LITMIR.BIZ

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are liable to move past her and not come back. I don’t say it’s anywhere near that with you yet; but you’ve had a taste of bothers that a girl like yourself ought never to have known about, and what I’m offering you is the chance to turn your back on them once for all.”

      The colour burned in Lily’s face as he ended; there was no mistaking the point he meant to make, and to permit it to pass unheeded was a fatal confession of weakness, while to resent it too openly was to risk offending him at a perilous moment. Indignation quivered on her lip; but it was quelled by the secret voice which warned her that she must not quarrel with him. He knew too much about her, and even at the moment when it was essential that he should show himself at his best, he did not scruple to let her see how much he knew. How then would he use his power when her expression of contempt had dispelled his one motive for restraint? Her whole future might hinge on her way of answering him: she had to stop and consider that, in the stress of her other anxieties, as a breathless fugitive may have to pause at the cross-roads and try to decide coolly which turn to take.

      “You are quite right, Mr. Rosedale. I have had bothers; and I am grateful to you for wanting to relieve me of them. It is not always easy to be quite independent and self-respecting when one is poor and lives among rich people; I have been careless about money, and have worried about my bills. But I should be selfish and ungrateful if I made that a reason for accepting all you offer, with no better return to make than the desire to be free from my anxieties. You must give me time—time to think of your kindness—and of what I could give you in return for it——”

      She held out her hand with a charming gesture in which dismissal was shorn of its rigour. Its hint of future leniency made Rosedale rise in obedience to it, a little flushed with his unhoped-for success, and disciplined by the tradition of his blood to accept what was conceded, without undue haste to press for more. Something in his prompt acquiescence frightened her; she felt behind it the stored force of a patience that might subdue the strongest will. But at least they had parted amicably, and he was out of the house without meeting Selden—Selden, whose continued absence now smote her with a new alarm. Rosedale had remained over an hour, and she understood that it was now too late to hope for Selden. He would write explaining his absence, of course; there would be a note from him by the late post. But her confession would have to be postponed; and the chill of the delay settled heavily on her fagged spirit.

      It lay heavier when the postman’s last ring brought no note for her, and she had to go upstairs to a lonely night—a night as grim and sleepless as her tortured fancy had pictured it to Gerty. She had never learned to live with her own thoughts, and to be confronted with them through such hours of lucid misery made the confused wretchedness of her previous vigil seem easily bearable.

      Daylight disbanded the phantom crew, and made it clear to her that she would hear from Selden before noon; but the day passed without his writing or coming. Lily remained at home, lunching and dining alone with her aunt, who complained of flutterings of the heart, and talked icily on general topics. Mrs. Peniston went to bed early, and when she had gone Lily sat down and wrote a note to Selden. She was about to ring for a messenger to despatch it when her eye fell on a paragraph in the evening paper which lay at her elbow: “Mr. Lawrence Selden was among the passengers sailing this afternoon for Havana and the West Indies on the Windward Liner Antilles.”

      She laid down the paper and sat motionless, staring at her note. She understood now that he was never coming—that he had gone away because he was afraid that he might come. She rose, and walking across the floor stood gazing at herself for a long time in the brightly-lit mirror above the mantelpiece. The lines in her face came out terribly—she looked old; and when a girl looks old to herself, how does she look to other people? She moved away, and began to wander aimlessly about the room, fitting her steps with mechanical precision between the monstrous roses of Mrs. Peniston’s Axminster. Suddenly she noticed that the pen with which she had written to Selden still rested against the uncovered inkstand. She seated herself again, and taking out an envelope, addressed it rapidly to Rosedale. Then she laid out a sheet of paper, and sat over it with suspended pen. It had been easy enough to write the date, and “Dear Mr. Rosedale”—but after that her inspiration flagged. She meant to tell him to come to her, but the words refused to shape themselves. At length she began: “I have been thinking——” then she laid the pen down, and sat with her elbows on the table and her face hidden in her hands.

      Suddenly she started up at the sound of the door-bell. It was not late—barely ten o’clock—and there might still be a note from Selden, or a message—or he might be there himself, on the other side of the door! The announcement of his sailing might have been a mistake—it might be another Lawrence Selden who had gone to Havana—all these possibilities had time to flash through her mind, and build up the conviction that she was after all to see or hear from him, before the drawing-room door opened to admit a servant carrying a telegram.

      Lily tore it open with shaking hands, and read Bertha Dorset’s name below the message: “Sailing unexpectedly tomorrow. Will you join us on a cruise in Mediterranean?”

      —————

~Book II.~

      I.

      It came vividly to Selden on the Casino steps that Monte Carlo had, more than any other place he knew, the gift of accommodating itself to each man’s humour.

      His own, at the moment, lent it a festive readiness of welcome that might well, in a disenchanted eye, have turned to paint and facility. So frank an appeal for participation—so outspoken a recognition of the holiday vein in human nature—struck refreshingly on a mind jaded by prolonged hard work in surroundings made for the discipline of the senses. As he surveyed the white square set in an exotic coquetry of architecture, the studied tropicality of the gardens, the groups loitering in the foreground against mauve mountains which suggested a sublime stage-setting forgotten in a hurried shifting of scenes—as he took in the whole outspread effect of light and leisure, he felt a movement of revulsion from the last few months of his life.

      The New York winter had presented an interminable perspective of snow-burdened days, reaching toward a spring of raw sunshine and furious air, when the ugliness of things rasped the eye as the gritty wind ground into the skin. Selden, immersed in his work, had told himself that external conditions did not matter to a man in his state, and that cold and ugliness were a good tonic for relaxed sensibilities. When an urgent case summoned him abroad to confer with a client in Paris, he broke reluctantly with the routine of the office; and it was only now that, having despatched his business, and slipped away for a week in the south, he began to feel the renewed zest of spectatorship that is the solace of those who take an objective interest in life.

      The multiplicity of its appeals—the perpetual surprise of its contrasts and resemblances! All these tricks and turns of the show were upon him with a spring as he descended the Casino steps and paused on the pavement at its doors. He had not been abroad for seven years—and what changes the renewed contact produced! If the central depths were untouched, hardly a pin-point of surface remained the same. And this was the very place to bring out the completeness of the renewal. The sublimities, the perpetuities, might have left him as he was: but this tent pitched for a day’s revelry spread a roof of oblivion between himself and his fixed sky.

      It was mid-April, and one felt that the revelry had reached its climax and that the desultory groups in the square and gardens would soon dissolve and re-form in other scenes. Meanwhile the last moments of the performance seemed to gain an added brightness from the hovering threat of the curtain. The quality of the air, the exuberance of the flowers, the blue intensity of sea and sky, produced the effect of a closing tableau, when all the lights are turned on at once. This impression was presently heightened by the way in which a consciously conspicuous group of people advanced to the middle front, and stood before Selden with the air of the chief performers gathered together by the exigencies of the final effect. Their appearance confirmed the impression that the show had been staged regardless of expense, and emphasized its resemblance to one of those “costume-plays” in which the protagonists walk through the passions without displacing a drapery. The ladies stood in unrelated attitudes calculated

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