LITMIR.BIZ

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the mountain tops. The length of days, owing to the proximity to the equator, does not vary more than one hour, the sun setting at Colombo at about six o'clock all the year round. At Dondra Head, the extreme southern point of Ceylon, the difference between the longest and shortest day of the year is only forty minutes.

      This interesting island is rich in prehistoric monuments, Buddhist temples, and lofty dagobas, some of which were originally over three hundred feet in height, exceeding that of the Cathedral of Notre Dame, in Paris, by sixty feet. This, be it remembered, was representative of a civilization which existed upon an island of the Indian Ocean between two and three thousand years ago. The lofty, gorgeous colored, and eccentric temples which the traveler regards with such curious interest in India belong to a much more modern period. They are structures which have been raised oftentimes upon the site of former heathen shrines. So in Rome, many of the churches which we visit to-day and accredit with great antiquity are rebuilt upon edifices formerly dedicated to strange gods. Some remain intact, like the Temple of Hercules and the Pantheon. These Ceylon dagobas are only one class of monuments, and are to be considered in connection with other vestiges of vast public structures, the origin and purpose of which have been lost sight of in the lapse of ages. Slabs of granite engraven with half-effaced inscriptions in Pali, and in unknown characters, are still found, mystifying the most learned antiquarians, while the significance of others has been made plain by means of commendable patience and scholarly acquirements. What an object lesson is here presented, attesting the evanescence of all mundane power and glory. Here are evidences of vast and costly enterprises, such as the rearing of grand monuments whose legitimate object can only be conjectured, and the names of whose builders are forgotten. The annals of the Singhalese, to whom we are not accustomed to give much credit as a literary people, yet afford consecutive historical data for twenty-four centuries back, though, as in most oriental countries, the records of their past combine truth and fable almost indiscriminately, so that it is often difficult to distinguish one from the other. These Eastern writers had a royal mode of assertion, much more impressive than convincing; as regards the general fidelity of these annals, however, there is no reasonable doubt, after allowing for what may be termed poetical license of expression. We may well ask ourselves how many lands can, like Ceylon, tell so much of their past history in authentic records verified by enduring monuments. As is well known, we in America go back only about four centuries before the trail of history is lost. To be sure, conjecture is abundant enough, but conjecture is not history.

      Compared with the probable age of the globe, how quickly history fades into fable! Agassiz thought this to be the oldest country of which we have any reliable knowledge. The Western mound builders were undoubtedly a distinctive race, yet who can tell their story? The mysteries of Yucatan are unsolved. There was a civilization once existing in Peru whose history is to us a blank. Of the origin of the Sphinx, older than the Pyramids, what do we really know? On Easter Island, in the South Pacific, are indestructible evidences of an ancient people, who possessed a written language so old that no one can decipher its admirably graven characters. Where did that island come from, and what became of its people? Were they and their country submerged, like another Atlantis, and is this island the apex of a mountain range left above the devouring ocean to tell the tale? This is not a wild supposition. It has been suggested and declared possible by more than one astute and scholarly writer upon physical geography. As to antiquity, the monuments of Egypt enable us to trace back the history of civilized man only six thousand years, though all intelligent archæologists know that the earth must have been inhabited by human beings an infinite number of years prior to that period. Philology and geology are sufficient to prove this.

      Singhalese annals record in detail the reign of one hundred and sixty sovereigns during a period extending from the conquest of the island, b. c. 543, by Wijaya, a prince from northern India, to the deposition of Wikram Raja Sinka by the English in 1815. This was the last king of Kandy, the then native capital of Ceylon. Sufficient is recorded of the personal character of Wijaya, the early conqueror of the island, to prove his utter barbarity, so that we are naturally led still more to wonder whence came the artists—for artists they were—who designed and built such cities as Anuradhapura and Pollonarua, the first of which was probably founded during his reign. Either the Singhalese as a race must have retrograded in a most marvelous manner, while other nationalities were in the line of progress, or foreign artists and builders must have been imported to rear such grand and beautiful capitals in this Indian isle. Does the reader realize that our best architects to-day go back for suggestions to the elaborate and elegant ornamentations which prevailed at this period in stone columns and lofty façades? Though scarred by warfare with the ages, these still form rare and choice object lessons to the appreciative artist.

