LITMIR.BIZ

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and elevation of ceiling--worthy in all respects of the glorious treasures which it contains. Let me, however, be more explicit. In the very first room you have an earnest of all the bibliomaniacal felicity which these MSS. hold out. Look to the left--upon entering--and view, perhaps lost in a very ecstacy of admiration--the Romances … of all sizes and character, which at first strike you! What Launcelot du Lacs, Tristans, Leonnois, Arturs, Ysaises, and feats of the Table Ronde, stand closely wedged within the brass-wired doors that incircle this and every other apartment! Bibles, Rituals, Moralities, … next claim your attention. You go on--History, Philosophy, Arts and Sciences … but it is useless to indulge in these rhapsodies. The fourth apartment, of which I spake, exhibits specimens of what are seen more plentifully, but not of more curious workmanship, in the larger room to which it leads. Here glitter, behind glazed doors, old volumes of devotion bound in ivory, or gilt, or brass, studded with cameos and precious stones; and covered with figures of all characters and ages--some of the XIIth--and more of the immediately following centuries. Some of these bindings (among which I include Diptychs) may be as old as the eleventh--and they have been even carried up to the tenth century.

      Let us however return quickly back again; and begin at the beginning. The first room, as I before observed, has some of the most exquisitely illuminated, as well as some of the most ancient MSS., in the whole library. A phalanx of Romances meets the eye; which rather provokes the courage, than damps the ardor, of the bibliographical champion. Nor are the illuminated Bibles of less interest to the graphic antiquary. In my next letter you shall see what use I have made of the unrestrained liberty granted me, by the kind-hearted Curators, to open what doors, and examine what volumes, I pleased. Meanwhile let me introduce you to the excellent MONSIEUR GAIL, who is sitting at yonder desk--examining a beautiful Greek MS. of Polybius, which once belonged to Henry II. and his favourite Diane de Poictiers. M. Gail is the chief Librarian presiding over the Greek and Latin MSS., and is himself Professor of the Greek language in the royal college of France. Of this gentleman I shall speak more particularly anon. At the present moment it may suffice only to observe that he is thoroughly frank, amiable, and communicative, and dexterous in his particular vocation: and that he is, what we should both call, a hearty, good fellow--a natural character. M. Gail is accompanied by the assistant librarians MM. De. l'EPINE, and MÉON: gentlemen of equal ability in their particular department, and at all times willing to aid and abet the researches of those who come to examine and appreciate the treasures of which they are the joint Curators. Indeed I cannot speak too highly of these gentlemen--nor can I too much admire the system and the silence which uniformly prevail.

      Another principal librarian is M. LANGLÈS:28 an author of equal reputation with Monsieur Gail--but his strength lies in Oriental literature; and he presides more especially over the Persian, Arabic, and other Oriental MSS. To the naïveté of M. Gail, he adds the peculiar vivacity and enthusiasm of his countrymen. To see him presiding in his chair (for he and M. Gail take alternate turns) and occupied in reading, you would think that a book worm could scarcely creep between the tip of his nose and the surface of the Codex Bombycinus over which he is poring. He is among the most short-sighted of mortals--as to ocular vision. But he has a bravely furnished mind; and such a store of spirits and of good humour--talking withal unintermittingly, but very pleasantly---that you find it difficult to get away from him. He is no indifferent speaker of our own language; and I must say, seems rather proud of such an acquirement. Both he and M. Gail, and M. Van Praet, are men of rather small, stature--triplicates, as it were, of the same work29--but of which M. Gail is the tallest copy. One of the two head librarians, just mentioned, sits at a desk in the second room--and when any friends come to see, or to converse with him--the discussion is immediately adjourned to the contiguous boudoir-like apartment, where are deposited the rich old bindings of which you have just had a hasty description. Here the voices are elevated, and the flourishes of speech and of action freely indulged in.

