LITMIR.BIZ

      Reading is more than a private traffic with printed matter. It is an engagement achieved through the imagination, across a distance; a tightly knit affair between a speaker and a listener; a survivor’s gesture of reconnaissance and affection toward the past. Reading is mourning—a community forming around a likeness, around a death or a fall. —Wayne Koestenbaum³

      In some important ways, this project began thirty years ago, in 1982. At that time, my father, a psychologist, published a book titled The Search for Oneness. He and his cowriters, Frank Lachmann and Robert Milich, argued that unconscious “symbiotic-like” wishes and fantasies—that is, unconscious fantasies that are directed toward a state of oneness with another person—can have adaptive potential. Because they tap into early experiences of mother-infant intimacy, when the infant felt protected and emotionally bolstered by the mother’s supportive presence, oneness fantasies in later life can ameliorate anxieties and even promote enhanced performance. Of course, such fantasies can also trigger maladaptive behavior particularly when they invoke an overwhelming or engulfing (rather than a gratifying) maternal presence. But for the most part, and at least in populations with strong ego boundaries, unconscious fantasies of oneness tend to alleviate pathologies and create healthier psychic states.

      To demonstrate these claims, my father’s team conducted a series of empirical experiments designed to test the effectiveness of a subliminally administered “oneness stimulus.” In these studies, two groups of schizophrenics were asked to look into a tachistoscope where they viewed a message lasting four milliseconds. The message appeared as a flash of light and could therefore register only on an unconscious level, if at all. The control group received a placebo stimulus of relatively neutral import: “People are Walking.” The experimental group received a stimulus designed to activate symbiotic wishes: “Mommy and I are One.” In support of their hypothesis, the research team found that the group exposed to the oneness stimulus showed considerable increases in adaptive behavior. Later studies indicated that subliminal stimulation of oneness fantasies could also have a positive effect on more general populations, contributing to weight loss, reduced anxiety, diminution of phobias, decreased addictions (especially to alcohol and cigarettes), enhanced proficiency in reading and test-taking, and general happiness and well-being.

      Four years after the publication of The Search for Oneness, in 1986, my father died unexpectedly in a drowning accident that left my family crushed and bereft. He was fifty-six years old, still in the early stages of what he imagined as a long career as a researcher and clinician. I was nineteen when my father died, a sophomore in college and only beginning a course in reading that would change my way of seeing the world and ultimately send me to graduate school for a degree in literature. His death had the effect of plunging me all the more soundly into my studies, and as I read, a curious ritual ensued. I imagined my father as fellow reader, sharing my outrage over a preposterous theoretical claim or bonding with me in response to a mutually appreciated authorial sensibility. Likewise, he became my idealized audience when I wrote, his projected responses conditioning my authorial decisions. In other words, textuality—the imagined dynamics around reading and writing—was the primary vehicle through which I restored my father’s presence.

      The ease with which I took up these practices no doubt resulted from the countless hours my father and I had spent reading together, time during which I acquired a refined sense of his readerly inclinations and dislikes. Even before this, I knew my father best as a man of language, a lover of puns, verbal pranks, and neologisms. My earliest memories are of competitive nightly games of hangman, and of a tune my father used to sing that we called “The Alphabet Love Song” (“A you’re Adorable, B you’re so Beautiful, C you’re a Cutie full of Charm …”). But while playful, my father’s interest in language always had a psychological dimension, stemming as it did from Freud’s recognition that wordplay was crucial to the unconscious mind. I was around twelve years old when he suggested to me that an anxious dream about a bear might be related to shameful feelings about my changing body, particularly in its naked—or bare—form.

      Our relationship, then, was deeply mediated by both narrative and psychoanalysis. Perhaps for this reason, reading in the wake of his death became a means of imaginatively forging contact with my father, a practice that did much to counteract what were otherwise solitary episodes with books. At the time, I was only dimly aware that I was partaking in a strange ritual of communion. Only in retrospect (and with the help of reading in psychoanalysis) was it clear that I was using books as a way of uniting with my father, making reading into a kind of grief work. The irony, of course, was that such a practice had its origins in my father’s own academic interests. That is, through reading I was participating in a variant of the oneness fantasy that he understood as so essential to psychic life.

      Years and years later, my experience of communion through books became the basis for this study. In it, I argue that reading and authorship can be acts of intimacy, ways of establishing a therapeutic experience of merger or union with an inaccessible other. Although my focus in this book is on the nineteenth century, the culmination of my own narrative came this year, when, for the first time, I read my father’s book, The Search for Oneness, in full. This experience did much to confirm many of my observations about nineteenth-century readers—their sense that reading could create shared consciousness, that books, despite their inanimate status, could seem uncannily alive or “breathing,” even their fantasy that in touching the material book, they were somehow making physical contact with a beloved author or fellow reader.

      To be sure, in reading my father’s book, there were also moments of painful disidentification, of critique and even irritation (especially from a twenty-first-century feminist perspective). These reactions complicated, while never fully undermining, the experience of reader-author communion, which was also, in this case, an instance of daughter-father oneness. That I read my father’s book while completing my own only enhanced these identificatory relays, allowing me to imagine my father’s rejoinders to my writing alongside my own readerly responses to his. These fantasies of reciprocal reader relations transformed my understanding of academic work and made the completion of this study an act of intimacy as much as scholarship. This book, then, is dedicated to the memory of my father and to my mother (whose equally profound influence deserves a preface of its own), with love and gratitude.

      Introduction

       The Fantasy of Communion

      Sometime in the 1840s, Massachusetts resident Sarah E. Edgarton paid a visit to her intimate childhood friend Luella J. B. Case and left behind a book of poetry by William Wordsworth. This Wordsworth volume took on special significance for Case, who suffered from an acute sense of loneliness following the departure of her friend. In a letter to Edgarton written shortly after the visit, Case elaborates:

      in the evening feeling very lonesome, and also being visited by some mournful reminiscences of our old home, and “lang syne,” I went involuntarily to the volume of Wordsworth, hoping to find something like

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