LITMIR.BIZ

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      The old woman sighed heavily several times as she stood under the loft, and seemed to be repeating a prayer.

      The situation was embarrassing for the young prince: he hastily got up from the bench, went out into the entry, and called to Churis to follow him. The sight of the man whom he had been befriending was so pleasant that he found it hard to tear himself away.

      "I am glad to help you," said he, halting by the well. "It's in my power to help you, because I know that you are not lazy. You will work, and I will assist you; and, with God's aid, you will come out all right."

      "There's no hope of coming out all right, your excellency," said Churis, suddenly assuming a serious and even stern expression of countenance, as though the young man's assurance that he would come out all right had awakened all his opposition. "In my father's time my brothers and I did not see any lack; but when he died, we broke all up. It kept going from bad to worse. Perfect wretchedness!"

      "Why did you break up?"

      "All on account of the women, your excellency. It was just after your grandfather died; when he was alive, we should not have ventured to do it: then the present order of things came in. He was just like you, he took an interest in every thing; and we should not have dared to separate. The late master did not like to look after the peasants; but after your grandfather's time, Andréï Ilyitch took charge. God forgive him! he was a drunken, careless man. We came to him once and again with complaints,—no living on account of the women,—begged him to let us separate. Well, he put it off, and put it off; but at last things came to such a pass, the women kept each to their own part; we began to live apart; and, of course, what could a single peasant do? Well, there wasn't no law or order. Andréï Ilyitch managed simply to suit himself. 'Take all you can get.' And whatever he could extort from a peasant, he took without asking. Then the poll-tax was raised, and they began to exact more provisions, and we had less and less land, and the grain stopped growing. Well, when the new allotment was made, then he took away from us our manured land, and added it to the master's, the villain, and ruined us entirely. He ought to have been hung. Your father[15]—the kingdom of heaven be his!—was a good bárin, but it was rarely enough that we ever had sight of him: he always lived in Moscow. Well, of course they used to drive the carts in pretty often. Sometimes it would be the season of bad roads,[16] and no fodder; but no matter! The bárin couldn't get along without it. We did not dare to complain at this, but there wasn't system. But now your grace lets any of us peasants see your face, and so a change has come over us; and the overseer is a different kind of man. Now we know for sure that we have a bárin. And it is impossible to say how grateful your peasants are for your kindness. But before you came, there wasn't any real bárin: every one was bárin. Ilyitch was bárin, and his wife put on the airs of a lady,[17] and the scribe from the police-station was bárin. Too many of em! ukh! the peasants had to put up with many trials."

      Again Nekhliudof experienced a feeling akin to shame or remorse. He put on his hat, and went on his way.

VI.

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      "Yukhvanka the clever[18] wants to sell a horse," was what Nekhliudof next read in his note-book; and he proceeded along the street to Yukhvanka's place.[19] Yukhvanka's hut was carefully thatched with straw from the threshing-floor of the estate; the frame-work was of new light-gray aspen-wood (also from stock belonging to the estate), had two handsome painted shutters for the window, and a porch with eaves and ingenious balustrades cut out of deal planks.

      The narrow entry and the cold hut were also in perfect order; but the general impression of sufficiency and comfort given by this establishment was somewhat injured by a barn enclosed in the gates, which had a dilapidated hedge and a sagging pent roof, appearing from behind it.

      Just as Nekhliudof approached the steps from one side, two peasant women came up on the other carrying a tub full of water. One was Yukhvanka's wife, the other his mother.

      The first was a robust, healthy-looking woman, with an extraordinarily exuberant bosom, and wide fat cheeks. She wore a clean shirt embroidered on the sleeves and collar, an apron of the same material, a new linen skirt, peasant's shoes, a string of beads, and an elegant four-cornered head-dress of embroidered red paper and spangles.

      The end of the water-yoke was not in the least unsteady, but was firmly settled on her wide and solid shoulder. Her easy forcefulness, manifested in her rosy face, in the curvature of her back, and the measured swing of her arms and legs, made it evident that she had splendid health and rugged strength.

      Yukhvanka's mother, balancing the other end of the yoke, was, on the contrary, one of those elderly women who seem to have reached the final limit of old age and decrepitude. Her bony frame, clad in a black dilapidated shirt and a faded linen skirt, was bent so that the water-yoke rested rather on her back than on her shoulder. Her two hands, whose distorted fingers seemed to clutch the yoke, were of a strange dark chestnut color, and were convulsively cramped. Her drooping head, wrapped up in some sort of a clout, bore the most monstrous evidences of indigence and extreme old age.

      From under her narrow brow, perfectly covered with deep wrinkles, two red eyes, unprotected by lashes, gazed with leaden expression to the ground. One yellow tooth protruded from her sunken upper lip, and, constantly moving, sometimes came in contact with her sharp chin. The wrinkles on the lower part of her face and neck hung down like little bags, quivering at every motion.

      She breathed heavily and hoarsely; but her bare, distorted legs, though it seemed as if they would have barely strength to drag along over the ground, moved with measured steps.

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      Almost stumbling against the prince, the young wife precipitately set down the tub, showed a little embarrassment, dropped a courtesy, and then with shining eyes glanced up at him, and, endeavoring to hide a slight smile behind the sleeve of her embroidered shirt, ran up the steps, clattering in her wooden shoes.

      "Mother,[20] you take the water-yoke to aunt Nastásia," said she, pausing at the door, and addressing the old woman.

      The modest young proprietor looked sternly but scrutinizingly at the rosy woman, frowned, and turned to the old dame, who, seizing the yoke with her crooked fingers, submissively lifted it to her shoulder, and was about to direct her steps to the adjacent hut.

      "Your son at home?" asked the prince.

      The old woman, her bent form bent more than usual, made an obeisance, and tried to say something in reply, but, suddenly putting her hand to her mouth, was taken with such a fit of coughing, that Nekhliudof without waiting went into the hut.

      Yukhvanka, who had been sitting on the bench in the "red corner,"[21] when he saw the prince, threw himself upon the oven, as though he were anxious to hide from him, hastily thrust something away in the loft, and, with mouth and eyes twitching, squeezed himself close to the wall, as though to make way for the prince.

      Yukhvanka was a light-complexioned fellow, thirty years of age, spare, with a young, pointed beard. He was well proportioned, and rather handsome, save for the unpleasant expression of his hazel eyes, under his knitted brow, and for the lack of two front teeth, which immediately attracted one's attention because his lips were short and constantly parted.

      He wore a Sunday shirt with bright red gussets, striped print drawers, and heavy boots with wrinkled legs.

      The interior of Vanka's hut was not as narrow and gloomy as that of Churis's, though it was fully as stifling, as redolent of smoke and sheep-skin, and showing as disorderly an array of peasant garments and utensils.

      Two things here strangely attracted the attention,—a small damaged samovár standing on the shelf, and a black frame near the ikon, with the remains of a dirty mirror and the portrait of

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