      In the way to the further apartment, from the boudoir so frequently mentioned, you pass a small room--in which there is a plaster bust of the King--and among the books, bound, as they almost all are, in red morocco, you observe two volumes of tremendously thick dimensions; the one entitled Alexander Aphrodiæsus, Hippocrates, &c.--the other Plutarchi Vitæ Parallelæ et Moralia, &c. They contain nothing remarkable for ornament, or what is more essential, for intrinsic worth. Nevertheless you pass on: and the last--but the most magnificent--of all the rooms, appropriated to the reception of books, whether in ms. or in print, now occupies a very considerable portion of your attention. It is replete with treasures of every description: in ancient art, antiquities, and both sacred and profane learning: in languages from all quarters, and almost of all ages of the world. Here I opened, with indescribable delight the ponderous and famous Latin Bible of Charles the Bald--and the religious manual of his brother the Emperor Lotharius--composed chiefly of transcripts from the Gospels. Here are ivory bindings, whether as diptychs, or attached to regular volumes. Here are all sorts and sizes of the uncial or capital-letter MSS--in portions, or entire. Here, too, are very precious old illuminations, and specimens--almost without number-- admirably arranged, of every species of BIBLIOGRAPHICAL VIRTÙ, which cannot fail to fix the attention, enlarge the knowledge, and improve the judgment, of the curious in this department of research.

      Such, my dear friend, is the necessarily rapid--and, I fear, consequently imperfect--sketch which I send you of the general character of the BIBLIOTHÈQUE DU ROI; both as respects its dead and its living treasures. It remains to be seen how this sketch will be completed.--- and I hereby give you notice, that my next letter will contain some account of a few of the more ancient, curious, and splendid MANUSCRIPTS--to be followed by a second letter, exclusively devoted to a similar account of the PRINTED BOOKS. If I execute this task according to my present inclinations--and with the disposition which I now feel, together with the opportunities which have been afforded me--it will not, I trust, be said that I have been an idle or unworthy visitor of this magnificent collection.

LETTER III.

       Table of Contents

      THE SAME SUBJECTS CONTINUED.

       Paris, June 14, 1818.

      As I promised, at the conclusion of my last, you shall accompany me immediately to the ROYAL LIBRARY; and taking down a few of the more ancient MANUSCRIPTS relating to Theology--especially those, which, from age, art, or intrinsic worth, demand a more particular examination--we will both sit down together to the enjoyment of what the librarians have placed before us. In other words, I shall proceed to fill up the outline (executed with a hurrying pencil) which was submitted to you in my previous letter. First, therefore, for

      BIBLES, LITURGIES, RITUALS, LEGENDS, MORAL TREATISES, &C.

      Quatuor Evangelia. "Codex Membranaceus, Olim Abbatiæ S. Medardi Suessionensis in uncialibus litteris et auricis scriptus. Sæc. VI." The preceding is written in an old hand, inserted in the book. It is a folio volume of unquestionably great antiquity; but I should apprehend that it is antedated by at least two centuries. It is full of embellishment, of a varied and splendid character. The title to each Gospel is in very large capital letters of gold, upon a purple ground: both the initial letter and the border round the page being elaborately ornamented. The letter prefixed to St. Matthew's Gospel is highly adorned, and in very good taste. Each page consists of two columns, in capital letters of gold, throughout: within borders of a quiet purple, or lilac tint, edged with gold. It has been said that no two borders are alike altogether. A portrait of each Evangelist is prefixed to the title; apparently coeval with the time: the composition is rather grotesque; the colours are without any glaze, and the perspective is bad.

      LATIN BIBLE OF CHARLES THE BALD. Folio. When this volume was described by me, on a former occasion,30 from merely printed authorities, of course it was not in my power to do it, if I may so speak, "after the life,"--for although nearly ten centuries have elapsed since this Bible has been executed, yet, considering its remote age, it may be said to be fresh and in most desirable condition. The authority, just hinted at, notices that this magnificent volume was deposited in the library by Baluze,

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