Скачать книгу

tion>

       Van Tassel Sutphen

      The Doomsman

      Published by Good Press, 2019

       [email protected]

      EAN 4057664597281

       I THE VERMILION FEATHER

       II THE NIGHT OF THE TERROR

       III THE NEW WORLD

       IV THE MAN ON HORSEBACK

       V THE RAT'S-HOLE

       VI TROY TOWN

       VII THE BREAD OF AFFLICTION

       VIII IN THE SHADOW OF DOOM

       IX THE KEYS OF POWER

       X THE MESSAGE

       XI THE SISTERS

       XII THE HEDGE OF ARROWS

       XIII GODS IN EXILE

       XIV ARCADIA HOUSE

       XV A MAN AND A MAID

       XVI AS IN A LOOKING-GLASS

       XVII THE AWAKENING

       XVIII A PROPHET OF EVIL

       XIX IN QUINTON EDGE'S GARDEN

       XX THE SILVER WHISTLE BLOWS

       XXI OXENFORD'S DAUGHTER

       XXII YET THREE DAYS

       XXIII THE RED LIGHT IN THE NORTH

       XXIV THE EVE OF THE THIRD DAY

       XXV ENTR'ACTE

       XXVI THE SONG OF THE SWORD

       XXVII DOOMSDAY

       XXVIII IN THE FULNESS OF TIME

       XXIX DEATH AND LIFE

       XXX THE STAR IN THE EAST

       THE END

       THE VERMILION FEATHER

       Table of Contents

      A beach of yellow sand and a stranded log upon which sat a boy looking steadfastly out upon the shining waters.

      It was a delicious morning in early May, and the sun was at his back, its warm rays falling upon him with affectionate caress. But the lad was plainly oblivious of his immediate surroundings; in spirit he had followed the leading of his eyes a league or more to the westward, where a mass of indefinable shadow bulked hugely upon the horizon line. Indefinable, in that it was neither forest nor mountain nor yet an atmospheric illusion produced by the presence of watery vapor. It did not change in density as does the true cloud; for all of its mistiness of outline there was an impression of solidity about its deeper shadows, something that the wind could not lift nor the light pierce. A mystery, and the boy devoured it with his eyes, his head bent forward and his shoulders held tensely.

      The place was a rocky point of land jutting forth into a reef-strewn tideway. The forest came down close to the strip of beach, but there was comparatively little underwood, and the grass, growing up to the very roots of the trees, gave to the glade an appearance almost parklike. There was no house in sight, not even the thin, blue curl of a smoking hearth to proclaim the neighborhood of man. Yet the sign of human handicraft was not wholly wanting; through the tree trunks, at perhaps a hundred yards away, appeared the line of a timber stockade—enormous palisades, composed of twelve-foot ash and hickory poles, set in a double row and bound together by lengths of copper wire. It was to be further observed that the timbers had been stripped of their bark and the knots smoothed down so as to afford no coigne of vantage to even a naked foot. Add, again, that the poles had been charred and sharpened at the top, and it will be understood that the barrier was a formidable one against any assault short of artillery.

      There was no beaten road or path near the line of palisades, but, following the curving of the shore, a forest track, already green with the young grass that was pushing its way through last year's stubble, stretched away to the north and south. It was hardly more than a runway for the deer and wild cattle, but it did not give one the impression of having been originally plotted out by these creatures, after the immemorial fashion of their kind. An animal does not lay out his road in sections of perfectly straight lines connected by mathematical curves, neither does he fill up gullies nor cut through hills, when it is so easy to go around these obstructions.

      The boy, who sat and dreamed at the water's edge, was in his eighteenth year or thereabouts, slenderly proportioned, and with well-cut features. The delicately moulded chin, the sensitive nostril—these are the signs of the poet, the dreamer, rather than of the man of action. And yet the face was not altogether deficient in indications of strength. That heavy line of eyebrow should mean something, as also the free up-fling of the head when he sat erect; the final impression was of immaturity of character rather than of the lack of it. From the merely superficial stand-point, it may be added that he had brown eyes and hair (the latter being cut square across his forehead and falling to his

Скачать книгу