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The Essential Willa Cather Collection. Уилла Кэсер
Читать онлайн.Название The Essential Willa Cather Collection
Год выпуска 0
isbn 9781456613471
Автор произведения Уилла Кэсер
Жанр Контркультура
Издательство Ingram
"There was, I found, one day in the year for which my old aunt waited, and which stood out from the months that were all of a sameness to her. On the thirtieth of May she insisted that I should bring down the big flag from the attic and run it up upon the tall flagstaff beside Lyon's tree in the garden. Later in the morning she went with me to carry some of the garden flowers to the grave in the orchard,--a grave scarcely larger than a child's.
"I had noticed, when I was hunting for the flag in the attic, a leather trunk with my own name stamped upon it, but was unable to find the key. My aunt was all day less apathetic than usual; she seemed to realize more clearly who I was, and to wish me to be with her. I did not have an opportunity to return to the attic until after dinner that evening, when I carried a lamp up-stairs and easily forced the lock of the trunk. I found all the things that I had looked for; put away, doubtless, by his mother, and still smelling faintly of lavender and rose leaves; his clothes, his exercise books, his letters from the army, his first boots, his riding-whip, some of his toys, even. I took them out and replaced them gently. As I was about to shut the lid, I picked up a copy of the neid, on the fly-leaf of which was written in a slanting, boyish hand,
Lyon Hartwell, January, 1862.
He had gone to the wars in Sixty-three, I remembered.
"My uncle, I gathered, was none too apt at his Latin, for the pages were dog-eared and rubbed and interlined, the margins mottled with pencil sketches--bugles, stacked bayonets, and artillery carriages. In the act of putting the book down, I happened to run over the pages to the end, and on the fly-leaf at the back I saw his name again, and a drawing--with his initials and a date--of the Federal flag; above it, written in a kind of arch and in the same unformed hand:
'Oh, say, can you see by the dawn's early light What so proudly we hailed at the twilight's last gleaming?'
It was a stiff, wooden sketch, not unlike a detail from some Egyptian inscription, but, the moment I saw it, wind and color seemed to touch it. I caught up the book, blew out the lamp, and rushed down into the garden.
"I seemed, somehow, at last to have known him; to have been with him in that careless, unconscious moment and to have known him as he was then.
"As I sat there in the rush of this realization, the wind began to rise, stirring the light foliage of the locust over my head and bringing, fresher than before, the woody odor of the pale roses that overran the little neglected garden. Then, as it grew stronger, it brought the sound of something sighing and stirring over my head in the perfumed darkness.
"I thought of that sad one of the Destinies who, as the Greeks believed, watched from birth over those marked for a violent or untimely death. Oh, I could see him, there in the shine of the morning, his book idly on his knee, his flashing eyes looking straight before him, and at his side that grave figure, hidden in her draperies, her eyes following his, but seeing so much farther--seeing what he never saw, that great moment at the end, when he swayed above his comrades on the earthen wall.
"All the while, the bunting I had run up in the morning flapped fold against fold, heaving and tossing softly in the dark--against a sky so black with rain clouds that I could see above me only the blur of something in soft, troubled motion.
"The experience of that night, coming so overwhelmingly to a man so dead, almost rent me in pieces. It was the same feeling that artists know when we, rarely, achieve truth in our work; the feeling of union with some great force, of purpose and security, of being glad that we have lived. For the first time I felt the pull of race and blood and kindred, and felt beating within me things that had not begun with me. It was as if the earth under my feet had grasped and rooted me, and were pouring its essence into me. I sat there until the dawn of morning, and all night long my life seemed to be pouring out of me and running into the ground."
* * * * *
Hartwell drew a long breath that lifted his heavy shoulders, and then let them fall again. He shifted a little and faced more squarely the scattered, silent company before him. The darkness had made us almost invisible to each other, and, except for the occasional red circuit of a cigarette end traveling upward from the arm of a chair, he might have supposed us all asleep.
"And so," Hartwell added thoughtfully, "I naturally feel an interest in fellows who are going home. It's always an experience."
No one said anything, and in a moment there was a loud rap at the door,--the concierge, come to take down Bentley's luggage and to announce that the cab was below. Bentley got his hat and coat, enjoined Hartwell to take good care of his _perroquets_, gave each of us a grip of the hand, and went briskly down the long flights of stairs. We followed him into the street, calling our good wishes, and saw him start on his drive across the lighted city to the Gare St. Lazare.
_McClure's_, March 1907
_The Enchanted Bluff_
We had our swim before sundown, and while we were cooking our supper the oblique rays of light made a dazzling glare on the white sand about us. The translucent red ball itself sank behind the brown stretches of corn field as we sat down to eat, and the warm layer of air that had rested over the water and our clean sand-bar grew fresher and smelled of the rank ironweed and sunflowers growing on the flatter shore. The river was brown and sluggish, like any other of the half-dozen streams that water the Nebraska corn lands. On one shore was an irregular line of bald clay bluffs where a few scrub-oaks with thick trunks and flat, twisted tops threw light shadows on the long grass. The western shore was low and level, with corn fields that stretched to the sky-line, and all along the water's edge were little sandy coves and beaches where slim cottonwoods and willow saplings flickered.
The turbulence of the river in spring-time discouraged milling, and, beyond keeping the old red bridge in repair, the busy farmers did not concern themselves with the stream; so the Sandtown boys were left in undisputed possession. In the autumn we hunted quail through the miles of stubble and fodder land along the flat shore, and, after the winter skating season was over and the ice had gone out, the spring freshets and flooded bottoms gave us our great excitement of the year. The channel was never the same for two successive seasons. Every spring the swollen stream undermined a bluff to the east, or bit out a few acres of corn field to the west and whirled the soil away to deposit it in spumy mud banks somewhere else. When the water fell low in midsummer, new sand-bars were thus exposed to dry and whiten in the August sun. Sometimes these were banked so firmly that the fury of the next freshet failed to unseat them; the little willow seedlings emerged triumphantly from the yellow froth, broke into spring leaf, shot up into summer growth, and with their mesh of roots bound together the moist sand beneath them against the batterings of another April. Here and there a cottonwood soon glittered among them, quivering in the low current of air that, even on breathless days when the dust hung like smoke above the wagon road, trembled along the face of the water.
It was on such an island, in the third summer of its yellow green, that we built our watch-fire; not in the thicket of dancing willow wands, but on the level terrace of fine sand which had been added that spring; a little new bit of world, beautifully ridged with ripple marks, and strewn with the tiny skeletons of turtles and fish, all as white and dry as if they had been expertly cured. We had been careful not to mar the freshness of the place, although we often swam out to it on summer evenings and lay on the sand to rest.
This was our last