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in his forehead, directly above the nose, deepened as he sat thinking, and his powerful head drooped forward heavily. Although Alexander was only forty-three, Wilson thought that beneath his vigorous color he detected the dulling weariness of on-coming middle age.

      The next afternoon, at the hour when the river was beginning to redden under the declining sun, Wilson again found himself facing Mrs. Alexander at the tea-table in the library.

      "Well," he remarked, when he was bidden to give an account of himself, "there was a long morning with the psychologists, luncheon with Bartley at his club, more psychologists, and here I am. I've looked forward to this hour all day."

      Mrs. Alexander smiled at him across the vapor from the kettle. "And do you remember where we stopped yesterday?"

      "Perfectly. I was going to show you a picture. But I doubt whether I have color enough in me. Bartley makes me feel a faded monochrome. You can't get at the young Bartley except by means of color." Wilson paused and deliberated. Suddenly he broke out: "He wasn't a remarkable student, you know, though he was always strong in higher mathematics. His work in my own department was quite ordinary. It was as a powerfully equipped nature that I found him interesting. That is the most interesting thing a teacher can find. It has the fascination of a scientific discovery. We come across other pleasing and endearing qualities so much oftener than we find force."

      "And, after all," said Mrs. Alexander, "that is the thing we all live upon. It is the thing that takes us forward."

      Wilson thought she spoke a little wistfully. "Exactly," he assented warmly. "It builds the bridges into the future, over which the feet of every one of us will go."

      "How interested I am to hear you put it in that way. The bridges into the future--I often say that to myself. Bartley's bridges always seem to me like that. Have you ever seen his first suspension bridge in Canada, the one he was doing when I first knew him? I hope you will see it sometime. We were married as soon as it was finished, and you will laugh when I tell you that it always has a rather bridal look to me. It is over the wildest river, with mists and clouds always battling about it, and it is as delicate as a cobweb hanging in the sky. It really was a bridge into the future. You have only to look at it to feel that it meant the beginning of a great career. But I have a photograph of it here." She drew a portfolio from behind a bookcase. "And there, you see, on the hill, is my aunt's house."

      Wilson took up the photograph. "Bartley was telling me something about your aunt last night. She must have been a delightful person."

      Winifred laughed. "The bridge, you see, was just at the foot of the hill, and the noise of the engines annoyed her very much at first. But after she met Bartley she pretended to like it, and said it was a good thing to be reminded that there were things going on in the world. She loved life, and Bartley brought a great deal of it in to her when he came to the house. Aunt Eleanor was very worldly in a frank, Early-Victorian manner. She liked men of action, and disliked young men who were careful of themselves and who, as she put it, were always trimming their wick as if they were afraid of their oil's giving out. MacKeller, Bartley's first chief, was an old friend of my aunt, and he told her that Bartley was a wild, ill-governed youth, which really pleased her very much. I remember we were sitting alone in the dusk after Bartley had been there for the first time. I knew that Aunt Eleanor had found him much to her taste, but she hadn't said anything. Presently she came out, with a chuckle: `MacKeller found him sowing wild oats in London, I believe. I hope he didn't stop him too soon. Life coquets with dashing fellows. The coming men are always like that. We must have him to dinner, my dear.' And we did. She grew much fonder of Bartley than she was of me. I had been studying in Vienna, and she thought that absurd. She was interested in the army and in politics, and she had a great contempt for music and art and philosophy. She used to declare that the Prince Consort had brought all that stuff over out of Germany. She always sniffed when Bartley asked me to play for him. She considered that a newfangled way of making a match of it."

      When Alexander came in a few moments later, he found Wilson and his wife still confronting the photograph. "Oh, let us get that out of the way," he said, laughing. "Winifred, Thomas can bring my trunk down. I've decided to go over to New York to-morrow night and take a fast boat. I shall save two days."

      CHAPTER II

      On the night of his arrival in London, Alexander went immediately to the hotel on the Embankment at which he always stopped, and in the lobby he was accosted by an old acquaintance, Maurice Mainhall, who fell upon him with effusive cordiality and indicated a willingness to dine with him. Bartley never dined alone if he could help it, and Mainhall was a good gossip who always knew what had been going on in town; especially, he knew everything that was not printed in the newspapers. The nephew of one of the standard Victorian novelists, Mainhall bobbed about among the various literary cliques of London and its outlying suburbs, careful to lose touch with none of them. He had written a number of books himself; among them a "History of Dancing," a "History of Costume," a "Key to Shakespeare's Sonnets," a study of "The Poetry of Ernest Dowson," etc. Although Mainhall's enthusiasm was often tiresome, and although he was often unable to distinguish between facts and vivid figments of his imagination, his imperturbable good nature overcame even the people whom he bored most, so that they ended by becoming, in a reluctant manner, his friends. In appearance, Mainhall was astonishingly like the conventional stage-Englishman of American drama: tall and thin, with high, hitching shoulders and a small head glistening with closely brushed yellow hair. He spoke with an extreme Oxford accent, and when he was talking well, his face sometimes wore the rapt expression of a very emotional man listening to music. Mainhall liked Alexander because he was an engineer. He had preconceived ideas about everything, and his idea about Americans was that they should be engineers or mechanics. He hated them when they presumed to be anything else.

      While they sat at dinner Mainhall acquainted Bartley with the fortunes of his old friends in London, and as they left the table he proposed that they should go to see Hugh MacConnell's new comedy, "Bog Lights."

      "It's really quite the best thing MacConnell's done," he explained as they got into a hansom. "It's tremendously well put on, too. Florence Merrill and Cyril Henderson. But Hilda Burgoyne's the hit of the piece. Hugh's written a delightful part for her, and she's quite inexpressible. It's been on only two weeks, and I've been half a dozen times already. I happen to have MacConnell's box for tonight or there'd be no chance of our getting places. There's everything in seeing Hilda while she's fresh in a part. She's apt to grow a bit stale after a time. The ones who have any imagination do."

      "Hilda Burgoyne!" Alexander exclaimed mildly. "Why, I haven't heard of her for--years."

      Mainhall laughed. "Then you can't have heard much at all, my dear Alexander. It's only lately, since MacConnell and his set have got hold of her, that she's come up. Myself, I always knew she had it in her. If we had one real critic in London--but what can one expect? Do you know, Alexander,"--Mainhall looked with perplexity up into the top of the hansom and rubbed his pink cheek with his gloved finger,--"do you know, I sometimes think of taking to criticism seriously myself. In a way, it would be a sacrifice; but, dear me, we do need some one."

      Just then they drove up to the Duke of York's, so Alexander did not commit himself, but followed Mainhall into the theatre. When they entered the stage-box on the left the first act was well under way, the scene being the interior of a cabin in the south of Ireland. As they sat down, a burst of applause drew Alexander's attention to the stage. Miss Burgoyne and her donkey were thrusting their heads in at the half door. "After all," he reflected, "there's small probability of her recognizing me. She doubtless hasn't thought of me for years." He felt the enthusiasm of the house at once, and in a few moments he was caught up by the current of MacConnell's irresistible comedy. The audience had come forewarned, evidently, and whenever the ragged slip of a donkey-girl ran upon the stage there was a deep murmur of approbation, every one smiled and glowed, and Mainhall hitched his heavy chair a little nearer the brass railing.

      "You see," he murmured in Alexander's ear, as the curtain fell on the first act, "one almost never sees a part like that done without smartness or mawkishness. Of course, Hilda is Irish,--the Burgoynes have been stage

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