Castles and Chateaux of Old Touraine and the Loire Country - M. F. Mansfield

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the juncture of the Canal d'Orleans with the Loire one sees shining in the brilliant sunlight the roof-tops of Orleans, the Aurelianum of the Romans, its hybrid cathedral overtopping all else. It was Victor Hugo who said of this cathedral: "This odious church, which from afar holds so much of promise, and which near by has none," and Hugo undoubtedly spoke the truth.

      Orleans is an old city and a cité neuve. Where the river laps its quays, it is old but commonplace; back from the river is a strata which is really old, fine Gothic house-fronts and old leaning walls; while still farther from the river, as one approaches the railway station, it is strictly modern, with all the devices and appliances of the newest of the new.

      The Orleans of history lies riverwards—the Orleans where the heart of France pulsed itself again into life in the tragic days which were glorified by "the Maid."

      "The countryside of the Orléannais has the monotony of a desert," said an English traveller some generations ago. He was wrong. To do him justice, however, or to do his observations justice, he meant, probably, that, save the river-bottom of the Loire, the great plain which begins with La Beauce and ends with the Sologne has a comparatively uninteresting topography. This is true; but it is not a desert. La Beauce is the best grain-growing region in all France, and the Sologne is now a reclaimed land whose sandy soil has proved admirably adapted to an unusually abundant growth of the vine. So much for this old-time point of view, which to-day has changed considerably.

      The Orléannais is one of the most populous and progressive sections of all France, and its inhabitants, per square kilometre, are constantly increasing in numbers, which is more than can be said of every département. There are multitudes of tiny villages, and one is scarcely ever out of sight and sound of a habitation.

      In the great forest, just to the west of Orleans, are two small villages, each a celebrated battle-ground, and a place of a patriotic pilgrimage on the eighth and ninth of November of each year. They are Coulmiers and Bacon, and here some fugitives from Metz and Sedan, with some young troops exposed to fire for the first time, engaged with the Prussians (in 1870) who had occupied Orleans since mid-October. There is the usual conventional "soldiers' monument,"—with considerably more art about it than is usually seen in America—before which Frenchmen seemingly never cease to worship.

      This same Forêt d'Orleans, one of those wild-woods which so plentifully besprinkle France, has a sad and doleful memory in the traditions of the druidical inhabitants of a former day. Their practices here did not differ greatly from those of their brethren elsewhere, but local history is full of references to atrocities so bloodthirsty that it is difficult to believe that they were ever perpetrated under the guise of religion.

      Surrounding the forest are many villages and hamlets, war-stricken all in the dark days of seventy-one, when the Prussians were overrunning the land.

      Of all the cities of the Loire, Orleans, Blois, Tours, Angers, and Nantes alone show any spirit of modern progressiveness or of likeness to the capital. The rest, to all appearances, are dead, or at least sleeping in their pasts. But they are charming and restful spots for all that, where in melancholy silence sit the old men, while the younger folk, including the very children, are all at work in the neighbouring vineyards or in the wheat-fields of La Beauce.

      Meung-sur-Loire and Beaugency sleep on the river-bank, their proud monuments rising high in the background—the massive tower of Cæsar and a quartette of church spires. Just below Orleans is the juncture of the Loiret and the Loire at St. Mesmin, while only a few kilometres away is Cléry, famed for its associations of Louis XI.

      The Loiret is not a very ample river, and is classed by the Minister of Public Works as navigable for but four kilometres of its length. This, better than anything else, should define its relative importance among the great waterways of France. Navigation, as it is known elsewhere, is practically non-existent.

      The course of the Loiret is perhaps twelve kilometres all told, but it has given its name to a great French département, though it is doubtless the shortest of all the rivers of France thus honoured.

      It first comes to light in the dainty park of the Château de la Source, where there are two distinct sources. The first forms a small circular basin, known as the "Bouillon," which leads into another semicircular basin called the "Bassin du Miroir," from the fact that it reflects the façade of the château in its placid surface. Of course, this is all very artificial and theatrical, but it is a pretty conceit nevertheless. The other source, known as the "Grande Source," joins the rivulet some hundreds of yards below the "Bassin du Miroir."

      The Château de la Source is a seventeenth-century edifice, of no great architectural beauty in itself, but sufficiently sylvan in its surroundings to give it rank as one of the notable places of pilgrimage for tourists who, said a cynical French writer, "take the châteaux of the Loire tour à tour as they do the morgue, the Moulin Rouge, and the sewers of Paris."

      In the early days the château belonged to the Cardinal Briçonnet, and it was here that Bolingbroke, after having been stripped of his titles in England, went into retirement in 1720. In 1722 he received Voltaire, who read him his "Henriade."

      The Loiret

      In 1815 the invading Prince Eckmühl, with his staff, installed himself in the château, when, after Waterloo, the Prussian and French armies were separated only by a barrier placed midway on the bridge at Orleans. It was here also that the Prussian army was disbanded, on the agreement of the council held at Angerville, near Orleans.

      There are three other châteaux on the borders of the Loiret, which are of more than ordinary interest, so far as great country houses and their surroundings go, though their histories are not very striking, with perhaps the exception of the Château de la Fontaine, which has a remarkable garden, laid out by Lenôtre, the designer of the parks at Versailles.

      Leaving Orleans by the right bank of the Loire, one first comes to La Chapelle-St. Mesmin. La Chapelle has a church dating from the eleventh century and a château which is to-day the maison de campagne of the Bishop of Orleans. On the opposite bank was the Abbaye de Micy, founded by Clovis at the time of his conversion. A stone cross, only, marks the site to-day.

      St. Ay follows next, and is usually set down in the guide-books as "celebrated for good wines." This is not to be denied for a moment, and it is curious to note that the city bears the same name as the famous town in the champagne district, celebrated also for good wine, though of a different kind. The name of the Orléannais Ay is gained from a hermitage founded here by a holy man, who died in the sixth century. His tomb was discovered in 1860, under the choir of the church, which makes it a place of pilgrimage of no little local importance.

      At Meung-sur-Loire one should cross the river to Cléry, five kilometres off, seldom if ever visited by casual travellers. But why? Simply because it is overlooked in that universal haste shown by most travellers—who are not students of art or architecture, or deep lovers of history—in making their way to more popular shrines. One will not regret the time taken to visit Cléry, which shared with Our Lady of Embrun the devotions of Louis XI.

      Cléry's three thousand pastoral inhabitants of to-day would never give it distinction, and it is only the Maison de Louis XI. and the Basilique de Notre Dame which makes it worth while, but this is enough.

      In "Quentin Durward" one reads of the time when the superstitious Louis was held in captivity by the Burgundian, Charles the Bold, and of how the French king made his devotions before the little image, worn in his hat, of the Virgin of Cléry; "the grossness of his superstition, none the less than his fickleness, leading him to believe Our Lady of Cléry to be quite a different person from the other object of his devotion, the Madonna of Embrun, a tiny mountain village in southwestern France.

      "'Sweet Lady of Cléry,' he exclaimed, clasping his hands and beating his breast as he spoke, 'Blessed Mother of

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