LITMIR.BIZ

      Published by Good Press, 2019

       [email protected]

      EAN 4057664600967

Table of Contents

       PREFACE

       CHAPTER I

       CHAPTER II

       CHAPTER III

       CHAPTER IV

       CHAPTER V

       CHAPTER VI

       CHAPTER VII

       CHAPTER VIII

       CHAPTER IX

       CHAPTER X

       CHAPTER XI

       CHAPTER XII

       RECAPITULATION

PREFACE

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      There are several forms of temperament. The kind that mostly issues in biography is the practical temperament. Poets have the shortest memoirs, and the most uninteresting. The politician, the philanthropist, the general, make the best, the most graphic Lives. The fact remains, however, that the question, "What has he done?" though a specious, is an unsatisfactory test of greatness.

      But there is a temperament called the Reflective, which works slowly, and with little apparent result. The very gift of expression is a practical gift: with the gift of expression the reflective man becomes a writer, a poet, an artist; without it, he is unknown.

      The reflective temperament, existing without any particular gift of expression, wants an exponent in these times. Reflection is lost sight of; philanthropy is all the rage. I assert that for a man to devote himself to a reflective life, that is, in the eyes of the world, an indolent one, is often a great sacrifice, and even on that account, if not essentially, valuable. Philanthropy is generally distressing, often offensive, sometimes disastrous.

      Nothing, in this predetermined world, fails of its effect, as nothing is without its cause. There is a call to reflection which a man must follow, and his life then becomes an integral link in the chain of circumstance. Any intentional life affects the world; it is only the vague drifting existences that pass it by.

      The subject of this memoir was, as the world counts reputation, unknown. His only public appearance, as far as I know, besides the announcement of his birth, is the fact that his initials stand in a dedication on the title-page of a noble work of fiction.

      Arthur Hamilton left me his manuscripts, papers, and letters; from these, and casual conversations I have had with him in old days, this little volume is constructed.

      C.C.

CHAPTER I

       Table of Contents

      He was born November 2, 1852. He was the second son of a retired cavalry officer, who lived in Hampshire. Besides his elder brother, there were three sisters, one of whom died. His father was a wealthy man, and had built himself a small country house, and planted the few acres of ground round it very skillfully. Major Hamilton was a very religious man, of the self-sufficient, puritanical, and evangelical type, that issues from discipline; a martinet in his regiment, a domestic tyrant, without intending to be. He did not marry till rather late in life; and at the time when Arthur was growing up—the time when memory intwines itself most lingeringly with its surroundings, the time which comes back to us at ecstatic moments in later, sadder days—all the entourage of the place was at its loveliest. Nothing ever equalled the thrill, he has told me, of finding the first thrush's nest in the laurels by the gate, or of catching the first smell of the lilac bushes in spring, or the pungent scent of the chamomile and wild celery down by the little stream.

      The boy acquired a great love for Nature, though not of the intimate kind that poets have by instinct. "In moments of grief and despair," he wrote in later life, "I do not, as some do, crouch back to the bosom of the great Mother; she has, it seems, no heart for me when I am sorry, though she smiles with me when I am glad." But he has told me that he is able to enjoy a simple village scene in a way that others can not easily understand: a chestnut crowded with pink spires, the clack of a mill-wheel, the gush of a green sluice out of a mantled pool, a little stream surrounded by flags and water lobelias, gave him all his life a keen satisfaction in his happy moments. "I always gravitate to water," he writes. "I could stop and look at a little wayside stream for hours; and a pool—I never tire of it, though it awes me when I am alone."

      The boy was afraid of trees, as many children are. If he had to go out alone he always crossed the fields, and never went by the wood; wandering in a wood at night was a childish nightmare of a peculiarly horrible kind.

      I quote a few childish stories about him, selecting them out of a large number.

      His mother saying to him one day that the gardener was dead, he burst out laughing (with that curious hysteria so common in children), and then after a little asked if they were going to bury him.

      His mother, wishing to familiarize him with the idea of continued existence after death, dwelt on the fact that it was only his body that was going to be buried: his soul was in heaven.

      The boy said presently, "If his body is in the churchyard, and his soul in heaven, where is David?"

      Upon which his mother sent him down to the farm.

      He was often singularly old-fashioned in his ways. If he was kept indoors by a childish ailment, he would draw his chair up to the fire, by his nurse, and say, "Now that the children are gone out, nurse, we can have a quiet talk." And he always returned first of all his brothers and sisters, if they were playing in the garden, that he might have the pleasure of clapping his hands from the nursery window to summon them in. "Children, children, come in," he used to say.

      A curious little dialogue is preserved by his aunt in a diary. He laughed so immoderately at something that was said at lunch by one of his elders, that when his father inquired what the joke was, he was unable

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