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remembered him. Shortly after Hobson’s death in 1631 he wrote a poem called ‘On the University Carrier’. It is a mock-heroic piece which does not exactly satirise Hobson but it treats him more as a subject for amused curiosity than with respect.

      Figure 2.1 Milton at Cambridge, c. 1629. Source: National Portrait Gallery.

      Merely to drive the time away he sickened,Fainted, and died, nor would with ale be quickened,Nay, quoth he, on his swooning be outstretched,If I may not carry, sure I’ll ne’er be fetched.

      (16–18)

      Christ’s might have conformed to the educational regime of the rest of the university but another aspect of its milieu contributed to the one notable occurrence during Milton’s time there as a student, his temporary expulsion from the university in the Spring Term of 1626. Most of the fellows and students were advocates of various aspects of Calvinism and Puritanism and by the time Milton arrived Christ’s, along with Emmanuel and Sidney Sussex, was becoming an outpost of resistance against the High Anglicanism that had taken root in much of the rest of the university. Milton’s younger brother Christopher would many years later tell of how John had, after disagreements with his tutor William Chappell, ‘received some unkindness’. Speculative biographers subsequently assumed that this had meant that he had been ‘sent down’ from the university as a punishment for insubordination and such assumptions are based upon a poem in Latin by Milton himself called ‘Elegia prima ad Carlolum Diodati’ (‘Elegy I to Charles Diodati’) which is a versified letter to his friend – they corresponded regularly and always in Latin – which includes references to his college rooms as ‘forbidden’, and to his ‘exile’ and ‘banishment’.

      Apart from a few revisions of psalms the only poems in English by Milton before he received his Bachelor of Arts degree in 1629 were ‘On the Death of an Infant Dying of a Cough’ and ‘At a Vacation Exercise in College’. Both are skilled and competent pieces of work, yet as the latter suggests they read more as exercises than as confident poetic statements. The ‘Elegia’ to Diodati on the other hand is a precocious, masterly blend of technical refinement and candid informality. Latin seemed to be the medium in which the teenage Milton felt most comfortable. It was the principal language of intellectual and theological debate, reliable and established; while English, like England, appeared to incorporate unease and uncertainty.

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