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of four references follow.]

      Arts Ph.D. CV. Accepted fellowship in digital humanities at medium-sized Canadian Master’s university. Wanted her name and information not to be changed. Original document was nine pages.

      PRABA PILAR

      Email address | www.prabapilar.com | Tel 000-000-0000

       EDUCATION

      PhD, Performance Studies. University of California, Davis, expected June 2013.

      Designated Emphasis in Feminist Theory and Research, and in Studies in Performance Practice as Research.

      BA with Honors, Intermedia Arts, Mills College, 2006.

       DISSERTATION

      Latin@s Byte Back: Contestational Performance in the Technosphere. In my dissertation, I explore the art praxis of U.S. based Latin@ artists Coco Fusco, Ricardo Dominguez, Guillermo Gómez-Peña and Los Cybrids: La Raza Techno-Critica. I utilize Gloria Anzaldúa’s mestizaje and borderlands concepts and Deleuze and Guattari’s liminality to provide a feminist reading of these artists’ work, analyzing their projects on race, gender, class, bodies and labor throughout North, Central and South America. I focus on how these artists introduce resistant practices to redress neoliberal capitalist globalization.

       PROFESSIONAL EXPERIENCE

       Relevant Technical Experience

      Technology Director at various non-profits. Included systems administration, network and database management; coordination of computer labs and lab volunteers; development and initiation of strategic plans for technology usage, department budgets, grantwriting, planning.

      Database Developer on FileMaker5 and SalesForce, development of new infrastructures, program area layouts, and staff wide protocols. Integration of databases with internet.

      Web Developer utilizing DreamWeaver, WordPress, and Joomla for multiple clients.

      Programming utilizing MAX MSP/Jitter, Javascript, HTML.

       Relevant Project Management

      Principal project and event manager for various projects, including public art projects, art exhibitions, coordination of panel discussions, coordination of public art subcontractors, including cement, carpentry, electrical, ceramic, masonry, architectural; liaison with Parks and Recreation Department, City of Oakland Building Department, City of Oakland NCR and other agencies; volunteer coordinator.

      Coordinator of Latino Training Project. Project coordinator of 15 person team, meeting facilitator, and bilingual economic literacy trainer using popular education techniques.

       Client List:

      University of California Multi-Campus Research Group, Davis, CA

      Center for Religion and Civic Culture, University of Southern California, Los Angeles

      Windcall Institute, Oakland, CA

      [Eight more client listings follow.]

       Teaching Assistant: UC Davis

      Performance, Theatre and Culture. Department of Theatre and Dance, 2012, 2010, 2008.

      Introduction to Women and Gender Studies. Department of Women and Gender Studies, 2011.

      Introduction to Dramatic Arts. Department of Theatre and Dance, 2010.

       Thesis Advisor/Reader

      When the Invisible Punishing Machine is Everywhere. Name, in fulfillment of the Master of Science in Art, Culture and Technology, MIT. 2011.

       Graduate Advisor

      California College of the Arts, San Francisco, CA, 2009.

       Teacher

      Youth Digital Arts. Horace Mann Middle School, 2006.

      Environmental Art Practices. Audubon Society program for youth of color, 2005.

       HONORS

      Presidential Pre-Doctoral Fellowship in the Humanities, UC Davis, 2007-2011

      Dean’s Scholarship, Mills College, 2004-2006

      George Kingdon Memorial Scholarship, Mills College, 2005

      Puffin Foundation Award, 2004

      [Thirteen more honors listings follow.]

       PUBLICATIONS

       Academic Books

      2013 “A Performance Script in Two Parts.” Chapter in Are All The Women Still White: Globalizing Women’s Studies, edited by Janell Hobson. Manuscript of book currently under review by University of Illinois Press.

       Academic Journals

      2013 “BOT I.” Lateral Journal of the Cultural Studies Association Spring 2013. Thread: In Search of Digital Feminisms.

       Exhibition Catalogues

2011Paradigm Shifts: Walter McBean Galleries Exhibitions and Public Programs, San Francisco Art Institute 2006-2011. Hou Hanru with Mary Ellyn Johnson. San Francisco Art Institute, San Francisco.
2008Bay Area NOW 5 Wayfinder. Catalogue of Bay Area Now 5 exhibition at Center for the Arts at Yerba Buena.
1996“Reversal of Fortune.” Catalogue of Strawberry Fields exhibition at Galería de la Raza, SF
1995“The Healing Fields.” Catalogue of Another Life Up Inside Her Head exhibition at Galería de la Raza, SF

       Encyclopedia Entries

2006“A is for Anxiety” entry in Encyclopedia Project: Volume 1, A-E. Encyclomedia: Providence, 2006.

       Non-Academic Publications

2002“The Art of Social Justice.” Chapter Interview in The Civil Disobedience Handbook: A Brief History and Practical Advice for the Politically Disenchanted, edited by James Tracy. Manic D Press: San Francisco. Pgs 41-43.
2002“Cybridnetics: an Ese from the Other side of the Digital Divide.” Tripwire, A Journal of Poetics, Fall 2002

      [Two more non-academic publication listings follow.]

       Online Publications

2012“Alter-Ego,” multi-media article. KATALOG, a publication of Central Canadian Center for Performance. Published September 8, 2012.
“Faith in Machine,” an Interview with Praba Pilar with Localflux.net URL: http://localflux.net/PostView.aspx?id=6
“Ruptures in Technoculture: Technophilic Society and Interventionist Performance.” WEAD Magazine, Issue 4: No Time For Complacency. Essay.

      [Two more online publication listings follow.]

       Artwork Images Publications

2007Phoenix, 21st Century City. Edward Booth Clibborn, Image.
2005B/ordering Space (Border Region) by Henk Van Houtum, Oliver Kramsch, Wolfgang Ziefhofer; Ashgate Publishing, Image.
The Womanist: Mills College Women of Color Journal, Spring 2005, Vol. VIII. Image.

      [Two additional image publications follow.]

       Radio Interviews

2011“BOT I” Radio 2050 Interview by Darren De Leon, KPFA Radio,

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