LITMIR.BIZ

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the hope of independence, and she now detests them with a rancor which no concession short of absolute relinquishment of dominion would appease.

      Instead, therefore, of finding that public gayety and private hospitality in Venice for which the city was once famous, the stranger finds himself planted between two hostile camps, with merely the choice of sides open to him. Neutrality is solitude and friendship with neither party; society is exclusive association with the Austrians or with the Italians. The latter do not spare one of their own number if he consorts with their masters, and though a foreigner might expect greater allowance, it is seldom shown to him. To be seen in the company of officers is enmity to Venetian freedom, and in the case of Italians it is treason to country and to race. Of course, in a city where there is a large garrison and a great many officers who have nothing else to do, there is inevitably some international love-making, although the Austrian officers are rigidly excluded from association with the citizens. But the Italian who marries an Austrian severs the dearest ties that bind her to life, and remains an exile in the heart of her country. Her friends mercilessly cast her off, as they cast off every body who associates with the dominant race. In rare cases I have known Italians to receive foreigners who had Austrian friends, but this with the explicit understanding that there was to be no sign of recognition if they met them in the company of these detested acquaintance.

      There are all degrees of intensity in Venetian hatred, and after hearing certain persons pour out the gall of bitterness upon the Austrians, you may chance to hear these persons spoken of as tepid in their patriotism by yet more fiery haters. Yet it must not be supposed that the Italians hate the Austrians as individuals. On the contrary, they have rather a liking for them—rather a contemptuous liking, for they think them somewhat slow and dull-witted—and individually the Austrians are amiable people, and try not to give offence. The government is also very strict in its control of the military. I have never seen the slightest affront offered by a soldier to a citizen; and there is evidently no personal ill-will engendered. The Austrians are simply hated as the means by which an alien and despotic government is imposed upon a people believing themselves born for freedom and independence. This hatred, then, is a feeling purely political, and there is political machinery by which it is kept in a state of perpetual tension.

      The Comitato Veneto is a body of Venetians residing within the province and abroad, who have charge of the Italian interests, and who work in every way to promote union with the dominions of Victor Emanuel. They live for the most part in Venice, where they have a secret press for the publication of their addresses and proclamations, and where they remain unknown to the police, upon whose spies they maintain an espionage. On every occasion of interest, the Committee is sure to make its presence felt; and from time to time persons find themselves in the possession of its printed circulars, stamped with the Committee’s seal; but no one knows how or whence they came. Constant arrests of suspected persons are made, but no member of the Committee has yet been identified; and it is said that the mysterious body has its agents in every department of the government, who keep it informed of inimical action. The functions of the Committee are multiplied and various. It takes care that on all patriotic anniversaries (such as that of the establishment of the Republic in 1848, and that of the union of the Italian States under Victor Emanuel in 1860) salutes shall be fired in Venice, and a proper number of red, white, and green lights displayed. It inscribes revolutionary sentiments on the walls; and all attempts on the part of the Austrians to revive popular festivities are frustrated by the Committee, which causes petards to be exploded in the Place of St. Mark, and on the different promenades. Even the churches are not exempt from these demonstrations: I was present at the Te Deum performed on the Emperor’s birthday, in St. Mark’s, when the moment of elevating the host was signalized by the bursting of a petard in the centre of the cathedral. All this, which seems of questionable utility, and worse than questionable taste, is approved by the fiercer of the Italianissimi, and though possibly the strictness of the patriotic discipline in which the members of the Committee keep their fellow-citizens may gall some of them, yet any public demonstration of content, such as going to the opera, or to the Piazza while the Austrian band plays, is promptly discontinued at a warning from the Committee. It is, of course, the Committee’s business to keep the world informed of public feeling in Venice, and of each new act of Austrian severity. Its members are inflexible men, whose ability has been as frequently manifested as their patriotism.

      The Venetians are now, therefore, a nation in mourning, and have, as I said, disused all their former pleasures and merry-makings. Every class, except a small part of the resident titled nobility (a great part of the nobility is in either forced or voluntary exile), seems to be comprehended by this feeling of despondency and suspense. The poor of the city formerly found their respite and diversion in the numerous holidays which fell in different parts of the year, and which, though religious in their general character, were still inseparably bound up in their origin with ideas of patriotism and national glory. Such of these holidays as related to the victories and pride of the Republic naturally ended with her fall. Many others, however, survived this event in all their splendor, but there is not one celebrated now as in other days. It is true that the churches still parade their pomps in the Piazza on the day of Corpus Christi; it is true that the bridges of boats are still built across the Canalazzo to the church of Our Lady of Salvation, and across the Canal of the Giudecca to the temple of the Redeemer, on the respective festivals of these churches; but the concourse is always meagre, and the mirth is forced and ghastly. The Italianissimi have so far imbued the people with their own ideas and feelings, that the recurrence of the famous holidays now merely awakens them to lamentations over the past and vague longings for the future.

      As for the carnival, which once lasted six months of the year, charming hither all the idlers of the world by its peculiar splendor and variety of pleasure, it does not, as I said, any longer exist. It is dead, and its shabby, wretched ghost is a party of beggars, hideously dressed out with masks and horns and women’s habits, who go from shop to shop droning forth a stupid song, and levying tribute upon the shopkeepers. The crowd through which these melancholy jesters pass, regards them with a pensive scorn, and goes about its business untempted by the delights of carnival.

      All other social amusements have shared in greater or less degree the fate of the carnival. At some houses conversazioni are still held, and it is impossible that balls and parties should not now and then be given. But the greater number of the nobles and the richer of the professional classes lead for the most part a life of listless seclusion, and attempts to lighten the general gloom and heaviness in any way are not looked upon with favor. By no sort of chance are Austrians, or Austriacanti ever invited to participate in the pleasures of Venetian society.

      As the social life of Italy, and especially of Venice, was in great part to be once enjoyed at the theatres, at the caffè, and at the other places of public resort, so is its absence now to be chiefly noted in those places. No lady of perfect standing among her people goes to the opera, and the men never go in the boxes, but if they frequent the theatre at all, they take places in the pit, in order that the house may wear as empty and dispirited a look as possible. Occasionally a bomb is exploded in the theatre, as a note of reminder, and as means of keeping away such of the nobles as are not enemies of the government. As it is less easy for the Austrians to participate in the diversion of comedy, it is a less offence to attend the comedy, though even this is not good Italianissimism. In regard to the caffè there is a perfectly understood system by which the Austrians go to one, and the Italians to another; and Florian’s, in the Piazza, seems to be the only common ground in the city on which the hostile forces consent to meet. This is because it is thronged with foreigners of all nations, and to go there is not thought a demonstration of any kind. But the other caffè in the Piazza do not enjoy Florian’s cosmopolitan immunity, and nothing would create more wonder in Venice than to see an Austrian officer at the Specchi, unless, indeed, it were the presence of a good Italian at the Quadri.

      It is in the Piazza that the tacit demonstration of hatred and discontent chiefly takes place. Here, thrice a week, in winter and summer, the military band plays that exquisite music for which the Austrians are famous. The selections are usually from Italian operas, and the attraction is the hardest of all others for the music-loving Italian to resist. But he does resist it. There are some noble ladies who have not entered the Piazza while the band was playing there, since the fall of the Republic of 1849; and none of good standing

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