LITMIR.BIZ

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official sanction; but there is no doubt of its ancient usage, and were it to be now matriculated in conformity with the Act of 1672, there is very little doubt that the ancient characteristic would be retained. The arms are those of the town of Inveraray in Argyllshire, and the blazon of the coat, according to the form it is depicted upon the Corporate seal, would be for the field: "The sea proper, therein a net suspended from the dexter chief and the sinister fess points to the base; and entangled in its meshes five herrings," which is about the most remarkable coat of arms I have ever come across.

      Occasionally a "field," or portion of a field, will be found to be a representation of masonry. This may be either proper or of some metal or colour. The arms of the city of Bath are: "Party per fesse embattled azure and argent, the base masonry, in chief two bars wavy of the second; over all, a sword in pale gules, hilt and pommel or." The arms of Reynell are: "Argent, masoned sable, a chief indented of the second."

      SEME

      The use of the term "semé" must be considered before we leave the subject of the field. It simply means "powdered with" or "strewed with" any objects, the number of the latter being unlimited, the purpose being to evenly distribute them over the shield. In depicting anything semé, care is usually taken that some of the charges (with which the field is semé) shall be partly defaced by the edges of the shield, or the ordinary upon which they are charged, or by the superior charge itself, to indicate that the field is not charged with a specific number of objects.

Fig. 44.—Arms of John, Lord De la Warr (d. 1398). (From MS. Ashm. 804, iv.)

Fig. 45.—Arms of John, Lord Beaumont, K.G. (d. 1396). From his Garter Plate: 1 and 4, Beaumont; 2 and 3, azure, three garbs or (for Comyn).

Fig. 46.—Arms of Gilbert Umfraville, Earl of Kyme (d. 1421). (From Harl. MS. 6163.)

      There are certain special terms which may be noted. A field or charge semé of fleurs-de-lis is termed "semé-de-lis," but if semé of bezants it is bezanté, and is termed platé if semé of plates.

      A field semé of billets is billetty or billetté, and when semé of cross crosslets it is termed crusilly. A field or charge semé of drops is termed goutté or gutty.

      Instances of coats of which the field is semé will be found in the arms of De la Warr (see Fig. 44), which are: Gules, crusilly, and a lion rampant argent; Beaumont (see Fig. 45): Azure, semé-de-lis and a lion rampant or; and Umfraville (see Fig. 46): Gules, semé of crosses flory, and a cinquefoil or.

      The goutte or drop occasionally figures (in a specified number) as a charge; but such cases are rare, its more frequent use being to show a field semé. British heraldry alone has evolved separate names for the different colours, all other nations simply using the term "goutté" or "gutté," and specifying the colour. The terms we have adopted are as follows: For drops of gold, "gutté-d'or"; silver, "gutté-d'eau"; for gules, "gutté-de-sang"; azure, "gutté-de-larmes"; vert, "gutté-d'huile"; and sable, "gutté-de-poix."

      The term semé must not be confused with diapering, for whilst the objects with which a field is semé are an integral part of the arms, diapering is a purely artistic and optional matter.

      DIAPERING

      The diapering of armorial emblazonments is a matter with which the Science of armory has no concern. Diaper never forms any part of the blazon, and is never officially noticed, being considered, and very properly allowed to remain, a purely artistic detail. From the artistic point of view it has some importance, as in many of the earliest instances of handicraft in which armorial decoration appears, very elaborate diapering is introduced. The frequency with which diapering is met with in armorial handicraft is strangely at variance with its absence in heraldic paintings of the same periods, a point which may perhaps be urged upon the attention of some of the heraldic artists of the present day, who would rather seem to have failed to grasp the true purpose and origin and perhaps also the use of diaper. In stained glass and enamel work, where the use of diaper is most frequently met with, it was introduced for the express purpose of catching and breaking up the light, the result of which was to give an enormously increased effect of brilliance to the large and otherwise flat surfaces. These tricks of their art and craft the old handicraftsmen were past masters in the use of. But no such purpose could be served in a small painting upon vellum. For this reason early heraldic emblazonments are seldom if ever found to have been diapered. With the rise of heraldic engraving amongst the "little masters" of German art, the opportunity left to their hands by the absence of colour naturally led to the renewed use of diaper to avoid the appearance of blanks in their work. The use of diaper at the present day needs to be the result of careful study and thought, and its haphazard employment is not recommended.

      If, as Woodward states (an assertion one is rather inclined to doubt), there are some cases abroad in which the constant use of diapering has been stereotyped into an integral part of the arms, these cases must be exceedingly few in number, and they certainly have no counterpart in the armory of this country. Where for artistic reasons diapering is employed, care must always be taken that the decorative form employed cannot be mistaken for a field either charged or semé.

      PARTITION LINES

      If there is one subject which the ordinary text-books of armory treat in the manner of classification adapted to an essay on natural history or grammar, with its attendant rigidity of rule, it is the subject of partition lines; and yet the whole subject is more in the nature of a set of explanations which must each be learned on its own merits. The usual lines of partition are themselves well enough known; and it is hardly necessary to elaborate the different variations at any great length. They may, however, be enumerated as follows: Engrailed, embattled, indented, invecked or invected, wavy or undy, nebuly, dancetté, raguly, potenté, dovetailed, and urdy. These are the lines which are recognised by most modern heraldic text-books and generally recapitulated; but we shall have occasion later to refer to others which are very well known, though apparently they have never been included in the classification of partition lines (Fig. 47). Engrailed, as every one knows, is formed by a continuous and concurrent series of small semicircles conjoined each to each, the sharp points formed by the conjunction of the two arcs being placed outwards. This partition line may be employed for the rectilinear charges known as "ordinaries" or "sub-ordinaries." In the bend, pale, pile, cross, chief, and fess, when these are described as engrailed the enclosing lines of the ordinary, other than the edges of the shield, are all composed of these small semicircles with the points turned outwards, and the word "outwards" must be construed as pointing away from the centre of the ordinary when it is depicted. In the case of a chief the points are turned downwards, but it is rather difficult to describe the use of the term when used as a partition line of the field. The only instance I can call to mind where it is so employed is the case of Baird of Ury, the arms of this family being: Per pale engrailed gules and or, a boar passant counterchanged. In this instance the points are turned towards the sinister side of the shield, which would seem to be correct, as, there being no ordinary, they must be outwards from the most important position affected, which in this case undoubtedly is the dexter side of the shield. In the same way "per fess engrailed" would be presumably depicted with the points outwards from the chief line of the shield, that is, they would point downwards; and I should imagine that in "per bend engrailed" the points of the semicircles would again be placed inclined towards the dexter base of the shield, but I may be wrong in these two latter cases, for they are only supposition. This point, however, which puzzled me much in depicting the arms of Baird of Ury, I could find explained in no text-book upon the subject.

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