LITMIR.BIZ

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such remarks as the following:—

      “How could the Revolution of 1789 have been avoided? The loans of Louis XIV. prepared the way for it. Louis XV., an egotist, a man of narrow mind (didn’t he say, ‘If I were lieutenant of police I would suppress cabriolets’?), that dissolute king—you remember his Parc aux Cerfs?—did much to open the abyss of revolution. Monsieur de Necker, an evil-minded Genovese, set the thing a-going. Foreigners have always tried to injure France. The maximum did great harm to the Revolution. Legally Louis XVI. should never have been condemned; a jury would have acquitted him. Why did Charles X. fall? Napoleon was a great man, and the facts that prove his genius are anecdotal: he took five pinches of snuff a minute out of a pocket lined with leather made in his waistcoat. He looked into all his tradesmen’s accounts; he went to Saint-Denis to judge for himself the prices of things. Talma was his friend; Talma taught him his gestures; nevertheless, he always refused to give Talma the Legion of honor! The emperor mounted guard for a sentinel who went to sleep, to save him from being shot. Those were the things that made his soldiers adore him. Louis XVIII., who certainly had some sense, was very unjust in calling him Monsieur de Buonaparte. The defect of the present government is in letting itself be led instead of leading. It holds itself too low. It is afraid of men of energy. It ought to have torn up all the treaties of 1815 and demanded the Rhine. They keep the same men too long in the ministry”; etc., etc.

      “Come, you’ve exerted your minds long enough,” said Mademoiselle Thuillier, interrupting one of these luminous talks; “the altar is dressed; begin your little game.”

      If these anterior facts and all these generalities were not placed here as the frame of the present Scene, to give an idea of the spirit of this society, the following drama would certainly have suffered greatly. Moreover, this sketch is historically faithful; it shows a social stratum of importance in any portrayal of manners and morals, especially when we reflect that the political system of the Younger branch rests almost wholly upon it.

      The winter of the year 1839 was, it may be said, the period when the Thuillier salon was in its greatest glory. The Minards came nearly every Sunday, and began their evening by spending an hour there, if they had other engagements elsewhere. Often Minard would leave his wife at the Thuilliers and take his son and daughter to other houses. This assiduity on the part of the Minards was brought about by a somewhat tardy meeting between Messieurs Metivier, Barbet, and Minard on an evening when the two former, being tenants of Mademoiselle Thuillier, remained rather longer than usual in discussing business with her. From Barbet, Minard learned that the old maid had money transactions with himself and Metivier to the amount of sixty thousand francs, besides having a large deposit in the Bank.

      “Has she an account at the Bank?” asked Minard.

      “I believe so,” replied Barbet. “I give her at least eighty thousand francs there.”

      Being on intimate terms with a governor of the Bank, Minard ascertained that Mademoiselle Thuillier had, in point of fact, an account of over two hundred thousand francs, the result of her quarterly deposits for many years. Besides this, she owned the house they lived in, which was not mortgaged, and was worth at least one hundred thousand francs, if not more.

      “Why should Mademoiselle Thuillier work in this way?” said Minard to Metivier. “She’d be a good match for you,” he added.

      “I? oh, no,” replied Metivier. “I shall do better by marrying a cousin; my uncle Metivier has given me the succession to his business; he has a hundred thousand francs a year and only two daughters.”

      However secretive Mademoiselle Thuillier might be—and she said nothing of her investments to any one, not even to her brother, although a large amount of Madame Thuillier’s fortune went to swell the amount of her own savings—it was difficult to prevent some ray of light from gliding under the bushel which covered her treasure.

      Dutocq, who frequented Barbet, with whom he had some resemblance in character and countenance, had appraised, even more correctly than Minard, the Thuillier finances. He knew that their savings amounted, in 1838, to one hundred and fifty thousand francs, and he followed their progress secretly, calculating profits by the help of that all-wise money-lender, Barbet.

      “Celeste will have from my brother and myself two hundred thousand francs in ready money,” the old maid had said to Barbet in confidence, “and Madame Thuillier wishes to secure to her by the marriage contract the ultimate possession of her own fortune. As for me, my will is made. My brother will have everything during his lifetime, and Celeste will be my heiress with that reservation. Monsieur Cardot, the notary, is my executor.”

      Mademoiselle Thuillier now instigated her brother to renew his former relations with the Saillards, Baudoyers, and others, who held a position similar to that of the Thuilliers in the quartier Saint-Antoine, of which Monsieur Saillard was mayor. Cardot, the notary, had produced his aspirant for Celeste’s hand in the person of Monsieur Godeschal, attorney and successor to Derville; an able man, thirty-six years of age, who had paid one hundred thousand francs for his practice, which the two hundred thousand of the “dot” would doubly clear off. Minard, however, got rid of Godeschal by informing Mademoiselle Thuillier that Celeste’s sister-in-law would be the famous Mariette of the Opera.

      “She came from the stage,” said Colleville, alluding to his wife, “and there’s no need she should return to it.”

      “Besides, Monsieur Godeschal is too old for Celeste,” remarked Brigitte.

      “And ought we not,” added Madame Thuillier, timidly, “to let her marry according to her own taste, so as to be happy?”

      The poor woman had detected in Felix Phellion a true love for Celeste; the love that a woman crushed by Brigitte and wounded by her husband’s indifference (for Thuillier cared less for his wife than he did for a servant) had dreamed that love might be—bold in heart, timid externally, sure of itself, reserved, hidden from others, but expanding toward heaven. At twenty-three years of age, Felix Phellion was a gentle, pure-minded young man, like all true scholars who cultivate knowledge for knowledge’s sake. He had been sacredly brought up by his father, who, viewing all things seriously, had given him none but good examples accompanied by trivial maxims. He was a young man of medium height, with light chestnut hair, gray eyes, and a skin full of freckles; gifted with a charming voice, a tranquil manner; making few gestures; thoughtful, saying little, and that little sensible; contradicting no one, and quite incapable of a sordid thought or a selfish calculation.

      “That,” thought Madame Thuillier, “is what I should have liked my husband to be.”

      One evening, in the month of February, 1840, the Thuillier salon contained the various personages whose silhouettes we have just traced out, together with some others. It was nearly the end of the month. Barbet and Metivier having business with mademoiselle Brigitte, were playing whist with Minard and Phellion. At another table were Julien the advocate (a nickname given by Colleville to young Minard), Madame Colleville, Monsieur Barniol, and Madame Phellion. “Bouillotte,” at five sous a stake, occupied Madame Minard, who knew no other game, Colleville, old Monsieur Saillard, and Bandoze, his son-in-law. The substitutes were Laudigeois and Dutocq. Mesdames Falleix, Baudoyer, Barniol, and Mademoiselle Minard were playing boston, and Celeste was sitting beside Prudence Minard. Young Phellion was listening to Madame Thuillier and looking at Celeste.

      At a corner of the fireplace sat enthroned on a sofa the Queen Elizabeth of the family, as simply dressed as she had been for the last thirty years; for no prosperity could have made her change her habits. She wore on her chinchilla hair a black gauze cap, adorned with the geranium called Charles X.; her gown, of plum-colored stuff, made with a yoke, cost fifteen francs, her embroidered collarette was worth six, and it ill disguised the deep wrinkle produced by the two muscles which fastened the head to the vertebral column. The actor, Monvel, playing Augustus Caesar in his old age, did not present a harder and sterner profile than that of this female autocrat, knitting socks for her brother. Before the fireplace stood Thuillier in an attitude, ready to go forward and meet the arriving guests; near him was a young man whose entrance had produced a great effect, when the porter (who on Sundays wore his best clothes and waited on the company)

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