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TOURNAMENTS: No. 8204. 8vo. We have here a sort of miniature exhibition of the chief circumstances displayed in the previous and larger MS. It is questionless a very precious book; but has been cruelly cropt. The text and ornaments are clearly of the end of the fifteenth century; perhaps about 1470. Nothing can well exceed the brilliancy and power of many of the illuminations, which are very small and very perfect. The knight, with a representation of the trefoil, (or what is called club, in card playing) upon a gold mantle, kills the other with a black star upon a white mantle. This mortal combat is the last in the book. Each of the knights, praying before going to combat, is executed with considerable power of expression. The ladies have the high (cauchoise) cap or bonnet. The borders, of flowers, are but of secondary merit.

      POLYBIUS, Græcè. Folio. M. Gail placed before me, in a sly manner--as if to draw off my attention from the volumes of chivalry just described,--the present beautiful MS. of Polybius. It is comparatively recent, being of the very commencement of the sixteenth century: but the writing exhibits a perfect specimen of that style or form of character which the Stephenses and Turnebus, &c. appear to have copied in their respective founts of the Greek letter. It has also other, and perhaps stronger, claims to notice. The volume belonged to Henry II. and Diane de Poictiers, and the decorations of the pencil are worthy of the library to which it was attached. The top ornament, and the initial letter,--at the beginning of the text--are each executed upon a blue ground, shaded in brown and gold, in the most exquisitely tasteful manner. This initial letter has been copied "ad amussim" by old Robert Stephen. Upon the whole, this is really an enchanting book, whether on the score of writing or of ornament.

      Farewell, now, therefore--to the Collection of MSS. in the Bibliothèque du Roi at Paris. Months and years may be spent among them, and the vicissitudes of seasons (provided fires were occasionally introduced) hardly felt. I seem, for the last fortnight, to have lived entirely in the "olden time;" in a succession of ages from that of Charles the Bald to that of Henri Quatre: and my eyes have scarcely yet recovered from the dazzling effects of the illuminator's pencil. "II faut se reposer un peu."

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