Edith Wharton: Complete Works - Edith Wharton

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XIV. And After

NOVELS

      A Novelette by ‘David Olivieri’

      written 1876/77, University Press of Virginia, 1977.

      “Let woman beware

      How she plays fast & loose thus with human despair

      And the storm in man’s heart.”

      Robert Lytton: Lucile.

      —————

      To Cornelie

      “[Donna] beata e bella” [illegible] Quinta.

      (October 1876)

      —————

      Hearts & Diamonds.

      “‘Tis best to be off with the old love

      Before you are on with the new!”

      Song.

      A dismal Autumn afternoon in the country. Without, a soft drizzle falling on yellow leaves & damp ground; within, two people playing chess by the window of the fire-lighted drawing-room at Holly Lodge. Now, when two people play chess on a rainy afternoon, tête-à-tête in a room with the door shut, they are likely to be either very much bored, or rather dangerously interested; & in this case, with all respect to romance, they appeared overcome by the profoundest ennui. The lady—a girl of about 18, plump & soft as a partridge, with vivacious brown eyes, & a cheek like a sun-warmed peach—occasionally stifled a yawn, as her antagonist, curling a slight blonde moustache (the usual sign of masculine perplexity) sat absently meditating a move on which the game, in his eyes, appeared to depend; & at last, pushing aside her chair, she rose & stood looking out of the window, as though even the dreary Autumn prospect had more attraction for her than the handsome face on the other side of the chess-board. Her movement seemed to shake her companion out of his reverie, for he rose also, & looking over her shoulder, at the soft, misty rain, observed rather languidly, “Cheerful weather!” “Horrid!” said the girl, stamping her foot. “I am dying of stagnation.” “Don’t you mean to finish the game?” “If you choose. I don’t care.” “Nor I—It’s decidedly a bore.” No answer. The bright brown eyes & the lazy blue ones stared out of the window for the space of five slow minutes. Then the girl said: “Guy!” “My liege!” “You’re not very amusing this afternoon.” “Neither are you, my own!” “Gallant for a lover!” she cried, pouting & turning away from the window. “How can I amuse a stone wall? I might talk all day!” She had a way of tossing her pretty little head, & drawing her soft white forehead, that was quite irresistible. Guy, as the most natural thing in the world, put his arm about her, but was met with a sharp, “Don’t! You know I hate to be taken hold of, Sir! Oh, I shall die of ennui if this weather holds.” Guy whistled, & went to lean against the fireplace; while his betrothed stood in the middle of the room, the very picture of “I-won’t-be-amused” crossness. “Delightful!” she said, presently. “Really, your conversation today displays your wit & genius to a remarkable degree.” “If I talk to you, you scold, Georgie,” said the lover, pathetically. “No, I don’t! I only scold when you twist your arms around me.” “I can’t do one without the other!” Georgie laughed. “You do say nice things, Guy! But you’re a bore this afternoon, nevertheless.” “Isn’t everything a bore?” “I believe so. Oh, I should be another person gallopping over the downs on Rochester! ‘What’s his name is himself again!’ Shall we be able to hunt tomorrow?” “Ask the clerk of the weather,” said Guy, rather dismally. “Guy! I do believe you’re going to sleep! Doesn’t it rouse you to think of a tear ‘cross country after the hounds? Oh, Guy, a red coat makes my blood run faster!” “Does it?—Georgie, have you got ‘Je l’ai perdu’—the thing I sent you from London?” “Yes—somewhere.” “I am going to sing,” said Guy. “What a treat!” “As you don’t object to my smoking, I thought you mightn’t mind my singing.” “Well,” said Georgie, mischievously, “I don’t suppose it does matter much which sense is offended. What are you going to sing?” Guy, without answering, began to hunt through a pile of music, & at last laid a copy of “The ballad to Celia” on the piano-rack. Georgie sat down, & while he leaned against the piano, struck a few prelude-chords; then he began to sing in a rich barytone, Ben Jonson’s sweet old lines. At the end of the first stanza, Georgie shut the piano with a bang. “I will not play if you sing so detestably out of time, tune & everything. Do make yourself disagreeable in some less noisy way.” “I think I shall make myself agreeable—by saying goodbye.” “Very well, do!” “Georgie—what is the matter?” He took her little hand as he spoke, but she wrenched it away, stamping her foot again. “Dont & dont & dont! I’m as cross as I can be & I won’t make friends!” she cried in a sort of childish passion, running away from him to the other end of the room. He stood for a moment, twirling his moustache; then, taking up his hat, said, “Goodbye.” “Goodbye—Are you very angry?” she said, coming a step or two nearer, & looking up through her soft lashes. “No, I suppose not. I believe I have been boring you confoundedly.” “I suppose I have been very cross.” “Not more than I deserved, probably. I am going to London for a few days. Will you give me your hand for goodbye?” She stood still a moment, looking at him thoughtfully; then put out her hand. “Ah, Guy, I am a worthless little thing,” she said, softly, as he took it. It was her left hand & a ring set with diamonds twinkled on it. “Worth all the world to me!” he answered; then lifted the hand to his lips & turned away. As his receding steps sounded through the hall, Georgie Rivers, taking a screen from the mantel-piece, sat down on the rug before the fire, with a thoughtful face out of which all the sauciness had vanished. As she watched the fire-light play on her ring, she began to think half-aloud as her childish fashion was; but Guy was cantering along the high road to West Adamsborough, & if there had been anyone to tell him what she said, he would [have] laughed—& [have] doubted it. As there was no one, however, Georgie kept her meditations to herself. “I know he thinks me a coquette,” she whispered, leaning her head against her hand, “& he thinks I like to trifle with him—perhaps he is angry—(he looks very handsome when he is angry) but he doesn’t know—how should he?—that I mean to break it off. I ought to have done it today, & I might have ended that beginning of a quarrel by giving him back the ring; but, oh dear, I wish—I wish I didn’t care for him quite so much. He is so cool & handsome! And he is the only man I ever knew who neither despises me nor is afraid of me. Oh, Georgie, Georgie, you miserable little fool! I didn’t mean to let him kiss my hand; he surprised me into it, just as he surprised me into accepting him. He always puts me off my guard, somehow! But it must be done. Perhaps I am in love with him, but I hope I haven’t quite lost my common sense. It must be done, I say! I declare, I shall make an utter goose of myself in a minute! Where’s that letter?” She put her hand into her pocket, & brought out an envelope, pompously sealed with a large coat of arms & motto; &, drawing out the folded sheet which it contained, slowly read aloud these words, written in a crabbed, old-fashioned hand:

      My dear Miss Rivers: Ever since I was honoured by an introduction to you, my admiration for your charms & accomplishments has increased; & I have been sufficiently marked by your favour to hope that what I am about to say may not seem an entirely unwarrantable liberty. Although we are separated by many years, I do not perceive why that should be an obstacle to a happy union; & I therefore venture to beg that, if the profoundest admiration & respect can awaken responsive sentiments in your own bosom, you will honour me with your hand. I shall await with impatience your reply to my proposals, & am, my dear Miss Rivers, with deep esteem, Your faithful Servant

      “Breton.”

      Georgie folded the letter again,

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