LITMIR.BIZ

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be done.

      Miss Della Whitmore tidied the kitchen and dusted the sitting room, and then, having a pair of mischievously idle hands and a very feminine curiosity, conceived an irrepressible desire to inspect the bunk house.

      J. G. would tell her that, also, was no place for girls, she supposed, but J. G. was not present, so his opinion did not concern her. She had been at the Flying U ranch a whole week, and was beginning to feel that its resources for entertainment—aside from the masculine contingent, which held some promising material—were about exhausted. She had climbed the bluffs which hemmed the coulee on either side, had selected her own private saddle horse, a little sorrel named Concho, and had made friends with Patsy, the cook. She had dazzled Cal Emmett with her wiles and had found occasion to show Chip how little she thought of him; a highly unsatisfactory achievement, since Chip calmly over-looked her whenever common politeness permitted him.

      There yet remained the unexplored mystery of that little cabin down the slope, from which sounded so much boylike laughter of an evening. She watched and waited till she was positive the coast was clear, then clapped an old hat of J. G.'s upon her head and ran lightly down the hill.

      With her hand upon the knob, she ran her eye critically along the outer wall and decided that it had, at some remote date, been treated to a coat of whitewash; gave the knob a sudden twist, with a backward glance like a child stealing cookies, stepped in and came near falling headlong. She had not expected that remoteness of floor common to cabins built on a side hill.

      “Well!” She pulled herself together and looked curiously about her. What struck her at first was the total absence of bunks. There were a couple of plain, iron bedsteads and two wooden ones made of rough planks. There was a funny-looking table made of an inverted coffee box with legs of two-by-four, and littered with a characteristic collection of bachelor trinkets. There was a glass lamp with a badly smoked chimney, a pack of cards, a sack of smoking tobacco and a box of matches. There was a tin box with spools of very coarse thread, some equally coarse needles and a pair of scissors. There was also—and Miss Whitmore gasped when she saw it—a pile of much-read magazines with the latest number of her favorite upon the top. She went closer and examined them, and glanced around the room with doubting eyes. There were spurs, quirts, chaps and queer-looking bits upon the walls; there were cigarette stubs and burned matches innumerable upon the rough, board floor, and here in her hand—she turned the pages of her favorite abstractedly and a paper fluttered out and fell, face upward, on the floor. She stooped and recovered it, glanced and gasped.

      “Well!”

      It was only a pencil sketch done on cheap, unruled tablet paper, but her mind dissolved into a chaos of interrogation marks and exclamation points—with the latter predominating more and more the longer she looked.

      It showed blunt-topped hills and a shallow coulee which she remembered perfectly. In the foreground a young woman in a smart tailored costume, the accuracy of which was something amazing, stood proudly surveying a dead coyote at her feet. In a corner of the picture stood a weather-beaten stump with a long, thin splinter beside it on the ground. Underneath was written in characters beautifully symmetrical: “The old maid's credential card.”

      There was no gainsaying the likeness; even the rakish tilt of the jaunty felt hat, caused by the wind and that wild dash across country, was painstakingly reproduced. And the fanciful tucks on the sleeve of the gown—“and I didn't suppose he had deigned so much as a glance!” was her first coherent thought.

      Miss Whitmore's soul burned with resentment. No woman, even at twenty-three, loves to be called “the old maid”—especially by a keen-witted young man with square chin and lips with a pronounced curve to them. And whoever supposed the fellow could draw like that—and notice every tiny little detail without really looking once? Of course, she knew her hat was crooked, with the wind blowing one's head off, almost, but he had no business: “The old maid's credential card!”—“Old maid,” indeed!

      “The audacity of him!”

      “Beg pardon?”

      Miss Whitmore wheeled quickly, her heart in the upper part of her throat, judging by the feel of it. Chip himself stood just inside the door, eying her coldly.

      “I was not speaking,” said Miss Whitmore, haughtily, in futile denial.

      To this surprising statement Chip had nothing to say. He went to one of the iron beds, stooped and drew out a bundle which, had Miss Whitmore asked him what it was, he would probably have called his “war sack.” She did not ask; she stood and watched him, though her conscience assured her it was a dreadfully rude thing to do, and that her place was up at the house. Miss Whitmore was frequently at odds with her conscience; at this time she stood her ground, backed by her pride, which was her chiefest ally in such emergencies.

      When he drew a huge, murderous-looking revolver from its scabbard and proceeded calmly to insert cartridge after cartridge, Miss Whitmore was constrained to speech.

      “Are you—going to—SHOOT something?”

      The question struck them both as particularly inane, in view of his actions.

      “I am,” replied he, without looking up. He whirled the cylinder into place, pushed the bundle back under the bed and rose, polishing the barrel of the gun with a silk handkerchief.

      Miss Whitmore hoped he wasn't going to murder anyone; he looked keyed up to almost any desperate deed.

      “Who—what are you going to shoot?” Really, the question asked itself.

      Chip raised his eyes for a fleeting glance which took in the pencil sketch in her hand. Miss Whitmore observed that his eyes were much darker than hazel; they were almost black. And there was, strangely enough, not a particle of curve to his lips; they were thin, and straight, and stern.

      “Silver. He broke his leg.”

      “Oh!” There was real horror in her tone. Miss Whitmore knew all about Silver from garrulous Patsy. Chip had rescued a pretty, brown colt from starving on the range, had bought him of the owner, petted and cared for him until he was now one of the best saddle horses on the ranch. He was a dark chestnut, with beautiful white, crinkly mane and tail and white feet. Miss Whitmore had seen Chip riding him down the coulee trail only yesterday, and now—Her heart ached with the pity of it.

      “How did it happen?”

      “I don't know. He was in the little pasture. Got kicked, maybe.” Chip jerked open the door with a force greatly in excess of the need of it.

      Miss Whitmore started impulsively toward him. Her eyes were not quite clear.

      “Don't—not yet! Let me go. If it's a straight break I can set the bone and save him.”

      Chip, savage in his misery, regarded her over one square shoulder.

      “Are you a veterinary surgeon, may I ask?”

      Miss Whitmore felt her cheeks grow hot, but she stood her ground.

      “I am not. But a broken bone is a broken bone, whether it belongs to a man—or some OTHER beast!”

      “Y—e-s?”

      Chip's way of saying yes was one of his chief weapons of annihilation. He had a peculiar, taunting inflection which he could give to it, upon occasion, which caused prickles of flesh upon the victim. To say that Miss Whitmore was not utterly quenched argues well for her courage. She only gasped, as though treated to an unexpected dash of cold water, and went on.

      “I'm sure I might save him if you'd let me try. Or are you really eager to shoot him?”

      Chip's muscles shrank. Eager to shoot him—Silver, the only thing that loved and understood him?

      “You may come and look at him, if you like,” he said, after a breath or two.

      Miss Whitmore overlooked the tolerance of the tone and stepped to his side, mechanically clutching the sketch in her fingers. It was Chip, looking down at her from

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