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if they did, ought not an Englishman to die for his country? It was an idea that had hitherto been rather smothered up by the cares of a competitive civilisation. He became violently depressed. He ought, he perceived, to have seen it in that light before. Why hadn’t he seen it in that light before?

      Indeed, wasn’t he a sort of traitor?….He wondered how the aerial fleet must look from down there. Tremendous, no doubt, and dwarfing all the buildings.

      He was passing between Manchester and Liverpool, Kurt told him; a gleaming band across the prospect was the Ship Canal, and a weltering ditch of shipping far away ahead, the Mersey estuary. Bert was a Southerner; he had never been north of the Midland counties, and the multitude of factories and chimneys — the latter for the most part obsolete and smokeless now, superseded by huge electric generating stations that consumed their own reek — old railway viaducts, monorail networks and goods yards, and the vast areas of dingy homes and narrow streets, spreading aimlessly, struck him as though Camberwell and Rotherhithe had run to seed. Here and there, as if caught in a net, were fields and agricultural fragments. It was a sprawl of undistinguished population. There were, no doubt, museums and town halls and even cathedrals of a sort to mark theoretical centres of municipal and religious organisation in this confusion; but Bert could not see them, they did not stand out at all in that wide disorderly vision of congested workers’ houses and places to work, and shops and meanly conceived chapels and churches. And across this landscape of an industrial civilisation swept the shadows of the German airships like a hurrying shoal of fishes….

      Kurt and he fell talking of aerial tactics, and presently went down to the undergallery in order that Bert might see the Drachenflieger that the airships of the right wing had picked up overnight and were towing behind them; each airship towing three or four. They looked, like big box-kites of an exaggerated form, soaring at the ends of invisible cords. They had long, square headsand flattened tails, with lateral propellers.

      “Much skill is required for those! — much skill!”

      “Rather!”

      Pause.

      “Your machine is different from that, Mr. Butteridge?”

      “Quite different,” said Bert. “More like an insect, and less like a bird. And it buzzes, and don’t drive about so. What can those things do?”

      Kurt was not very clear upon that himself, and was still explaining when Bert was called to the conference we have recorded with the Prince.

      And after that was over, the last traces of Butteridge fell from Bert like a garment, and he became Smallways to all on board. The soldiers ceased to salute him, and the officers ceased to seem aware of his existence, except Lieutenant Kurt. He was turned out of his nice cabin, and packed in with his belongings to share that of Lieutenant Kurt, whose luck it was to be junior, and the bird-headed officer, still swearing slightly, and carrying strops and aluminium boot-trees and weightless hairbrushes and hand-mirrors and pomade in his hands, resumed possession. Bert was put in with Kurt because there was nowhere else for him to lay his bandaged head in that close-packed vessel. He was to mess, he was told, with the men.

      Kurt came and stood with his legs wide apart and surveyed, him for a moment as he sat despondent in his new quarters.

      “What’s your real name, then?” said Kurt, who was only imperfectly informed of the new state of affairs.

      “Smallways.”

      “I thought you were a bit of a fraud — even when I thought you were Butteridge. You’re jolly lucky the Prince took it calmly. He’s a pretty tidy blazer when he’s roused. He wouldn’t stick a moment at pitching a chap of your sort overboard if he thought fit. No!… They’ve shoved you on to me, but it’s my cabin, you know.”

      “I won’t forget,” said Bert.

      Kurt left him, andwhen he came to look about him the first thing he saw pasted on the padded wall was a reproduction, of the great picture by Siegfried Schmalz of the War God, that terrible, trampling figure with the viking helmet and the scarlet cloak, wading through destruction, sword in hand, which had so strong a resemblance to Karl Albert, the prince it was painted to please.

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