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of failure because of the handicaps under which he must work.

      Having to be his own camera-man, and to work without an assistant, piled high the burden of work and responsibility; but he could not afford to pay the salaries such assistants would demand. He had a practical knowledge of camera craft, since he had worked his way up through all branches of the game, and he was sure that with practice he could do the photographic work. He hoped to teach Andy enough about it so that he could help; Andy seemed to have an adaptability superior to some of the others and would learn the rudiments readily, Luck believed.

      The lack of a leading woman was another handicap. He could not afford to hire one, and he could not very well weave a love story into his plot without a woman. He was going to try Rosemary, since her part would consist mostly of riding in and out of scenes and looking pretty,—at least in the earlier portion. And by the time he was ready to produce the dramatic scenes, he hoped that she would be able to act the part. It was a risk, of course, and down deep in his heart he feared that much of her charm would never reach the screen; but he must manage somehow, since there would be no money to spend on salaries. He ought to have a character woman, too,—which he lacked.

      But other things he did have, and they were the things that would count most for success or failure. He had his real boys, for instance; and he had his real country; and, last and most important of all, he had his story to tell. In spite of his weariness, Luck was almost happy that first afternoon at Applehead’s ranch. He went whistling about his task of directing the others and doing two men’s work himself, and he refused to worry about anything.

      That evening after supper, when they were all smoking and resting before Applehead’s big rock fireplace, Luck’s energy would not let him dwell upon the trivial incidents of their trip, which the Happy Family were discussing with reminiscent enjoyment. Applehead’s booming laugh was to Luck as a vague accompaniment to his own thoughts darting here and there among his plans.

      “Aw, gwan!” Happy Jack was exclaiming in his habitual tone of protest. “Conductor lied to me, is how I come to be over to that place when the train started to pull out. I was buyin’ something. I wasn’t talking to no Mexican girl. I betche—”

      “Now, while we’re all together,” Luck broke suddenly into Happy’s explanation, “I’m just going over the scenario from start to finish and assign your parts. Applehead, I’m going to cast you for the sheriff. You won’t need to do any acting at all—”

      “We-ell, if I do, I calc’late I got some idee uh how a shurf had oughta ack,” Applehead informed him with a boastful note in his voice, and pulled himself up straighter in his chair. “I was ‘lected shurf uh this county four different terms right hand runnin’, and if I do say it, they wasn’t nobody ever said I didn’t do my duty. Ary man I went after, I come purty near bringin’ him into camp, now I’m tellin’ ye! This here old girl has shore talked out in meetin’, in her time, and there wasn’t ary man wanted to face her down in an argument, now I’m tellin’ ye.” He got up and took his old six-shooter off the mantel and held it lovingly in his palm. Very solemnly he licked his thumb and polished a certain place along the edge of the yellow ivory handle, and held it so the Happy Family could see three tiny notches.

      “Them’s three argyments she shore settled,” he stated grimly, and turned slowly upon Luck.

      “Yes-s, I calc’late I can play shurf for ye, all right enough.”

      Luck looked up at him with his eyes shining, remembering how staunch a friend Applehead had been in times past, and how even his boastings were but a naïve recognition of facts concerning himself. Applehead Forrman was fifty-six years old, but Luck could not at that moment recall a man more dangerous to meet as an enemy or more loyal to have as a friend.

      “I calc’late you can,” he agreed in his soft, friendly drawl. “Sit down and turn your good ear this way, Applehead, so this story can soak in. You’ll see where you come in as sheriff, and you’ll sabe just what you’ll have to do. Bud, here, will be the outlaw that blows into the cow-camp and begins to mix things. He’s the one you’ll have to settle. So here’s the way the story runs:”

      “Say, boss, make it short and sweet, can’t you?” Andy begged. He was sitting on the floor with his head against Rosemary’s knees, and his eyelids were drooping drowsily. “By gracious, nobody’ll have to sing me to sleep to-night! I’m about ready to hit the hay right now.”

      “I’ll cut out the atmosphere and just stick to the action, then,” Luck conceded. “I want to get you all placed, so we can get to work in the morning without any delay. Sabe?”

      “Shoot,” murmured Pink, opening his eyes with some effort “I can listen for five minutes, maybe.”

      “I can’t, I don’t believe,” the Native Son yawned. “But go ahead, amigo. My heart’s with you, anyway, whether my eyes are open or shut.”

      Luck was pretty sleepy himself, after two nights and a day spent in a chair car, with another day of hard labor to finish the ordeal. But his enthusiasm had never been keener than when, in the land of sage and cactus, he first unfolded his precious scenario and bent forward to read by the light of the fire. He forgot to skip the “atmosphere.” Scene by scene he lived the story through. Scene by scene he saw his Big Picture grow vivid as ever the reality would be. Once or twice he glanced up and saw Applehead leaning forward with his elbows on his knees and his pipe gone cold in his fingers, absorbed, living the story even as Luck lived it.

      A long, rumbling snore stopped him with a mental jolt. He came back to reality and looked at the Happy Family. Every one of them, save Rosemary, was sound asleep; and even Rosemary was dreaming at the fire with her eyes half closed, and her fingers moving caressingly through the unconscious Andy’s brown hair.

      “Let ‘em be. You go ahead and read it out,” Applehead muttered, impatient of the pause.

      So Luck, with his audience dwindled to one bald-headed old rangeman, read the story of what he meant to create out there in the wild spaces of New Mexico.

       Table of Contents

      It is surprising how much time is consumed by the little things of life,—unimportant in themselves, yet absolutely necessary to a satisfactory accomplishment of the big things. Luck, looking ahead into the next day, confidently expected to be making scenes by the time the light was right,—say nine o’clock in the morning. He had chosen several short, unimportant scenes, such as the departure of old Dave Wiswell, his cattleman of the picture, from the ranch; his return, and the saddling of horses and riding away of the boys. Also he meant to make a scene of the arrival of the sheriff after having received word of the presence of Big Medicine, the outlaw, at the ranch. Rosemary, too, as the daughter of old Dave, must run down to the corral to meet her father. Scattered scenes they were, occurring in widely separated parts of the story. But they had to be made, and they required no especial “sets” of scenery; and other work, such as the building of the stage for interior sets, could go on with few interruptions. The boys would have to work in their make-up, but since the make-up was to be nothing more than a sharpening of the features to make them look absolutely natural upon the screen, it would not be uncomfortable. This was what Luck had planned for that day.

      Before breakfast he had selected a site for his stage, on the sunny side of the hill back of the house, where it would be partially sheltered from the sweeping winds of New Mexico. All day he would have the sun behind him while he worked, and he considered the situation an ideal one. He had the lumber hauled up there and unloaded, while Rosemary and Applehead were cooking breakfast for ten hungry people. He laid out his foundation and explained to the boys just how it should be built, and even sacrificed his appetite to his impatience by going a quarter of a mile to where he remembered seeing some old barbed wire strung along a fence to keep it off the ground so that stock could not tangle in it. He got the wire and brought it back with him to guy out the uprights for the diffusers. So on the whole he began the day as well

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