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      Goethe's Literary Essays

      JOHANN WOLFGANG VON GOETHE

      

      

      

      

       Goethe's Literary Essays, J. W. von Goethe

       Jazzybee Verlag Jürgen Beck

       86450 Altenmünster, Loschberg 9

       Deutschland

      

       ISBN: 9783849658717

      

       www.jazzybee-verlag.de

       [email protected]

      

      

      CONTENTS:

       FOREWORD... 1

       THE THEORY OF ART.. 2

       ON GERMAN ARCHITECTURE.. 2

       INTRODUCTION TO THE PROPYLAEA.. 9

       UPON THE LAOCOON.. 13

       THE COLLECTOR AND HIS FRIENDS. 21

       ON TRUTH AND PROBABILITY IN WORKS OF ART.. 30

       SIMPLE IMITATION OF NATURE, MANNER, STYLE.. 35

       ANCIENT AND MODERN... 39

       NOTES ON DILETTANTISM... 43

       THE THEORY OF LITERATURE.. 50

       THE PRODUCTION OF A NATIONAL CLASSIC.. 50

       GOETHE'S THEORY OF A WORLD LITERATURE.. 53

       ON EPIC AND DRAMATIC POETRY.. 60

       SUPPLEMENT TO ARISTOTLE'S POETICS. 63

       ON THE GERMAN THEATRE.. 66

       LUDWIG TIECK'S DRAMATURGIC FRAGMENTS. 76

       ON DIDACTIC POETRY.. 79

       SUPERSTITION AND POETRY.. 81

       THE METHODS OF FRENCH CRITICISM... 82

       ON CRITICISM... 86

       ON SHAKESPEARE.. 88

       WILHELM MEISTER'S CRITIQUE OF HAMLET, 88

       SHAKESPEARE AD INFINITUM... 105

       FIRST EDITION OF HAMLET.. 114

       TROILUS AND CRESSIDA.. 117

       ON OTHER WRITERS. 118

       GOETHE AS A YOUNG REVIEWER.. 118

       BYRON'S MANFRED... 120

       BYRON'S DON JUAN.. 122

       CALDERON'S DAUGHTER OF THE AIR.. 124

       MOLIÈRE'S MISANTHROPE.. 127

       OLD GERMAN FOLKSONGS. 128

       FOLKSONGS AGAIN COMMENDED... 132

       LAURENCE STERNE.. 133

       THE ENGLISH REVIEWERS. 134

       GERMAN LITERATURE IN GOETHE'S YOUTH.. 135

       EXTRACTS FROM GOETHE'S CONVERSATIONS WITH ECKERMANN 146

       APPENDIX.. 170

       I. ON THE SELECTION AND TRANSLATION OF THE ESSAYS IN THIS VOLUME 170

       II. ON THE CHRONOLOGY OF GOETHE'S CRITICAL STUDIES 173

      FOREWORD

      By Viscount Haldane

      Of Goethe Sainte-Beuve held that he was the "king of criticism." Sainte-Beuve was among the most competent of judges on such a point, and Matthew Arnold has endorsed his conclusion. The reason for it is not far to seek. Goethe's gifts as a critic fell within a ' large whole of knowledge which was his in a degree for which we must look back over two thousand years to Aristotle if we wish to find a rival. He wrote lyrics that are supreme in their kind. His capacity for observation of nature was, as Helmholtz has pointed out, of the first order. Although he hated philosophy, he had, none the less, a fine instinct for great metaphysical conceptions. Spinoza and Kant both made appeal to him, and the appeal was responded to from the depths of his nature. The world has seen no poem like Faust, with the exquisite perfection of the " Dedication " and the lyrical outbursts with which the first part is studded, set in a structure which signifies a profound conception of life as a whole, into which far-reaching reflection has entered. The second part of the drama is as great

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