last.

      "Miss Wyatt, what do you consider the most serious limitations of our author?"

      Miss Wyatt blinked once or twice. This question out of its context was not illuminating. It was a part of her philosophy, however, never to flunk flat; she always crawled.

      "Well," she began with an air of profound deliberation, "that question might be considered in two ways, either from an artistic or a philosophic standpoint."

      This sounded promising, and the instructor smiled encouragingly. "Yes?" she said.

      "And yet," continued Patty, after still profounder deliberation, "I think the same reason will be found to be the ultimate explanation of both."

      The instructor might have inquired, "Both what?" but she refrained and merely waited.

      Patty thought she had done enough, but she plunged on desperately: "In spite of his really deep philosophy we notice a certain—one might almost say dash about his poetry, and a lack of—er—meditation which I should attribute to his immaturity and his a—rather wild life. If he had lived longer I think he might have overcome it in time."

      The class looked dazed, and the corners of the instructor's mouth twitched. "It is certainly an interesting point of view, Miss Wyatt, and, as far as I know, entirely original."

      As they were crowding out at the end of the recitation Priscilla pounced upon Patty. "What on earth were you saying about Wordsworth's youth and immaturity?" she demanded. "The man lived to be over eighty, and composed a poem with his last gasp."

      "Wordsworth? I was talking about Shelley."

      "Well, the class wasn't."

      "How should I know?" Patty demanded indignantly. "She said 'our author,' and I avoided specific details as long as I could."

      "Oh, Patty, Patty! and you said he was wild—the lamblike Wordsworth!"

      "What were you laughing at, anyway?" demanded Georgie.

      Patty smiled again. "Why, this" she said, unfolding the Hotel A—— letter. "It's from an Englishman, Mr. Todhunter, some one my father discovered last summer and invited out to stay with us for a few days. I'd forgotten all about him, and here he writes to know whether and when he may call, and, if so, will it be convenient for him to come to-night. That's a comprehensive sentence, isn't it? His train gets in at half-past five and he'll be out about six."

      "He isn't going to take any chances," said Priscilla.

      "No,"

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