Education - James J. Walsh

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of man at the earliest point to which we can trace written history, and what strikes us most is how very little his nature or abilities have changed in seven thousand years; what he admired we admire; what were his limits in fine handiwork are also ours. We may have a wider outlook, a greater understanding of things, our interests may have extended in this interval; but as far as human nature and tastes go, man is essentially unchanged in this interval.”

      We have enough of the products of the arts and crafts of these early Egyptian generations to show us that there must have been no inconsiderable training of the men of this time in the making of beautiful art objects. For instance, the interior decoration of their tombs shows us men skilled as designers, clever in the use of colors, with a rather extensive knowledge of pigments and with a definite tendency not to repeat designs but to create new ones. Most of the diapered designs of modern interior decorations were original with the Egyptians, and some of those found in the tombs uncovered in recent years have been adopted and adapted by modern designers. It is in the matter of jewelry particularly that the ability and the training of the old Egyptian workmen are most evident. It would be quite incredible to think that these workmen developed their artistic craftsmanship without training, and therefore there was at least the germ of a technical school or set of schools in oldest Egypt. It would be quite impossible to believe this only that we know so much more about other features of Egyptian education as anticipations of our own. A special word about their jewelry then, because it illustrates a definite training quite different from that of our time, will not be out of place.

      Their jewelry, it may be said at once, is in striking contrast with what we call jewelry in our time. It is true that we are in the midst of one of the worst periods of jewelry-making, but then we are so prone to think of anything very modern as representing the highest evolution, that the contrast is chastening and illuminating. Mr. Petrie has insisted on the beautiful jewelry, carved precious stones and gold ornaments of the very early period in Egypt. In our time we have no jewelry that deserves the name. I doubt whether we even know the real definition of jewelry, so I venture to repeat it. Jewels are precious stones themselves of value, usually of a high degree of hardness so that they do not deteriorate with time or wear, to which a greatly enhanced value is added by the handiwork of man. Jewels are made by artistic carving and cutting so that besides their precious quality as beautiful colored stones, they have an added charm and interest from human workmanship. We wear no such jewelry in our generation. What we have are merely precious stones. These by an artificial rigging of the market and a combination of the great commercial agencies that control the sale of diamonds and other precious stones, remain very expensive in spite of their comparative abundance. They are worn only because they are a display of the amount of money that a person can afford to spend for mere ornaments.

      There is nothing in these precious stones themselves that carries an appeal to the educated mind. It is true that they are pretty, but only with the prettiness of the play of rainbow colors that delights a childish or uncultured eye. It requires no taste to like them, no culture to appreciate them, and their cost alone gives them value. This is so true that those who possess a magnificent parure of diamonds often also have an imitation of them in cheaper stones that may be worn on most occasions. The danger of loss or the risk of robbery is so great that it has seemed worth while to have this imitation made in many cases. No one except an expert will recognize the difference, and if you are known to possess the real stones it will of course be supposed that you are wearing them. What gives them value as an adornment in the eye of the possessor, and presumably also of the onlookers, is the fact that they must have cost such a large sum of money. They are a vulgar display of wealth. They are typically barbaric and, worn in the profusion now so common, carry us back to the uncultured peoples who like to wear gaudy things. The taste is perhaps a little better, but the essential quality of mind that dictates the wearing of heavy brass rings and strings of beads and that which impels to the display of many diamonds, is hard to differentiate.

      Artistic objects produce a sense of pleasure in the beholder, an appreciation of the beautiful handiwork of man. Precious stones worn as is now the custom produce only a sense of envy. Of course envy comes only to baser minds, but it is perfectly clear that most of those who are supposed to be affected by the sight of diamonds worn in profusion have this particular quality rather well developed. This distinction is often forgotten. Personal adornment as well as the adornment of one’s house should be in order to give pleasure to others, and not merely a display of wealth for wealth’s sake in such a way as is likely to produce envy. The old Egyptians made their jewelry with the true artistic sense. Flinders Petrie has told how beautifully they carved hard gems of various kinds and how the remains of these show us a people of good taste, even though their technique in the manufacture of such objects may have left something to be desired. In connection with this oldest of books it is important to recall this, for it shows that not alone in the applied wisdom of life and the knowledge gained from personal experience were these Egyptians of over 5,000 years ago brothers and sisters beyond whose wise saws we have not advanced, but also in the realm of art their work takes its place beside what is best in the modern time.

      Some may be inclined to say that while the Egyptians may, as indeed we must admit they did, know many things about art and literature and practical wisdom, yet they did not have exact knowledge. Their knowledge, though large and liberal, had not become scientific. This will scarcely be maintained, however, by any one who realizes how much of applied science there was in the building of the old temples and pyramids and how much they must have developed mechanics, applied and theoretic, in order to accomplish the tasks they thus set themselves. Cantor, the German historian of mathematics, acknowledged this and paid a worthy tribute to the old Egyptians’ development of mathematics, pure and applied, in discussing the expression that had been used by Democritus, the early Greek geometer, who once declared that “In the construction of plane figures with demonstrations no one has yet surpassed me, not even the rope fasteners (harpedonaptai) of Egypt.” For a long time this word harpedonaptai was a mystery, but Professor Cantor cleared it up, and explaining for us the exact meaning of the compound which means literally either rope fasteners or rope stretchers, he says, “There is no doubt that the Egyptians were very careful about the exact orientations of their temples and other public buildings. Old inscriptions seem to show that only the North and South lines were drawn by actual observation of the stars. The East and West lines were drawn at right angles to the others. Now it appears from the practice of Heron of Alexandria and of the ancient Indian and probably also the Chinese geometers, that a common method of securing a right angle between two very long lines was to stretch round three pegs a rope measured in three portions which were to one another in the ratio 3:4:5. The triangle thus formed is right-angled. Further the operation of rope stretching is mentioned in Egypt, without explanation, at an extremely early time (Amenemhat I). If this be the correct explanation of it, then the Egyptians were acquainted 2,000 years B.C., with a particular case of the proposition now known as the Pythagorean theorem.”

      This may not seem to mean very much. Yet what it illustrates is just this. These men wanted a certain development of mathematics. They needed it for the work that they were engaged at. They set themselves to the solution of certain problems and in doing so evolved a theorem in pure mathematics and an application of it which greatly simplified construction and gave an impetus to mechanics. In so doing they anticipated the work of a long after time. This is what I would insist is always true with regard to man. When he needs some intellectual development he makes it. When he requires an application of it he succeeds in working it out. Later ages may go farther, but had he needed further developments he evidently had the power to make them and probably would have made them.

      The old Greeks had a much better opportunity to study Egyptian remains than we have, and especially was this true after the foundation of Alexandria. There must have been a lively interest in things Egyptian aroused in the Greek minds by this Greek settlement in old Egypt. It is not surprising, then, to find some magnificent compliments to the old Egyptians in the mouths of some of the writers about the time of the foundation of Alexandria. Eudemus, for instance, the pupil of Aristotle, wrote the history of Geometry in which he traces its invention to the Egyptians, and states that the reason for its invention was its necessity in the remeasurement of land demanded after the removal of landmarks by the annual rise of the Nile. Always does one find this, that when there is a serious demand for an invention in theory or practice

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