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are political, for the discreet and pre-institutional essence of the political sphere is played out in the shifting thresholds that dictate what deserves our attention. The question of feminism has highlighted these shifts in recent decades, and the issue of gender difference has suddenly become a political landmark attracting considerable attention. The question of alienated labour, the question of the condition of all those who do not have the means of production but sell their labour power, is a question that was naturalized in early capitalism, and became – with Marx and after him – an object of the most searching collective attention. The tectonic shifts in the art of the attention of a human collective are highlighted by one eloquent symptom: this is the feeling of the tolerable and the intolerable.

      The arts of political attention will have changed once we experience the plunder of ocean life, or the pollinator crisis, as being every bit as intolerable as the divine right of kings. The contempt of a sector of industrial agriculture for soil fauna should be as intolerable as a ban on abortion.

      In what direction should we open up this field of our collective political attention? The problem of our systemic ecological crisis, if it is to be understood in its most structural dimension, is a problem of habitat. It is our way of living that is in crisis. And the main reason is its constitutive blindness to the fact that to inhabit is always to cohabit, to live among other life forms; the habitat of a living being is entirely made up from the interweaving of other living beings. The fact is that one of the major causes of the current extinction of biodiversity is eco-fragmentation. This is the invisible fragmentation of the habitats of other living beings, a process which destroys them without our realizing it; we have made our roads, our cities, our industries out of the discreet and familiar paths that ensure their existence, their lasting prosperity as populations.

      Part of what modernity calls ‘progress’ describes four centuries of devices that relieve us from having to pay attention to alterities, to other life forms, or to ecosystems.

      The conceptual character we are targeting here is someone we could call the ‘average modern’ (we all are to a certain extent this kind of person in the cultural area which claims to be modern).

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