LITMIR.BIZ

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Vol. IV, Book II. It represents the fully developed (New Empire) system of Egyptian belief modified in various ways by Babylonian, Indian and Central Asiatic influences, as well as by accretions developed locally in China.

[34] A. M. Blackman, "The Ka-House and the Serdab," The Journal of Egyptian Archæology, Vol. III, Part IV, Oct., 1916, p. 250.

[35] "Migrations of Early Culture," p. 37.

[36] Dr. Alan Gardiner (Davies and Gardiner, "The Tomb of Amenemhēt," 1915, p. 83, footnote) has, I think, overlooked certain statements in my writings and underestimated the antiquity of the embalmer's art; for he attributes to me the opinion that "mummification was a custom of relatively late growth".

      The presence in China of the characteristically Egyptian beliefs concerning the animation of statues (de Groot, op. cit. pp. 339–356), whereas the practice of mummification, though not wholly absent, is not obtrusive, might perhaps be interpreted by some scholars as evidence in favour of the development of the custom of making statues independently of mummification. But such an inference is untenable. Not only is it the fact that in most parts of the world the practices of making statues and mummifying the dead are found in association the one with the other, but also in China the essential beliefs concerning the dead are based upon the supposition that the body is fully preserved (see de Groot, chap. XV.). It is quite evident that the Chinese customs have been derived directly or indirectly from some people who mummified their dead as a regular practice. There can be no doubt that the ultimate source of their inspiration to do these things was Egypt.

      I need mention only one of many identical peculiarities that makes this quite certain. De Groot says it is "strange to see Chinese fancy depict the souls of the viscera as distinct individuals with animal forms" (p. 71). The same custom prevailed in Egypt, where the "souls" or protective deities were first given animal forms in the Nineteenth Dynasty (Reisner).

[37] The Arabic word conveys the idea of being "hidden underground," because the house is exposed by excavation.

[38] Op. cit. supra, Ridgeway Essays; also Man, 1913, p. 193.

[39] See Alan H. Gardiner, "Life and Death (Egyptian)," Hastings' Encyclopædia of Religion and Ethics.

[40] See the quotation from Mr. Quibell's account in my statement in the Report of the British Association for 1914, p. 215.

The Significance of Libations.

       Table of Contents

The central idea of this lecture was suggested by Mr. Aylward M. Blackman's important discovery of the actual meaning of incense and libations to the Egyptians themselves.[41] The earliest body of literature preserved from any of the peoples of antiquity is comprised in the texts inscribed in the subterranean chambers of the Sakkara Pyramids of the Fifth and Sixth Dynasties. These documents, written forty-five centuries ago, were first brought to light in modern times in 1880–81; and since the late Sir Gaston Maspero published the first translation of them, many scholars have helped in the task of elucidating their meaning. But it remained for Blackman to discover the explanation they give of the origin and significance of the act of pouring out libations. "The general meaning of these passages is quite clear. The corpse of the deceased is dry and shrivelled. To revivify it the vital fluids that have exuded from it [in the process of mummification] must be restored, for not till then will life return and the heart beat again. This, so the texts show us, was believed to be accomplished by offering libations to the accompaniment of incantations" (op. cit. p. 70).

In the first three passages quoted by Blackman from the Pyramid Texts "the libations are said to be the actual fluids that have issued from the corpse". In the next four quotations "a different notion is introduced. It is not the deceased's own exudations that are to revive his shrunken frame but those of a divine body, the [god's fluid][42] that came from the corpse of Osiris himself, the juices that dissolved from his decaying flesh, which are communicated to the dead sacrament-wise under the form of these libations."

This dragging-in of Osiris is especially significant. For the analogy of the life-giving power of water that is specially associated with Osiris played a dominant part in suggesting the ritual of libations. Just as water, when applied to the apparently dead seed, makes it germinate and come to life, so libations can reanimate the corpse. These general biological theories of the potency of water were current at the time, and, as I shall explain later (see p. 28), had possibly received specific application to man long before the idea of libations developed. For, in the development of the cult of Osiris[43] the general fertilizing power of water when applied to the soil found specific exemplification in the potency of the seminal fluid to fertilize human beings. Malinowski has pointed out that certain Papuan people, who are ignorant of the fact that women are fertilized by sexual connexion, believe that they can be rendered pregnant by rain falling upon them (op. cit. infra). The study of folk-lore and early beliefs makes it abundantly clear that in the distant past which I am now discussing no clear distinction was made between fertilization and vitalization, between bringing new life into being and reanimating the body which had once been alive. The process of fertilization of the female and animating a corpse or a statue were regarded as belonging to the same category of biological processes. The sculptor who carved the portrait-statues for the Egyptian's tomb was called sa'nkh, "he who causes to live," and "the word 'to fashion' (ms) a statue is to all appearances identical with ms, 'to give birth'".[44]

Thus the Egyptians themselves expressed in words the ideas which an independent study of the ethnological evidence showed many other peoples to entertain, both in ancient and modern times.[45]

      The interpretation of ancient texts and the study of the beliefs of less cultured modern peoples indicate that our expressions: "to give birth," "to give life," "to maintain life," "to ward off death," "to insure good luck," "to prolong life," "to give life to the dead," "to animate a corpse or a representation of the dead," "to give fertility," "to impregnate," "to create," represent a series of specializations of meaning which were not clearly differentiated the one from the other in early times or among relatively primitive modern people.

      The evidence brought together in Jackson's work clearly suggests that at a very early period in human history, long before the ideas that found expression in the Osiris story had materialized, men entertained in all its literal crudity the belief that the external organ of reproduction from which the child emerged at birth was the actual creator of the child, not merely the giver of birth but also the source of life.

      The widespread tendency of the human mind to identify similar objects and attribute to them the powers of the things they mimic led primitive men to assign to the cowry-shell all these life-giving and birth-giving virtues. It became an amulet to give fertility, to assist at birth, to maintain life, to ward off danger, to ensure the life hereafter, to bring luck of any sort. Now, as the giver of birth, the cowry-shell also came to be identified with, or regarded as, the mother and creator of the human family; and in course of time, as this belief became rationalized, the shell's maternity received visible expression and it became personified as

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