LITMIR.BIZ

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the grapes to ripen, and formed a charming summer shade; indeed, on the bleakest winter day, Ellesmere has a sunny cheerful look. The road from Ellesmere to Oswestry lies through a beautiful country, and is about eight miles long. The Green Man, so called from the sign of a forester in hunting green, is another example of an old-fashioned roadside Inn. The walls are panelled in oak, and the ancient benches and tables with carved legs still remain. The fireplace in the hall is 12 feet wide, and ornamented with a great store of antique pewter platters. Halston Park, a little farther along the Oswestry road, was the seat of the celebrated Captain Mytton, whose random exploits are the subject of a rather uncommon biography.

       GREEN MAN, ELLESMERE, OSWESTRY.

       WHITTINGTON VILLAGE.

      Whittington village lies on the same road, and is about two miles from Oswestry. It is introduced here to illustrate the excellent effect of breadth in a landscape. A well-defined broad white gable stands out against the rest of the village and sets it off. Of course there is the advantage of fine trees behind it, but it stands back from the road, which is broader here, and affords them every chance of being seen. It is actually a fact, which few persons unacquainted with perspective would at first credit, that if the road continued at the same width, and if ordinary three-storied village houses were substituted, this beautiful scene would be completely closed out. We pass in English roads hundreds of pleasant prospects that we do not know of, as they are shut out by the dreary brick buildings that characterise the present century.

      A comparatively small object may do an immense amount of mischief. We may, for example, be admirably placed in a theatre for seeing and hearing everything. The building may be crowded, but we see over a low-sized individual in front the whole of the scenery and the performers, when a hat, only six inches high, and about as broad, appears, and then “our revels all are ended,” and the actors have “melted into air—into thin air.”

      This kind of teaching is especially wanted now among architects. It is not too much to say of the majority of them, that if they were required to build a church in some distant county, they would consider it quite sufficient to have a plan of the churchyard and adjoining lanes sent to them, without their having the least idea of the surrounding buildings or trees, or the outline of the neighbouring hills. Infinite pains are taken with details, but though books which treat of these are excellent and numerous, one turns in vain for any architectural work to guide him to a knowledge of what is more important—picturesqueness. Ruskin’s works are not as yet studied by architects as they should be; indeed they require a previous knowledge of, at any rate, the preliminary elements of art, which, to some extent, would limit their general acceptance in the profession. Still the number of his readers is increasing yearly among architects, much to the advantage of the country. Detail, however beautiful, and however necessary excellence in it may be, can no more improve a building that jars with its surroundings, than an elaborate label can cure a bottle of indifferent Rhenish wine.

      There is a curious old book written by Sir Edward Moore to his son and heir, which shows how a landlord of the seventeenth century regarded the appearance of his street property. He was the principal lord of the manor of Liverpool, and at great length gives directions for the guidance of his heir. Speaking of one of the tenants, he says:—“This man should have built two dormer-windows, as the others did, but when he had got me fast, and he was loose, he would build none, but made the house like a barn, much to the disparagement of the street. If he have occasion to use you, deal not with him till he hath made two dormer windows.” Instances are unhappily the exception where such fastidious care is taken of the appearance of a street by the proprietor.

       CHESTER: INTERIOR OF OLD ROOM

      It may be mentioned incidentally that the gateway of Peveril’s castle is in Whittington village, which was also the birthplace of Sir Richard Whittington, three times Mayor of London.

OSWESTRY. CHAPTER II.

       Table of Contents

      OSWESTRY—SHREWSBURY—BATTLE OF SHREWSBURY—WENLOCK—COUNTY TOWNS AS CENTRES OF EXCLUSIVE SOCIETY—ITALIAN ARCHITECTURE—BRIDGENORTH—HEREFORD—ROSS—MONMOUTH—WORCESTER—GLOUCESTER: NEW INN—CONDITION OF ROADS—TEWKESBURY—CORNWALL.

      OSWESTRY is an exceedingly interesting old town, and was at one time walled; portions of the wall still remain, and there are also a number of half-timbered and stone houses of very considerable antiquity.

      One example only is given here; it is an old stone house which has been used for many generations as an Inn, and is said to have been originally built for that purpose. It is situated near the ancient parish church, adjoining the churchyard.

      The road from Oswestry to Shrewsbury is through an interesting country, abounding with many pleasing relics of antiquity. It was along this road that the mighty, and as would now seem the prudent Glendower, marched with his levies to assist Hotspur at the battle of Shrewsbury, and an oak at Shelton is still preserved where his march terminated, and which he ascended to witness the engagement. Shrewsbury, the county town of Shropshire, is generally visited by tourists to Wales, either at the commencement or the end of the journey. In some respects it is more striking than Chester, and at first sight it gives a more vivid picture of a fine old English town. Chester, it is true, has more hidden treasures concealed often under modern exteriors; indeed the oldest inhabitant is probably ignorant of all the ancient relics this city contains.

      Shrewsbury is delightfully situated on a peninsula formed by a bend of the Severn, and occupies two gently rising hills. It was always an important stronghold in the civil wars, and its name continually occurs in the pages of English history. The old timbered house here shown dates back to the fifteenth century, and was probably the town residence of the Abbot of Lilleshall, who appears to have figured in the unhappily futile negotiations between Henry IV. and Hotspur, which preceded the battle of Shrewsbury.

      Shakespeare vividly brings us back to the hot July day when, by forced marches, Henry reached Shrewsbury only a few hours before Hotspur. The king burned down the houses on the Hodnel road to prevent their being a refuge for the forces of

       SHREWSBURY.

      Hotspur, and all that now stand are built at a more recent date than the battle of Shrewsbury. The street here shown is among the most perfect examples of ancient English streets yet remaining; perhaps it is the most perfect. It takes a sudden turn at right angles in the middle, and joins a street running in a different direction, the High Street as it is called. The houses in this remarkable street are high, and in excellent preservation, though most of the carved work of the interiors has been removed. The curious projecting gable here shown is an example of many other similar ones in the vicinity. For a considerable distance a person walking down the middle of the street can touch the houses on either side. We only notice such singular economy of room in walled cities and towns, for, as has before been remarked, the liberality of space in villages contributes greatly to their beauty. Each end of this street, which is called Double Butcher Row, is here given.

       OLD HOUSES.

      The spire on the left of the picture is St. Mary’s, and that on the right is St. Alkmond’s. The latter church was originally built by a daughter of King Alfred’s. The carving on the exterior of the houses in this street is as perfect as it was when originally placed in its present position. The entrance from Pride

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