50+ Space Action Adventure Classics - Жюль Верн

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but once something near us, some plaster or broken brickwork, slid down with a rumbling sound. Outside and very near was an intermittent, metallic rattle.

      “That!” said the curate, when presently it happened again.

      “Yes,” I said. “But what is it?”

      “A Martian!” said the curate.

      I listened again.

      “It was not like the HeatRay,” I said, and for a time I was inclined to think one of the great fightingmachines had stumbled against the house, as I had seen one stumble against the tower of Shepperton Church.

      Our situation was so strange and incomprehensible that for three or four hours, until the dawn came, we scarcely moved. And then the light filtered in, not through the window, which remained black, but through a triangular aperture between a beam and a heap of broken bricks in the wall behind us. The interior of the kitchen we now saw greyly for the first time.

      The window had been burst in by a mass of garden mould, which flowed over the table upon which we had been sitting and lay about our feet. Outside, the soil was banked high against the house. At the top of the window frame we could see an uprooted drainpipe. The floor was littered with smashed hardware; the end of the kitchen towards the house was broken into, and since the daylight shone in there, it was evident the greater part of the house had collapsed. Contrasting vividly with this ruin was the neat dresser, stained in the fashion, pale green, and with a number of copper and tin vessels below it, the wallpaper imitating blue and white tiles, and a couple of coloured supplements fluttering from the walls above the kitchen range.

      As the dawn grew clearer, we saw through the gap in the wall the body of a Martian, standing sentinel, I suppose, over the still glowing cylinder. At the sight of that we crawled as circumspectly as possible out of the twilight of the kitchen into the darkness of the scullery.

      Abruptly the right interpretation dawned upon my mind.

      “The fifth cylinder,” I whispered, “the fifth shot from Mars, has struck this house and buried us under the ruins!”

      For a time the curate was silent, and then he whispered:

      “God have mercy upon us!”

      I heard him presently whimpering to himself.

      Save for that sound we lay quite still in the scullery; I for my part scarce dared breathe, and sat with my eyes fixed on the faint light of the kitchen door. I could just see the curate’s face, a dim, oval shape, and his collar and cuffs. Outside there began a metallic hammering, then a violent hooting, and then again, after a quiet interval, a hissing like the hissing of an engine. These noises, for the most part problematical, continued intermittently, and seemed if anything to increase in number as time wore on. Presently a measured thudding and a vibration that made everything about us quiver and the vessels in the pantry ring and shift, began and continued. Once the light was eclipsed, and the ghostly kitchen doorway became absolutely dark. For many hours we must have crouched there, silent and shivering, until our tired attention failed… .

      At last I found myself awake and very hungry. I am inclined to believe we must have spent the greater portion of a day before that awakening. My hunger was at a stride so insistent that it moved me to action. I told the curate I was going to seek food, and felt my way towards the pantry. He made me no answer, but so soon as I began eating the faint noise I made stirred him up and I heard him crawling after me.

      Chapter Two.

       What We Saw from the Ruined House

       Table of Contents

      After eating we crept back to the scullery, and there I must have dozed again, for when presently I looked round I was alone. The thudding vibration continued with wearisome persistence. I whispered for the curate several times, and at last felt my way to the door of the kitchen. It was still daylight, and I perceived him across the room, lying against the triangular hole that looked out upon the Martians. His shoulders were hunched, so that his head was hidden from me.

      I could hear a number of noises almost like those in an engine shed; and the place rocked with that beating thud. Through the aperture in the wall I could see the top of a tree touched with gold and the warm blue of a tranquil evening sky. For a minute or so I remained watching the curate, and then I advanced, crouching and stepping with extreme care amid the broken crockery that littered the floor.

      I touched the curate’s leg, and he started so violently that a mass of plaster went sliding down outside and fell with a loud impact. I gripped his arm, fearing he might cry out, and for a long time we crouched motionless. Then I turned to see how much of our rampart remained. The detachment of the plaster had left a vertical slit open in the debris, and by raising myself cautiously across a beam I was able to see out of this gap into what had been overnight a quiet suburban roadway. Vast, indeed, was the change that we beheld.

      The fifth cylinder must have fallen right into the midst of the house we had first visited. The building had vanished, completely smashed, pulverised, and dispersed by the blow. The cylinder lay now far beneath the original foundations-deep in a hole, already vastly larger than the pit I had looked into at Woking. The earth all round it had splashed under that tremendous impact — “splashed” is the only word — and lay in heaped piles that hid the masses of the adjacent houses. It had behaved exactly like mud under the violent blow of a hammer. Our house had collapsed backward; the front portion, even on the ground floor, had been destroyed completely; by a chance the kitchen and scullery had escaped, and stood buried now under soil and ruins, closed in by tons of earth on every side save towards the cylinder. Over that aspect we hung now on the very edge of the great circular pit the Martians were engaged in making. The heavy beating sound was evidently just behind us, and ever and again a bright green vapour drove up like a veil across our peephole.

      The cylinder was already opened in the centre of the pit, and on the farther edge of the pit, amid the smashed and gravel-heaped shrubbery, one of the great fightingmachines, deserted by its occupant, stood stiff and tall against the evening sky. At first I scarcely noticed the pit and the cylinder, although it has been convenient to describe them first, on account of the extraordinary glittering mechanism I saw busy in the excavation, and on account of the strange creatures that were crawling slowly and painfully across the heaped mould near it.

      The mechanism it certainly was that held my attention first. It was one of those complicated fabrics that have since been called handlingmachines, and the study of which has already given such an enormous impetus to terrestrial invention. As it dawned upon me first, it presented a sort of metallic spider with five jointed, agile legs, and with an extraordinary number of jointed levers, bars, and reaching and clutching tentacles about its body. Most of its arms were retracted, but with three long tentacles it was fishing out a number of rods, plates, and bars which lined the covering and apparently strengthened the walls of the cylinder. These, as it extracted them, were lifted out and deposited upon a level surface of earth behind it.

      Its motion was so swift, complex, and perfect that at first I did not see it as a machine, in spite of its metallic glitter. The fightingmachines were coordinated and animated to an extraordinary pitch, but nothing to compare with this. People who have never seen these structures, and have only the ill-imagined efforts of artists or the imperfect descriptions of such eyewitnesses as myself to go upon, scarcely realise that living quality.

      I recall particularly the illustration of one of the first pamphlets to give a consecutive account of the war. The artist had evidently made a hasty study of one of the fightingmachines, and there his knowledge ended. He presented them as tilted, stiff tripods, without either flexibility or subtlety, and with an altogether misleading monotony of effect. The pamphlet containing these renderings had a considerable vogue, and I mention them here simply to warn the reader against the impression they may have created. They were no more like the Martians I saw in action than a Dutch doll is like a human being. To my mind, the pamphlet would have been much better without them.

      At first, I say,

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