      Among the remarkable evidences of great antiquity in Ceylon, we recall the elaborate cave-temples of Dambula, hewn out of the primitive rock, and which have existed at least two thousand years, representing an infinite amount of patient labor, which must have been executed with tools admirably adapted to the purpose assigned. The principal temple—there are four of them—was dedicated to Buddha, whose creed is still the prevailing faith of Asia,—a doctrine ages older than our so-called Christian religion. The entrance to the principal cave-temple is elaborately carved in the solid stone, and is wonderfully well-preserved. The design is harmonious with the purpose, presenting a score or more of figures in bas-relief, with embellishments appropriate to the Buddhist faith. Two mammoth figures, one on either side, represent, probably, guardian spirits or gods. Just within, there is an altar with a sitting figure of Buddha, opposite the entrance. It is interesting to note the ornamental entrance to the temple, as exhibiting the degree of artistic appreciation which existed here in Ceylon between two and three thousand years ago. This largest temple is one hundred and eighty feet long, eighty wide, and twenty-five high, a gloomy vault at best, containing a gigantic recumbent stone statue of Buddha, forty-seven feet in length, the head resting on the right hand, indicating repose, one of the favorite positions in which the prophet is usually represented in the temples of Ceylon. The chambers or halls, which are hollowed out of the rock, are reached by long flights of stone steps. Each temple is most grotesquely painted with scenes supposed to represent the past history of the island. In the first of the caves is the immense statue already spoken of. In the others are those of ancient kings in heroic size, but not nearly so large as that of Buddha. On the several walls are rudely-painted tournament scenes, elephant hunts, and half-effaced battle pictures. Some of the apartments have iron-grated windows, and were evidently places of confinement for political prisoners, some time in the far past. An old Buddhist priest is in charge, grumpy, reticent, and apparently dissatisfied with himself and the world generally. In the first and largest of the stone chambers of this huge rock at Dambula, besides the large recumbent figure of Buddha, there is a statue of Vishnu, held especially sacred, and before which solemn oaths in litigated cases were administered, without any other recourse for settlement. This was when one of the parties agreed to abide by the solemn oath of the other, to be given in specified form before this statue of Vishnu. It is a rudely executed figure in granite, as indeed are all the statues of the period. In the second chamber or temple there are half a hundred statues of Buddha, besides representatives in stone of various heathen gods, painted in yellow, blue, and white robes, but why the multiplicity of Buddhas it would be difficult to divine. In front of the cave-temples is a flourishing boo-tree, and a small grove of cocoanut palms which have grown to a great size. As usual, centuries of age are claimed for the first-named tree. Round about the plain, among the rude, wild vegetable growth, a peculiar cactus is seen, a familiar acquaintance, first met with on the plains of Mexico. Its thick leaves form also its branches, each leaf being attached to its neighbor endwise, like links of a chain, and being bordered by a bright yellow ruffle of profuse blossoms. These cave-temples of Dambula are cut in a solitary mass of rock, rising from the otherwise level plain to about five hundred feet in height and four times that in length. This is undoubtedly the most remarkable group of cave-temples upon the island.

      One is vividly reminded by these peculiar and enduring structures of a similar famous place of Hindu worship cut out of the solid rock on the island of Elephanta in the outer harbor of Bombay, and also of those found at Ellora and Carlee, in India proper. These three Buddhist temples are known to have been in existence for about twenty centuries, and are very similar in design. The elaborate sculptures in bas-relief which decorate them are almost identical in character, but they have little or no artistic merit,

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