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was more and more plainly decaying and changing to dust. The percentage of criminal offences, which had been falling through all the period of prosperity, rose again.

      13. 1933: “Progress” Comes to a Halt

       Table of Contents

      So we bring the history of mankind to that great pause in social expansion which concluded the first third of the twentieth century. The year 1933 closed in a phase of dismayed apprehension. It was like that chilly stillness, that wordless interval of suspense, that comes at times before the breaking of a storm. The wheels of economic life were turning only reluctantly and uncertainly; the millions of unemployed accumulated and became more and more plainly a challenge and a menace. All over the world the masses were sinking down through distress and insufficiency to actual famine. And collectively they were doing nothing effectual in protest or struggle. Insurrectionary socialism lurked and muttered in every great agglomeration. But insurrection alone could remedy nothing without constructive ideas, and there was no power and energy yet behind any such constructive ideas as had appeared. The merely repressive forces, whatever their feebleness in the face of criminality, were still fully capable of restraining popular insurrection. They could keep misery stagnant and inoperative.

      Everywhere, in everything, there was an ebb of vitality. A decline in the public health was becoming perceptible. A diminishing resistance to infections and a rise in the infantile death-rate was already very evident in the vital statistics after 1933.

      War was manifestly drawing nearer, in Eastern Asia, in Eastern Europe; it loitered, it advanced, it halted, and no one displayed the vigour or capacity needed to avert its intermittent, unhurrying approach.

      Still the immense inertias of the old order carried things on. Under a darkling sky, the majority of people were going about their business according to use and wont. The unprofitable industries still carried on with reduced staffs; the shopkeepers opened their shops to a dwindling tale of customers; the unemployed queued up at the Labour Exchanges by force of habit, and some at least got a job; the landlord’s agent no longer collected the rent that was due but called for an instalment of his arrears; the unfed or ill-fed children went sniffing to chilly schools to be taught by dispirited teachers on reduced salaries, but still the schools were not closed; the bankrupt railways and steamship lines ran diminished but punctual services; hotels stayed open not to make profits but to mitigate losses; the road traffic lost something of its newness and smartness and swiftness, but still it flowed; the crowds in the streets moved less briskly, but, if anything, these sluggish crowds were more numerous, and the police, if less alertly vigilant, maintained order.

      There had been a considerable if inadequate building boom after the Peace of Versailles, but after 1930 new construction fell off more and more. Yet some builders found work, necessary repairs were attended to, burnt-out houses were reconditioned, for example. In 1935 and 1937 the world was swept by influenza epidemics of unusual virulence. The lowered resistance, already noted by the statisticians, was now made conspicuous by this return towards mediæval conditions; but the doctors and nurses stuck to their duties stoutly and the druggists and undertakers, whose affairs had long since been reorganized on Big Business lines, profited.

      Pictures of life in the shadows during this phase of devitalization are not very abundant, nor do they convey the essential misery into which a whole generation was born, in which it lived and died. One sees the rows of dilapidated houses, the wretched interiors and shabbily clad men and women standing about. In these pictures they seem always to be just standing about. Descriptive journalism brings the student nearer to the realities of a life without space, colour, movement, hope or opportunity. There were a number of “enquiries” made, more particularly by the British, American and French newspapers, and the tale they tell is always a tale of wheels slowing down to a stoppage, of factory gates being closed, of smokeless chimneys and rusting rails. Here is a vivid contemporary vignette, to show how things were with millions of human beings during this strange phase of human experience. It is from the pen of H. M. Tomlinson (1873-1969) one of the best of English descriptive writers.

      “I chanced upon a little town above Cardiff last week. It was by pure chance; I had never before heard of the place. It is typical of these valleys, so never mind its name. It could have many names. Its population is, or was, about 6,000. Its people have faced trouble before — less than twenty years ago over 300 of its men perished in a mine explosion. We won’t say the town got over that, for I spoke to those for whom the calamity is an abiding horror. It was a terrific defeat for them in the war upon Nature, but survivors returned to the struggle and said no more about it.

      “When first I saw the town from a distance, with the bleak, bare uplands about it, I was reminded of the towns, once familiar, that were too near the battleline in France. It was midday, and sunny, yet this colliery town was silent and so still that it seemed under a spell.

      “As a fact it IS under a spell. It is, in a way, dead. But its people cling to the empty shell of it. Where else can they go?

      “At first sight no people could have been there. Buildings in the foreground were in ruins. The gaunt pit-head gearing evidently had not moved for an age. The gaps in the blackened walls of the power-house suggested a home of bats and owls.

      “The first man I met when I reached the end of its main street and saw then that the shops were not only closed, but abandoned, was standing on the kerb, a man in the middle years, shrewd, but haggard, his clothes brushed till they were threadbare.

      “‘What’s the matter with this town?’ I asked.

      “‘On the dole.’

      “‘Are you out too?’

      “‘Of course I’m out.’

      “‘How long?’

      “He was silent. He held up five fingers.

      “‘Months?’

      “‘Years.’

      “‘Are all the men here the same?’

      “‘Most of them. And won’t go back.’

      “He led me up a mound of refuse, where a goat was eating paper, and we had a near view of the colliery itself. ‘That’s the reason we won’t go down again,’ he said. ‘How would you work it?’

      “Whether by design or rust a steel footbridge had fallen across the wide railway track which went to the pit-head. A deflected stream guttered down between the metals, which were overgrown with grass and stagnant marsh stuff. The outbuildings were a huddle of dilapidations. It looked haunted. ‘Some men I knew,’ muttered my guide, ‘are still down there. There they’ll stop. They’ve been there nineteen years now. Would you call them lucky?’

      “Two thousand five hundred men came out of the principal colliery five years ago. That is why the shops are shut, long rows of them with whitewashed windows and doorways filled with dust and straws. The woodwork of many houses has been taken for firewood. Even the Cooperative store is shut, as well as the pawnshop. Thrift and thriftlessness mean the same thing in this town, where I noticed that even Nonconformist chapels, with broken windows, had been left to the rats and birds.

      “Worse than the dismal shops and broken buildings are the groups of shabby men, all neat and tidy, standing listless and silent at the street corners, waiting.

      “Waiting for what? Nothing. There is nothing to come. . . .

      “They are doomed, these parents, to watch a generation grow up with thin bones and a shadow on its mind. Their children learn the signs of the slow death about them when they should be at play; children that have no childhood.

      “Their homes are in a graveyard of human aspiration. . . . ”

      The Press and literature of that period make curious reading. It varied between a bleak insincere optimism and hopeless desperation. An undignified viciousness and a jeering humour invaded popular art and literature; “strong” in manner and in

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