Rienzi, the Last of the Roman Tribunes - Baron Edward Bulwer Lytton Lytton

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bound the proud and vain soul of Nina to the chains that it so willingly wore. Perhaps, indeed, in the absence of Rienzi, her weaker nature pictured to herself the triumph of humbling the highborn signoras, and eclipsing the barbarous magnificence of the chiefs of Rome; but in his presence, and listening to his more elevated and generous ambition, as yet all unsullied by one private feeling save the hope of her, her higher sympathies were enlisted with his schemes, her mind aspired to raise itself to the height of his, and she thought less of her own rise than of his glory. It was sweet to her pride to be the sole confidante of his most secret thoughts, as of his most hardy undertakings; to see bared before her that intricate and plotting spirit; to be admitted even to the knowledge of its doubts and weakness, as of its heroism and power.

      Nothing could be more contrasted than the loves of Rienzi and Nina, and those of Adrian and Irene: in the latter, all were the dreams, the phantasies, the extravagance, of youth; they never talked of the future; they mingled no other aspirations with those of love. Ambition, glory, the world’s high objects, were nothing to them when together; their love had swallowed up the world, and left nothing visible beneath the sun, save itself. But the passion of Nina and her lover was that of more complicated natures and more mature years: it was made up of a thousand feelings, each naturally severed from each, but compelled into one focus by the mighty concentration of love; their talk was of the world; it was from the world that they drew the aliment which sustained it; it was of the future they spoke and thought; of its dreams and imagined glories they made themselves a home and altar; their love had in it more of the Intellectual than that of Adrian and Irene; it was more fitted for this hard earth; it had in it, also, more of the leaven of the later and iron days, and less of poetry and the first golden age.

      “And must thou leave me now?” said Nina, her cheek no more averted from his lips, nor her form from his parting embrace. “The moon is high yet; it is but a little hour thou hast given me.”

      “An hour! Alas!” said Rienzi, “it is near upon midnight—our friends await me.”

      “Go, then, my soul’s best half! Go; Nina shall not detain thee one moment from those higher objects which make thee so dear to Nina. When—when shall we meet again!”

      “Not,” said Rienzi, proudly, and with all his soul upon his brow, “not thus, by stealth! no! nor as I thus have met thee, the obscure and contemned bondsman! When next thou seest me, it shall be at the head of the sons of Rome! her champion! her restorer! or—” said he, sinking his voice—

      “There is no or!” interrupted Nina, weaving her arms round him, and catching his enthusiasm; “thou hast uttered thine own destiny!”

      “One kiss more!—farewell!—the tenth day from the morrow shines upon the restoration of Rome!”

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      It was upon that same evening, and while the earlier stars yet shone over the city, that Walter de Montreal, returning, alone, to the convent then associated with the church of Santa Maria del Priorata (both of which belonged to the Knights of the Hospital, and in the first of which Montreal had taken his lodgment), paused amidst the ruins and desolation which lay around his path. Thou little skilled in the classic memories and associations of the spot, he could not but be impressed with the surrounding witnesses of departed empire; the vast skeleton, as it were, of the dead giantess.

      “Now,” thought he, as he gazed around upon the roofless columns and shattered walls, everywhere visible, over which the starlight shone, ghastly and transparent, backed by the frowning and embattled fortresses of the Frangipani, half hid by the dark foliage that sprung up amidst the very fanes and palaces of old—Nature exulting over the frailer Art; “now,” thought he, “bookmen would be inspired, by this scene, with fantastic and dreaming visions of the past. But to me these monuments of high ambition and royal splendour create only images of the future. Rome may yet be, with her seven-hilled diadem, as Rome has been before, the prize of the strongest hand and the boldest warrior—revived, not by her own degenerate sons, but the infused blood of a new race. William the Bastard could scarce have found the hardy Englishers so easy a conquest as Walter the Well-born may find these eunuch Romans. And which conquest were the more glorious—the barbarous Isle, or the Metropolis of the World? Short step from the general to the podesta—shorter step from the podesta to the king!”

      While thus revolving his wild, yet not altogether chimerical ambition, a quick light step was heard amidst the long herbage, and, looking up, Montreal perceived the figure of a tall female descending from that part of the hill then covered by many convents, towards the base of the Aventine. She supported her steps with a long staff, and moved with such elasticity and erectness, that now, as her face became visible by the starlight, it was surprising to perceive that it was the face of one advanced in years—a harsh, proud countenance, withered, and deeply wrinkled, but not without a certain regularity of outline.

      “Merciful Virgin!” cried Montreal, starting back as that face gleamed upon him: “is it possible? It is she:—it is—”

      He sprung forward, and stood right before the old woman, who seemed equally surprised, though more dismayed, at the sight of Montreal.

      “I have sought thee for years,” said the Knight, first breaking the silence; “years, long years—thy conscience can tell thee why.”

      “Mine, man of blood!” cried the female, trembling with rage or fear; “darest thou talk of conscience? Thou, the dishonourer—the robber—the professed homicide! Thou, disgrace to knighthood and to birth! Thou, with the cross of chastity and of peace upon thy breast! Thou talk of conscience, hypocrite!—thou?”

      “Lady—lady!” said Montreal, deprecatingly, and almost quailing beneath the fiery passion of that feeble woman, “I have sinned against thee and thine. But remember all my excuses!—early love—fatal obstacles—rash vow—irresistible temptation! Perhaps,” he added, in a more haughty tone, “perhaps, yet, I may have the power to atone my error, and wring, with mailed hand, from the successor of St. Peter, who hath power to loose as to bind—”

      “Perjured and abandoned!” interrupted the female; “dost thou dream that violence can purchase absolution, or that thou canst ever atone the past?—a noble name disgraced, a father’s broken heart and dying curse! Yes, that curse, I hear it now! it rings upon me thrillingly, as when I watched the expiring clay! it cleaves to thee—it pursues thee—it shall pierce thee through thy corselet—it shall smite thee in the meridian of thy power! Genius wasted—ambition blasted—penitence deferred—a life of brawls, and a death of shame—thy destruction the offspring of thy crime!—To this, to this, an old man’s curse hath doomed thee!—AND THOU ART DOOMED!”

      These words were rather shrieked than spoken: and the flashing eye, the lifted hand, the dilated form of the speaker—the hour—the solitude of the ruins around—all conspired to give to the fearful execration the character of prophecy. The warrior, against whose undaunted breast a hundred spears had shivered in vain, fell appalled and humbled to the ground. He seized the hem of his fierce denouncer’s robe, and cried, in a choked and hollow voice, “Spare me! spare me!”

      “Spare thee!” said the unrelenting crone; “hast thou ever spared man in thy hatred, or woman in thy lust? Ah, grovel in the dust!—crouch—crouch!—wild beast as thou art! whose sleek skin and beautiful hues have taught the unwary to be blind to the talons that rend, and the grinders that devour;—crouch, that the foot of the old and impotent may spurn thee!”

      “Hag!” cried Montreal, in the reaction of sudden fury and maddened pride, springing up to the full height of his stature. “Hag! thou hast passed the limits to which, remembering who thou art, my forbearance gave thee licence. I had well-nigh forgot that thou hadst assumed my part—I am the Accuser! Woman!—the boy!—shrink not! equivocate not! lie not!—thou wert the thief!”

      “I

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