LITMIR.BIZ

      Published by Good Press, 2019

       [email protected]

      EAN 4064066203795

Table of Contents

       Preface

       HER MASTERPIECE

       I

       II

       III

       IV

       V

       IN MAYTIME

       I

       II

       III

       WITHIN FOUR YEARS

       FREE AMONG THE DEAD

       I

       II

       III

       IV

       V

       VI

       VII

       STUDIES IN COLLEGE COLOUR

       EPOCH MAKING

       A REMINISCENCE

       CATHERINE'S CAREER

       THE APOSTASY OF ANITA FISKE

       I

       II

       A DIPLOMATIC CRUSADE

Preface

       Table of Contents

      In compiling a volume of Bryn Mawr stories, the editors have been conscious that such a book could never adequately represent the college life. Its strong subtle character that commands the devotion of every Bryn Mawr student is something difficult if not impossible to depict. Yet there comes a time in the life of a college, as of an individual, when self-expression is inevitable. Such a time, the editors believe, has come for Bryn Mawr. And this conviction has induced them to bring out the present volume.

      Until now the literary efforts of the students have concerned themselves with external matters rather than with introspection. Perhaps this is due to an instinctive reticence we Bryn Mawrtyrs have wherever our feelings are deeply stirred. We can joke about ourselves and our traditions as we do in The Fortnightly Philistine. But when we come to speak seriously to the outside world, as in The Lantern, we confine ourselves for the most part to subjects of general literary interest, practically ignoring the college atmosphere. At last, however, the ice is broken, and Bryn Mawr talks about herself.

      In the earliest days, when the college had only two buildings and forty-four students, even in that first year it had a character and a spirit all its own. And fifteen years of rapid growth have seemed but to strengthen its individuality. To show the college unity in diversity the editors have carefully chosen authors from the older and younger alumnæ and from the undergraduates. They hope that in this way a truer impression of the college life may be given than would be possible if the whole book were written by one person.

      Some readers may ask which of the many heroines in these tales is the typical Bryn Mawr girl. The reply is no one, but all. Bryn Mawr students come from all parts of the country, from all sorts of different surroundings, and on entering college they do not, popular prejudice to the contrary, immediately drop their individuality and become samples of a type. We have among our number the pedant, the coquette, the athlete, the snob, the poser, the girl who loves dress and prettiness, and she who affects mannish simplicity, the all-round girl, the serious-minded, and the frivolous. Yet none of these is the Bryn Mawr girl par excellence. That mythical personage can be known only by comparing and contrasting her various incarnations.

      This book is an attempt to show some of her incarnations and some typical scenes of Bryn Mawr life. College life is not dramatic and college stories have no great dramatic interest, unless they introduce elements foreign to the campus. Those who look to these stories, therefore, for entertainment may be disappointed, since most of them are serious in tone, and in their appeal to the reader depend largely upon the charm of local colour.

      If in the mind of any one the spirit portrayed in this book is unworthy, if it falls short of the ideal of what college life should be, let it be remembered that this is a first attempt, and let the expression be blamed but not the Bryn Mawr spirit.

      All of the following stories are new, and were written for this book, except Studies in College Colour, which are reprinted from The Lantern of 1893. One of these studies, the description of Chapel, has appeared also in Cap and Gown in Prose. For permission to use this last the editors are indebted to the courtesy of Messrs. L. C. Page & Company.

      M. M. 1900. L. BC 1900.

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HER MASTERPIECE

       Table

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