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      In all of China and Japan.

      It was brought here, to be specific,

      To labor on the Southern Pacific,

      And then, forsaken, had to stay

      In Hanford and in San Jose.

      It now speaks English fluently

      And sends its kids to USC.

      Leafs

      One leaf should now be doing time,

      Life sentence for its horrid crime,

      Its disregard for humankind,

      Cruelties that numb the mind.

      Sotweed dulls the keenest brain

      And leaves behind on teeth vile stain,

      A rancid odor on the breath—

      Tobacco is the herb of death.

      Yet as I pen this morbid dirge,

      Struggling with the awful urge

      To suck in nicotine and tar,

      I’m puffing on a huge cigar.

      When it’s sliced, I cannot bear it!

      Purists always gently tear it

      Delicately with their fingers,

      Avoiding acrid taste that lingers

      From the touch of any metal

      On this tender, light green petal.

      But lettuce seldom gets its due.

      There are really very few

      Who eat the leaf ‘neath stuffed tomato

      Or salad, tuna or potato.

      Left on the plate, wilted, oily,

      It’s often nothing but a doily.

      A thoroughgoing democrat,

      In blue collar and hard hat,

      Cabbage has a union card.

      On Saturday, he mows his yard,

      Watches football Monday night,

      Has never missed a major fight;

      Subscribes to People, scans the Times

      (For weather, scores, and heinous crimes).

      Mr. Cabbage is sub dig—

      Some would say, “A swine, a pig!”

      But this pungent vegetable,

      Leader of the plebeian rabble,

      Has potential, without doubt:

      He’s incipient sauerkraut.

      Magnoliophyta

      (at the request of Jim Corder)

      Family mallow’s diverse stock

      Includes both okra and hollyhock,

      Althea shrub, and, indeed,

      Rose of Sharon, and velvetweed.

      When you served your okra gumbo,

      You undoubtedly didn’t know

      That your soup was pleonastic—

      Rich and spicy and bombastic.

      As the dictionary tells you,

      Gumbo’s “okra” in Bantu.

      Consider, then, this irony:

      Okra came across the sea

      To pick that field, to cut that cane,

      To labor on in woe and pain,

      While its cousin sat in state,

      King Cotton, mallow’s line enate.

      Matters Professional

      In the heat, beneath the trees,

      Ungainly wood between her knees,

      A cellist idly weaves her notes.

      The melody, I think, connotes

      The lazy, endless whirl of mind—

      A nebula that’s ill-defined—

      Toward a center, resting place,

      Stability in boundless space.

      Thank God, I say, for student essays!

      They let us while away our days

      In what we hope is harmless work,

      Hunting for the errors that lurk

      Within the Twinky prose.

      Those acne essays—we’ve tried, heaven knows,

      To improve their complexion

      By noting each and every possible correction,

      And feeding their authors, without apology,

      Nutritious fare from the Norton anthology.

      We may do some good; we hope so.

      In any case, this much we do know:

      The essays probably won’t be terrific, Yet they’ll serve as a soporific

      To deaden the pain of arthritis or flu.

      Ah yes, our themes will see us through

      The dismal dregs of sniffling Sundays,

      The aching, hacking nights of Mondays,

      Weekend, weekday—noses or knees, heads or backs,

      Wherever the malady, themes help us relax.

      Those narcotic anodynes, those horrendous stacks—We need them. We’re nothing but pitiful hacks,

      Self-righteously flaunting devotion to duty,

      To error-free prose and to truth and to beauty,

      When we know for a fact (and this is sublime):

      Our mission is really just to kill time.

      He Slithers in and hisses greeting.

      “This will be a busy meeting.”

      She Bustles primly to her chair.

      “This will be a great affair.”

      She Waddles dourly to her seat.

      “I’m glad,” she grunts, “that we can meet.”

      He Glides along; he doesn’t walk.

      “We’re alone, so we can talk.”

      Glide looks thoughtful, wise, profound.

      Waddle doesn’t make a sound.

      Bustle’s manner is officious.

      Slither’s start is . . . well . . . auspicious.

      “This is,” in hiss, “a vital matter.”

      “Indeed, indeed!” is Bustle’s natter.

      “I agree!”—that’s Waddle’s rumble.

      Glide advises, “We

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