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       Eleanor Gates

      Alec Lloyd, Cowpuncher

      Published by Good Press, 2019

       [email protected]

      EAN 4057664580207

       CHAPTER ONE ROSE ANDREWS’S HAND AND DOCTOR BUGS’S GASOLINE BRONC

       CHAPTER TWO A THIRST-PARLOUR MIX-UP GIVES ME A NEW DEAL

       CHAPTER THREE THE PRETTIEST GAL AND THE HOMELIEST MAN

       CHAPTER FOUR CONCERIN’ THE SHERIFF AND ANOTHER LITTLE WIDDA

       CHAPTER FIVE THINGS GIT STARTED WRONG

       CHAPTER SIX WHAT A LUNGEE DONE

       CHAPTER SEVEN THE BOYS PUT THEY FOOT IN IT

       CHAPTER EIGHT ANOTHER SCHEME, AND HOW IT PANNED OUT

       CHAPTER NINE A ROUND-UP IN CENTRAL PARK

       CHAPTER TEN MACIE AND THE OP’RA GAME

       CHAPTER ELEVEN A BOOM THAT BUSTED

       CHAPTER TWELVE AND A BOOM AT BRIGGS

       ROSE ANDREWS’S HAND AND DOCTOR BUGS’S GASOLINE BRONC

       Table of Contents

“Sweet is the vale where the Mohawk gently glides On its fair, windin’ way to the sea; And dearer by f-a-a-ar––”

      “Now, look a-here, Alec Lloyd,” broke in Hairoil Johnson, throwin’ up one hand like as if to defend hisself, and givin’ me a kinda scairt look, “you shut you’ bazoo right this minute–and git! Whenever you begin singin’ that song, I know you’re a-figgerin’ on how to marry somebody off to somebody else. And I just won’t have you around!

      We was a-settin’ t’gether on the track side of the deepot platform at Briggs City, him a-holdin’ down one end of a truck, and me the other. The mesquite lay in front of us, and it was all a sorta greenish brown account of the pretty fair rain we’d been havin’. They’s miles of it, y’ savvy, runnin’ so far out towards the west line of Oklahomaw that it plumb slices the sky. Through it, north and south, the telegraph poles go straddlin’–in the direction of Kansas City on the right hand, and off past Rogers’s Butte to Albuquerque on the left. Behind us was little ole Briggs, with its one street of square-front buildin’s facin’ the railroad, and a scatterin’ of shacks and dugouts and corrals and tin-can piles in behind.

      Little ole Briggs! Sometimes, you bet you’ life, I been pretty down on my luck in Briggs, and sometimes I been turrible happy; also, I been just so-so. But, no matter how things pan out, darned if I cain’t allus say truthful that she just about suits me–that ornery, little, jerkwater town!

      The particular day I’m a-speakin’ of was a jo-dandy–just cool enough to make you want t’ keep you’ back aimed right up at the sun, and without no more breeze than ’d help along a butterfly. Then, the air was all nice and perfumey, like them advertisin’ picture cards you git at a drugstore. So, bein’ as I was enjoyin’ myself, and a-studyin’ out somethin’ as I hummed that was mighty important, why, I didn’t want t’ mosey, no, ma’am.

      But Hairoil was mad. I knowed it fer the reason that he’d called me Alec ’stead of Cupid. Y’ see, all the boys call me Cupid. And I ain’t ashamed of it, neither. Somebody’s got t’ help out when it’s a case of two lovin’ souls that’s bein’ kept apart.

      “Now, pardner,” I answers him, as coaxin’ as I could, “don’t you go holler ’fore you’re hit. It happens that I ain’t a-figgerin’ on no hitch-up plans fer you.

      Hairoil, he stood up–quick, so that I come nigh fallin’ offen my end of the truck. “But you are fer some other pore cuss,” he says. “You as good as owned up.”

      “Yas,” I answers, “I are. But the gent in question wouldn’t want you should worry about him. All that’s a-keepin’ him anxious is that mebbe he won’t git his gal.”

      “Alec,” Hairoil goes on,–turrible solemn, he was–“I have decided that this town has had just about it’s fill of this Cupid business of yourn–and I’m a-goin’ t’ stop it.”

      I snickered. “Y’ are?” I ast. “Wal, how?”

      “By marryin’ you off. When you’re hitched up you’self, you won’t be so all-fired anxious t’ git other pore fellers into the traces.”

      “That good news,” I says. “Who’s the for-tunate gal you’ve picked fer me?”

      “Never you mind,” answers Hairoil. “She’s a new gal, and she’ll be along next week.”

      “Is she pretty?”

      “Is she pretty! Say! Pretty ain’t no name fer it! She’s got big grey eyes, with long, black, sassy winkers, and brown hair that’s all kinda curly over the ears. Then her cheeks is pink, and she’s got the cutest mouth a man ’most ever seen.”

      Wal, a-course, I thought he was foolin’. (And mebbe he was–then.) A gal like that fer me!–a fine, pretty gal fer such a knock-kneed, slab-sided son-of-a-gun as me? I just couldn’t swaller that.

      But, aw! if I only had ’a’ knowed how that idear of hisn was a-goin’ t’ grow!–that idear of him turnin’ Cupid fer me, y’ savvy. And if only I’d ’a’ knowed what a turrible bust-up he’d fin’lly be responsible fer ’twixt me and the same grey-eyed, sassy-winkered gal! If I had, it’s a cinch I’d ’a’ sit on him hard–right then and there.

      I didn’t, though. I switched back on to what was a-puzzlin’ and a-worryin’ me. “Billy Trowbridge,” I begun, “has waited too long a’ready fer Rose Andrews. And if things don’t come to a haid right soon, he’ll lose her.”

      Hairoil give a kinda jump. “The Widda Andrews,” he says, “–Zach Sewell’s gal? So you’re a-plannin’ t’ interfere in the doin’s of ole man Sewell’s fambly.”

      “Yas.”

      He reached fer my hand and squz it, and pretended t’ git mournful, like as if he wasn’t never goin’ t’ see me again. “My pore friend!” he says.

      “Wal, what’s eatin’ you now?” I ast.

      “Nothin’–only that pretty gal I tole you about, she’s––”

      Then he stopped short.

      “She’s what?”

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