LITMIR.BIZ

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and you have a choice of three golf courses. In the summer months—December, January, and February—there is river life on the Tigre, the Thames of the Argentine. A charming spot is Palermo, a combination of Hyde Park and the Bois de Boulogne—open sweeps and charming trees, a double boulevard with statues and commemorative marbles in the middle, well-cared-for gardens, radiant flowers and the band playing.

      A drive through Palermo at the fashionable hour causes one to gasp at the thought that one is six thousand miles from Europe. Nowhere in the world have I seen such a display of expensive motor-cars, thousands of them. Ostentation is one of the stars of life in the Argentine. Appearances count for everything. You must have a motor-car, even though you have not the money to pay for it, and you owe the landlord of your flat a year's rent. The ladies are exquisitely gowned, but they have not the vivacity of the French women nor their daring in dress. There is a demureness, a restraint which reminds one that the atmosphere of far-away Castile is still upon them.

      

      On Sundays and Thursdays there are races at Palermo. The price Argentines pay for horseflesh has become a proverb. It is a good race-course. We have nothing in England, neither at Epsom, Ascot, nor Goodwood, so magnificent as the grand stand. It is a glorified royal box. The restaurant is like the Ritz dining-room. Everybody dresses as they would at Ascot. There are no bookmakers. The totalisator is used. Betting is officially conducted by the Jockey Club, and there is constant announcement of the amount of money put on the horses. Those who have backed the winners share the spoil, less ten per cent. As this ten per cent. is deducted from the total amount put on each race, the income of the Jockey Club runs into hundreds of thousands of pounds. So the Club maintains a good race-course, offers capital prizes, has a house in "B.A."—undoubtedly the most palatial club-house in the southern world—and distributes the remainder amongst the hospitals. The income of the Jockey Club is so large it is really embarrassing. The members are proceeding to build an Aladdin's palace of super-gorgeousness.

      But at the races at Palermo I noticed that no ladies attended, except in the members' enclosure. Even there they did not mingle with the men-folk. There was no mirth, such as we are used to in Europe. They kept themselves to little groups. Moving from wonder to wonder, I was present at a gala performance at the Colon Theatre. I have seen all the great theatres in the world, and this is the loveliest—a harmony of rose and gold. The audience was as fashionably dressed as at the opera in London, though I missed the dazzling display of diamonds which had been promised. Most of the audience were ladies; there were boxes of them, and most of the men were in the stalls. There was one gallery reserved for women.

      I began to discern a strange Orientalism in the relations between the sexes. The Argentine women are amongst the best mothers in the world. But there is practically none of the good fellowship between young fellows and young girls which is so happy a feature of our English life. For a man and a woman to take a walk together would shock the proprieties. There are brilliant receptions, but dinner parties, as we know them, are rare. An Argentine seldom introduces a friend to his wife. Except amongst the poorest a woman scarcely ever goes into the streets alone. If she does she runs risk of being insulted. There are Argentines, who would be offended if refused the name of gentlemen, who think it excellent sport to walk in the Florida in the evening and mutter obscenities to every unprotected woman who passes. Buenos Aires is the most immoral city in the world. So the Argentine guards his women-folk from contact with other men. His attitude is a relic of the days when the Moors had possession of Spain.

      I have called Buenos Aires a pagan city. So it is. The men are frankly irreligious. In conversation I have been told of the tolerance to all religions. What is really meant is indifference to any religion.

      Money-making and flamboyant display—these are the gods which are worshipped. The houses in the wealthier districts are exotic in architecture. I remember driving along the Avenida Alvear, a street of palaces, reminiscent of the Grand Canal at Venice if it were a roadway. But the fine stone blocks are nothing but stucco. The ornamentation, the floral decorations, are not carved stone; they are stucco. Imitation, pretence, showiness, the flaunting of wealth, are everywhere.

      Yet this city, which has grown in a generation on the muddy flats by the side of the muddy Parana River, has something that is weird in its fascination.

CHAPTER III

       Table of Contents

ROUND AND ABOUT THE CAPITAL

       Table of Contents

      The way not to see a city is to be trotted round and shown all the "sights." I have an idea I may have missed some of the "sights" of Buenos Aires. I did not "do" the churches. Acquaintances who knew I went to South America to pursue my trade of writer sometimes asked me what I was going to write about, and the reply was, "I do not know." But I was not believed.

      Anyway, I may say that I drifted about "B.A." I presented my letters of introduction, made friends, lunched out and dined out, had motor trips, went here and there as suggestion provided the inclination; maybe to a theatre, or to smoke a cigar in one of the clubs with men who are of account in Argentina or no account at all, or to spend a Sunday with an Argentine family; maybe to idle an hour in one of the cafés; maybe to have a serious talk with a Minister; maybe do nothing but idle round. That is no scientific way to study a city. But it just happens to be my way.

      The conclusions I draw may be wrong, for I may have met the wrong people and seen the wrong things, especially as I had no system. Yet out of the confused jumble of impressions and experiences something coherent evolves, and that is the substance of my remarks when I am asked, "Well, what do you think about Buenos Aires?"

      It is not my wish to accentuate the point, but open-handed extravagance is one of the traits of the people. It is a fault of democratic countries that, having no aristocracy of birth, they proceed to create one of wealth. Argentina has fine old Spanish families; but, though esteemed, they are in the background. In the wrangle-jangle of frenzied progress they are not to be counted amongst the moderns. So garish is the display of money that the idea left is that you have had your attention called to it by the constant blaring of a bugle.

      But I would shrink from saying the display is vulgar. Keeping in mind that the people are Latins, and are fonder of colour than we of the cold and moral north, I would write there is a sort of ostentatious restraint. Argentines glory in spending money, but amongst the older settled people other things besides money have their place. They are fond of music, and pride themselves that they discovered Tetrazzini and Kubelik long before London. Here, as in Paris, London, and New York, there is the mob which goes to the opera because it is "the thing" to have an expensive box, and to wear lovely gowns and loads of diamonds. The prices paid make the charges for a gala night at Covent Garden seem like those of a twopenny show. It may be said that a well-known artiste is sure of a kindly reception. Yet Buenos Aires has its moods; it has its vagaries, and is petulant. For some undefinable reason it will take a dislike to some performer who arrives with a European reputation. Perhaps half a dozen ladies who lead the fashionable world will say the artiste is overrated. "She may be all right for Paris, but she does not come up to Buenos Aires standard"—that is the attitude. For anybody to praise the poor singer after that is to advertise their inartistic taste. There is a boycott. So a European singer or instrumentalist who goes to the Argentine aglow with the prospect of a dazzling success sometimes returns with the saddest of experiences—neglect.

LOLA MORA FOUNTAIN, BUENOS AIRES.

      

      With such a people, Latin in race and living in the sunshine, life

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