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       David Hannay

      Life of Frederick Marryat

      Published by Good Press, 2019

       [email protected]

      EAN 4064066136239

       LIFE OF CAPTAIN MARRYAT.

       CHAPTER I.

       CHAPTER II.

       CHAPTER III.

       CHAPTER IV.

       CHAPTER V.

       CHAPTER VI.

       CHAPTER VII.

       CHAPTER VIII.

       CHAPTER IX.

       CHAPTER X.

       INDEX.

       BIBLIOGRAPHY.

       I. WORKS.

       II. APPENDIX.

       THE SCOTT LIBRARY.

       Great Writers.

       LIBRARY OF HUMOUR

       IBSEN’S PROSE DRAMAS.

       NEW ENGLAND LIBRARY.

       By NATHANIEL HAWTHORNE.

       By OLIVER WENDELL HOLMES.

       By HENRY THOREAU.

       THE Contemporary Science Series.

       SPECIAL EDITION OF THE CANTERBURY POETS.

       MR. GEORGE MOORE’S NEW NOVEL.

       ESTHER WATERS: A Novel.

       OTHER NOVELS BY GEORGE MOORE.

       Table of Contents

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       Table of Contents

      Frederick Marryat, one of the most brilliant, and the least fairly recognized, of English novelists, was born in Westminster, on the 10th July, 1792, some seven months before the outbreak of the Great War. He was the second son of Joseph Marryat, M.P. for Sandwich, chairman of the committee of Lloyds, and Colonial Agent for the island of Grenada. His mother was a Bostonian, of a loyalist family. Her maiden name was Geyer—or according to Mrs. Ross Church’s life of her father, Von Geyer—and the family is said to have been of Hessian origin. The Marryats themselves were a Suffolk stock. In Marshall’s “Naval Biography,” which appeared during Marryat’s own life, the novelist is said to have descended from one of the numerous Huguenot refugees who settled in the Eastern Counties during the persecutions of the sixteenth century. The family version of its history, as given by Mrs. Ross Church, contains a longer and more splendid pedigree, going back even to knights who came over with “Richard Conqueror.” These things, though set forth with faith no doubt, are to be received with polite reserve by the judicious reader. For the rest, whatever the remote origin of the Marryats may have been, they were during the seventeenth and eighteenth centuries very distinctly middle-class people—dissenting ministers, doctors, or business men—manifestly of good parts and industry. Some of them wrote sermons and printed them. Thomas Marryat, the novelist’s grandfather, was a doctor and the author of a medical book. His father was, as the places he held show, a prosperous man; and the future novelist entered the world under fairly favourable circumstances. There was, it is clear, no want of money, and the family were active people with a marked tendency to use their pens.

      As no detailed life of Marryat was written until long after his death, when no witnesses were left who could speak with knowledge, there is an almost absolute want of evidence as to the character and probable influence of his family life. If we are to argue from his stories, it was hardly to be called happy. These guides may not be entirely safe, and yet they afford evidence of a kind not to be lightly dismissed. A writer whose pictures of home and school life are habitually disagreeable, cannot have had many pleasant memories of his own to look back on. With Marryat this was the case. In all his earlier stories, and until he became decidedly didactic, and religious, in his later years, he described the relations of parents and children, of schoolboy and schoolmaster, as either indifferent or hostile, or as contemptuous even when affection is not absent. Peter Simple, Mr. Midshipman Easy, and Newton Foster are the sons of men whom they may like, but cannot respect, of whom two are maniacs, and one is a harmless imbecile. Their mothers are either utterly shadowy or repulsive. “Frank Mildmay,” the first and the most autobiographical of his stories, is also the most destitute of kindliness. Something may be allowed for rawness in the author, and something for direct imitation of the earlier Smollettian model. Marryat, too, publicly protested that he was not the “Naval Officer” of this first story. But, by his own confession, he put many of the incidents of his own life into it, and we may safely conclude that what is wholly wanting in the story was not prominent in his own experience. Now what is wanting is any trace that Frank Mildmay had the smallest filial regard for his father, or was conscious of any maternal influence, or thought of his home life with affection, or of his school as other than a place of torment.

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