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resolved to terrify the bigoted and ignorant nuns of the community, by personating ghosts and goblins, and they succeeded to their utmost wishes, having acted their parts to admiration; but they were far from dreaming of the fatal consequences of their success.

      The disturbed nuns, worried and frightened from their propriety, went in a body to a certain curé, named Mignon, one of the most spiteful and envious of Grandier's rivals, and related to him the fact of their convent being disturbed by ghostly visitants, who left them no peace or rest. The thought instantly occurred to Mignon, that he might turn this accident to account at the expense of the handsome young priest whom he detested.

      Instead of ghosts and spirits, he changed the mystery into witchcraft and possession by the devil, and contrived so artfully, that he induced many of the nuns to imagine themselves a prey to the evil one, and to assume all the appearance of suffering from the influence of some occult power. His pupils became quite expert in tricks of demoniacal possession, falling into convulsions and trances, and going through all the absurdities occasionally practised at the present day, by the disciples of Mesmer. These foolish, rather than wicked, women, were led to believe that, by acting thus, they were advancing the interests of religion, and they allowed themselves to fall blindly into the scheme, devised for the purpose of ruining the devoted curé. A public exorcism took place, at which scenes of absurdity, difficult to be credited, took place, and when the possessed persons were questioned as to how they became a prey to the evil spirit, they declared that the devil had entered into them by means of a bouquet of roses, the perfume of which they had inhaled; when asked by whom these flowers had been sent them, they replied that it was Urbain Grandier! This was enough to seal his doom; on the 3d of December, 1633, the Councillor Laubardemont arrived secretly at Loudun, caused the young curé to be arrested, as he was preparing to go to church, and had him carried off to the castle of Angers. The devils, supposed to possess the nuns, were severally questioned, and replied, they were Astaroth, of the order of Seraphins, the head and front of all, Easas, Celcus, Acaos, Cedon, Asmodeus, of the order of Thrones, Alez, Zabulon, Nephtalim, Cham, Uriel, Achas, of the order of Principalities! In the following April he was brought back to Loudun, and consigned to the prison there. The farce of exorcism was now recommenced; but the fatigue of sustaining the parts they had assumed, and perhaps a conviction of the fearful nature of the deceptions they had practised, caused some of the actors in this drama to rebel, and they actually made a public retractation of what they had before advanced.

      It was, however, now too late; no notice was taken of their denial of their former charges against the victim whose fate was agreed upon, and in August, 1634, a commission was duly appointed, at the head of which were Laubardemont and his satellites, who pronounced Urbain Grandier guilty, and convicted of the crime of magic. His sentence condemned him to be burned alive, but, resolved to carry vengeance to the utmost extent, he was made to undergo the torture, suffering pangs too horrible to think of. He was then conveyed to Poitiers, where he suffered at the stake, and by his unmerited fate left an indelible blot on the age in which such monstrous cruelty could be perpetrated, or such ignorant barbarity tolerated. He endured his torments with patience and resignation. While he was suffering, a large fly was observed to hover near his head. A monk, who was enjoying the spectacle of his execution, and who had heard that Béelzébub, in Hebrew, signified the God of the Flies, cried out, much to the edification of all present, "Behold yonder, the devil, Beelzebub, flying round Grandier ready to carry off his soul to hell!"[3]

      The unpleasant recollections raised by the neighbourhood of Loudun were dispelled as we hurried on to the next post, which was at Mirebeau, where we were not a little entertained at the primitive manner in which our malle poste delivered and received its despatches. The coach stopped in the middle of the night in the silent streets of Mirebeau, and the conductor, stationing himself beneath the window of a dwelling, called loudly to the sleepers within; no answer was returned, nor did he repeat his summons; but waited, with a patience peculiar to conducteurs, who do not care to hurry their horses, till a rattling on the wall announced the approach of a basket let down by a string. Into this he put the letters he had brought, and it re-ascended; after waiting a reasonable time, the silent messenger returned, and from it a precious packet was taken; nothing was said, the conducteur resumed his seat on the box, the horses were urged onwards, and we rattled forward on our way to Poitiers.

      Mirebeau, though now an insignificant bourg, was formerly a place of some consequence. Its château was built by Foulques Nera, the redoubted Count of Anjou; and here, in 1202, Elionor of Aquitaine sustained a siege directed against her by the partisans of the Count of Bretagne, her grandson. Close by is a village, the lord of which had an hereditary privilege sufficiently ludicrous.

      It appears that at Puy Taillé there must have been a remarkable number of serpents, who refused to listen to the voice of the charmer until the lord of the castle, wiser than any other exorciser, took them in hand. He was accustomed, at a certain period, to set forth in state, and, placing himself at a spot where he presumed he should be heard, raised his voice, and, in an authoritative tone, commanded the refractory animals to quit his estates. Not one dared to refuse; and great was the rustling, and hissing, and sliding, and coiling as the serpentine nation prepared to déménager, much against their inclination no doubt, but forced, by a power they could not withstand, to obey. None of these creatures interrupted our route, although there has long ceased to be a lord at Puy Taillé, and we arrived before day-break safely at the Hôtel de France, at Poitiers.

      image St. Porchaire, Poitiers.

       Table of Contents

      poitiers—battles—the armies—king john of france—the young warrior—hôtel du vreux—amphitheatre—blossac—the great stone—the scholars—museum—the demon's stone—grande gueule.

      Poitiers is a city of the past: it is one of those towns in which the last lingering characteristics of the middle ages still repose; although they do so in the midst of an atmosphere of innovation. Modern improvement, slowly as it shows itself, is making progress at Poitiers, as at every town in France, and quietly sweeping away all the records of generations whose very memory is wearing out. If new buildings and walks and ornamental alentours were as quickly erected and carried out as they are conceived, it would be a matter of rejoicing that whole cities of dirt and wretchedness should be made to disappear, and new ones to rise shining in their place; but, unfortunately, this cannot be the case. There are too many towns in France in the same position as Poitiers, all requiring to be rebuilt from the very ground to make them presentable at the present day; blocks of stone strew every road, brick and mortar fill every street; a great deal of money is expended, but a great deal more is required; and, in the meantime, the new and the old strive for mastery, the former growing dull and dirty by the side of the latter, and, before the intended improvements are realized, becoming as little sightly as their more venerable neighbours.

      Much of old Poitiers has been destroyed; and new Poitiers is by no means beautiful. It is better, therefore, except in a few instances, to forget that modern hands have touched the sacred spot, and endeavour to enjoy the reminiscences still left, of which there are a great number full of interest and variety.

      When we sallied forth into the streets of Poitiers, our first impression was that of disappointment; but we had not long wandered amongst its dilapidated houses and churches before the enthusiasm we expected to feel there was awakened, and the spirit of the Black Prince was appeased by our reverence for everything we met.

      Poitiers belongs to so many ages—Gaul, Roman, Visigoth, Frank, English—that it holds a place in every great event which has occurred in France during the last nineteen centuries. Four important battles were fought in its neighbourhood: those of Clovis, of Charles Martel, of Edward of England, and of Henry III. of France; all these struggles brought about results of the utmost

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